Another episode of Anugerah 2017 has passed, and again with a little bit of uproar afterwards on social media, which I will touch on much later. Group B returned to our television screens and continued the Rock genre which their Group A counterparts had gone through the week before. From observing the first two episodes, it was generally perceived and I noted that Group B had the better performers over Group A. That is normal and was to be expected when you take into account first time jitters during the first episode. Group B in the meantime had the advantage of observing what was expected of them and applying what they learned a week later. Naturally you would also expect them to do better for the second time, having had the opportunity to watch their counterparts go through the Rock genre a week before them. So how did they fare last Tuesday???
I personally like Syakirah Noble‘s confidence on stage. Even though she is only seventeen, she is not easily fazed or looked daunted when she was made to be the first contestant to go up. This comes with the experience of entering external singing competitions and she has bags of experience already in that respect. However experience alone was not enough to ensure she gave a performance as good as her previous one. For one, Syakirah‘s low notes were a bit suspect when she performed Akim & The Majistrate‘s “Potret“. She also needs to work on her diction and pronunciation of words, in turn reducing her English accent, so as not to turn off our ever-critical viewers who are always out to find the slightest faults and vent it on social media afterwards. Another flaw I noticed was the lack of emotions injected into the song, which only became evident when she broke into chorus. When we put in emotions and feel, our viewers and listeners will equally share them with us. Not the same virtuoso performance that she did on the second week, probably because the Rock genre was her first attempt at it. In that respect, I disagree slightly with judges Taufik Batisah and Najip Ali that it was a good performance by her, because I’ve seen Syakirah performed much better before this.
He was the winner of the $500 prize given to the best performer of the week the last time out and enjoyed immunity from elimination. Naturally, another stellar performance was anticipated when Nor Shafiq came onstage to sing “Untukmu Sayang“, which was originally sung by 80s rock group, Febians, and then much later by Amuk. I do not deny Shafiq has this mesmerising tone of voice which could leave the ladies out there weak in the knees and wished as though he was singing specially to them. If we take away the genre of the night and treat it like a normal performance, he would have aced it again. However, he was too relaxed, too lackadaisical, too complacent. Perhaps he was overconfident??? Probably. If I were to be extremely critical of his performance, it resembled that of someone who was performing in karaoke rooms or at wedding functions where their voices alone would ensure accolades from those around them. This time I agree with the judges that his performance lacked bite and the rock factor.
I was quite critical of Sharizal Suwandi‘s last outing and even said that he should have been eliminated by the judges. Not this time. I felt he redeemed himself well on Tuesday night when he performed Rahim Maarof‘s “Cinta Kristal“. When I compared his performance with the two before him, I personally believe till today that he should have been at least placed second by the judges. He was very much in control of his delivery, was a picture of calmness and determination, probably buoyed at the fact that he is now a first-time daddy. Hope it’s not too late to congratulate Sharizal and his missus, Hawa, on the birth of Nur Shafira Haifa. Even if overall the performance still lacked a bit of rockish attitude, watching Sharizal performed that night actually dispelled whatever remaining misgivings I might have about his presence in the competition and hoped for his sake that he would progress. I really felt that he was much better than the first two, but apparently it wasn’t enough for judge Indra Shahrir, who was left disappointed. It seems that it is very difficult to win over Indra, prompting Najip to chide him for not being “rock” enough. Too often Indra has been throwing spanner into the works of good performances in the competition.
Before I comment further on Nadia Nadhirah‘s performance, I would like to put on record that I have an issue with the categorisation of Judika‘s “Bukan Dia Tapi Aku” in the Rock category. I would not even consider it a Rock Ballad even if the original singer injected some rock elements into the song by virtue of the nature of his husky vocals. I thought I was alone in having these thoughts, but a quick scan on my social media timeline after I got home from Mediacorp, showed a number of Rock enthusiasts up in arms as well. There were no other elements of Rock as well in the performance, quite a disappointment given the fact that judge Najip Ali had talked up her credentials as a technical singer a fortnight ago. I also observed that Nadhirah tends to sing her songs low. Not that it’s a bad thing, but there were parts where she was in danger of going flat and off-key. I also feel that Nadhirah is still singing in her comfort zone. She needs to challenge herself and pick songs that will test her vocal range. She already has that basic technical foundation. She should be finding ways to set herself apart from the rest still left in the competition. I disagree with her final ranked position, but thought she also did not deserve to be in the bottom three had the judges placed her there.
I have a nickname for Abby Nabila after watching her two performances in Anugerah 2017 so far, and some of her previous ones on Youtube and that is, “The Storyteller“. She has this innate ability to express the story of the song she is singing through her eyes, facial expressions and hand gestures. I’ve seen her sing songs which are fast-paced, it made me want to get up and dance with her. I’ve also seen her performed songs like this past Tuesday where she sang the late Nike Ardila‘s “Ku Tak Akan Bersuara“, and also felt the sad emotions that she exuded. However, it was an error-strewn performance by Abby, with her going off-key on several occasions, especially when she tried to hit the high notes. For some reason, I detected that she was not her usual self and she confirmed later on that she was not feeling particularly well that night. By the end of her performance, I feared that she was in danger of elimination and only a miracle would have saved her.
Elza Rahim ended the night’s competition with Mayang Sari‘s “Tiada Lagi“, another song which I thought was not rock-ish enough to be considered as one. From her live radio interview this past Monday night on RIA 89.7FM, Elza understood that she tends to sound like her idols when she sings, amongst them Dato’ Siti Nurhaliza, but vowed to sing in her own style henceforth to avoid future comparisons. She delivered her promise in that respect and she was very much in control of her overall performance. I personally liked her performance and thought she was a shoo-in for top spot. But if I were to be a bit more critical of her performance, like Nadhirah, Syakirah, Shalyza Rosly and even Nor Shahfiq before her, Elza seems to be mired in her comfort zone. These contestants need to show that they are also able to deliver songs that are not ballads by nature. Which was probably why this genre was supposed to challenge them in the first place.
Nor Shafiq exited the competition by virtue of being the lowest-ranked by the judges. He would have still been eliminated as he was also the one with the least number of votes for the night.
The night ended with another uproar on social media. Many were up in arms over Nor Shafiq‘s elimination when they thought that Abby Nabila should have been placed last. I had also expected Abby to exit the competition and even when I spoke to her afterwards, she said that she had mentally prepared herself to go given her less-than-convincing performance. It was definitely a spectacular fall from grace as he was the best performer the last time out. I tried to analyse and put myself in the judges’ shoes to understand their reasoning in switching Abby and Nor Shafiq‘s inital positions by watching their performances again via Mediacorp Suria‘s Facebook page. Perhaps what saved Abby that night was the fact that her performance was more angsty and suited for a rock ballad as compared to Nor Shafiq, who remained in his zone and did not exude much emotions nor gave the impression that the week’s genre was Rock. The key to winning the judges over could also be found in their comments after Abby‘s performance. They said they felt her emotions and I think that edged it for her. Just.
Sharizal‘s voters did not vote enough to keep him in the competition…
Another bone of contention for the next elimination via viewers’ votes could also be found on Mediacorp Suria‘s Facebook page. As a form of transparency, the television station had displayed the final vote percentages in a bar graph format and rounded off the figures to the nearest whole numbers. As it stands, the displayed figures had three contestants, Syakirah, Abby and Sharizal with a 15% vote percentage each but Sharizal was eventually eliminated as being the contestant with the least number of votes after Nor Shafiq, who only had 12% of the votes. In any case, Nor Shafiq would still have been eliminated, even if he had not been placed last by the judges. As for the disputed figures, the actual numbers actually showed that Sharizal had 14.55% of votes, followed by Syakirah with 15.02% and Abby with 15.31%. I think the television station did not anticipate this uproar so soon after the show ended with viewers questioning why Sharizal was the unlucky one. I believe in such questionable circumstances, the station could have immediately displayed the actual percentage figures along with the graph chart to avoid any dissenting voices from crying murder. The viewers and online community are ever so eager to come down hard on the station, I find it galling at times.
As the credits were rolling on our television screens, our two eliminated contestants were still in high spirits as seen here with their buddy, Hyrul Anuar…
Even after explaining the situation and releasing the final figures, the dissenting voices were still up in arms and venting their anger, blaming the station for lack of transparency and being dishonest. I’ve noticed for the longest time, Mediacorp Suria has always been at the receiving end of unsatisfied viewers and complaint kings and queens. They always have bones to pick over nitty-gritty things, trivial stuff and absolutely love making comparisons with television stations or programmes across the Causeway. Far too often they threatened to not want to watch anymore, yet the following week they are back again commenting and voicing out their displeasure. I have no kinder words to describe such people other than call them “Suckers”. I have never understood this extreme fixation for programmes that are produced abroad and expecting our people to replicate. If we were to really do that, then people will say we’re only being copycats. We really cannot please these people nor understand the rationale behind some of their thinking and rants. They speak like they know it all but provide few viable solutions and expect the station to create magic when in fact a lot of the programmes that are aired are not produced by them.
When our television station does not do that, they question why the competition does not include proper trainings for these contestants, why do they not attend bootcamps and vocal classes, grooming sessions or media preparation etc. I think the television station could do that, but it will require the contestants to be cooped up and away from their work, their social and family time. These online commenters can argue that social and family time can be sacrificed or compromised, but what about work??? Living in this country where productivity and results are very-much benchmarks of our daily performances at work, which employer would be kind enough to release their employees for a certain long period of time??? And who is going to pay these contestants when they take their time off work??? At the end of the day, it boils down to sponsorship. Not many are willing to come forward and pump in sponsorship fees like that of those across the Causeway. Unless we have a Dato’ Seri Vida or Dato’ Aliff Shukri in our ranks, we can forget about having that kind of competitions on our shores. Money still talks so we have to manage our own expectations of what can or can’t be done. Period.
The chemistry and banter between Suzairhe Sumari and Huda Ali grows as each week passes by…
Some of these online comments are also just downright stupid and highlights the stupidity of the person/s who commented just for the sake of it. Just yesterday I saw someone commenting on Mediacorp Suria‘s Facebook page criticising the station for having Siti Sarah Raisuddin performed at the weekend’s “Mahligai Manja” event at One KM Mall apparently during Maghrib prayers. The person had commented at 8:10pm but the Facebook Live clip was uploaded at 5:29pm, hardly during Maghrib, unless of course if the event had been done or the person himself was at a different time zone location. This is just one fine example of people commenting and ranting just because they have nothing better to do but pick on the station for what they perceived as insensitive or not being in tune with the needs of the masses. Some of you reading this might think I am defending the station or that I am a paid backroom staff. I’m sorry to disappoint you but I am no way contracted to Mediacorp nor am paid to defend them. I comment based on what I see with my own eyes and if I have niggling questions to ask, I will direct them to the people working inside rather than jump to unnecessary conclusions nor rely on hearsay from people working on the periphery.
Anyway, back to the competition. Najip Ali was happy at the end of the programme and voiced his relief, glee and pleasure that the genre had finally ended, which did not sit down too well with some of those who are hardcore supporters of it. I think to give him benefit of doubt, I agreed that over the past two weeks, the contestants’ performances as a whole, were either sub-par or totally disappointing, a definite source of frustration not only to the judges, but also those working behind-the-scenes. Most of them failed to grasp the essence of the genre. Like what local singer Nana Karia said afterwards in her Facebook post and I quote, “Rock is not just another genre. It’s a lifestyle, an attitude. To pull off the rock genre, you have to BE a rocker.” Which I can say all of them, Hakim Halim included, did not rise to the occasion and showed the audience and viewers that they are into it. Some might say that with constant training, they could have given more polished performances. I disagree slightly because it should come from within themselves, the interest, the soul, the understanding of the genre. When they are unable to grasp all that, the performances come up short and insincere. But some of them did try their utmost best and that has to be applauded and accepted.
Our hosts with the four who advanced to the next round – Nadia Nadhirah, Elza Rahim, Abby Nabila and Syakirah Noble…
I do not blame the contestants as all of them were born and grew up in an era where rock had evolved somewhat from the types we were used to listen to. “Rock will never die” as the saying goes, but not many from this current generation seem to show an interest in them nor understand the meaning of being a rocker. I personally feel till this very day that the genre should not have been put to the test for the Anugerah contestants. It’s like forcing something out of them and seeing it backfire when things did not turn out as planned. I brought this up with some of the people working behind the scenes. They said that they were given the impression that the genre was still relevant since some of the contestants had sung these songs during the audition rounds. Speaking of relevance, quite a number of songs sung so far during the competition are not concurrent with the times, regardless of genre. I think it is ok to sing songs from the past, but it has to be given a fresh arrangement and approach by the contestants themselves, just like what Liwani Izzati did the previous week and was brave enough when she sang Search‘s “Fantasia Bulan Madu“. The genre in general, eventually turned into a Ballad one and none were brave enough to sing a more upbeat and edgy number.
Final shot of the night with some of the eliminated contestants as well as those still in it from both groups…
As mentioned in one of my previous entries, there was a possibility the competition would look a bit lop-sided with the female contestants performing better than their male counterparts. This is proving to be true so far with only Mohammad Shahfiq and Shafie Syed left in the competition. This coming Tuesday, we will see the contestants singing songs that were produced during their birth years, another throwback genre. For the first time, both Group A and B will come together and fight it out in a single episode, with another two eliminations in store via the judges’ decisions and the viewers’ dreaded voting system. With the semi-finals looming, there is every possibility that the gender representation might look even more imbalanced if either one or even both of the remaining two male contestants get eliminated. Unless of course if there is a Wildcard Round, which till today has not been confirmed nor made known. There is only one way to find out and that is to tune in to Mediacorp Suria this Tuesday at 8:30pm.
Snapshots of Anugerah 2017 Week 4
Where should I begin with this entry??? A lot has been said and observed on social media the past few days with regards to this past week’s Anugerah 2017 episode featuring the Group A contestants. I had wanted to post this a day or two after the episode was aired, but it felt like it was going to be a knee-jerk reaction to all the negative comments I saw in the aftermath of Hakim Halim and Azhar Aziz‘s respective eliminations from the competition. From Twitter to Facebook, you could see the uproar and vile words being thrown towards Mediacorp Suria for letting them be ousted over other more deserving contestants. Before I continue further, let’s just recap the performances of each contestant and how they fared on the night where the theme was of the Rock genre.
The night began with Azhar Aziz performing Akim & The Majistrate‘s “Mewangi“. From watching some of his past performances on social media, I noted that Rock is not one of Azhar‘s forte and it showed in this performance. This fact was also brought up by music arranger and mentor Syawal Kassim in the preceding video clip before his performance and echoed by judge Indra Shahrir afterwards. His low notes were a bit suspect and his voice came close to cracking after he had screamed his lungs out at the point where he was supposed to hit the highest part of the song. However, where he lacked in feel and emotions, he made up for it in determination and gumption. He was initially placed at number two, but I would have preferred to put him at number three. No doubt he has the package – the looks, height, voice and quite the well-mannered boy, but the genre didn’t do justice to his strengths. Still it was an admirable performance and he answered the challenge as best he could.
I found the way Mohammad Shahfiq entered the stage area and strutting slowly like that of an old man a bit queer for a young guy. Not sure if it was him getting into the mood of the song or just following the opening beats. When he sang Lovehunters‘ “Sambutlah Kasih“, I observed there were two phases to his performance, the first part where he went really low with his notes and was almost slightly off key before redeeming himself for the chorus and end. If I were to compare his performance and his earlier one in the first episode where he looked unsure and all at sea, this was a markedly improved and definitely more confident display from him. I would not have hesitated to put him at number two at that point of time as he showed more verve than Azhar.
The first episode’s champion, Liwani Izzati, was up next singing her own rendition of Search‘s haunting hit, “Fantasia Bulan Madu“. The day before her performance, I tuned in to their interview on RIA 89.7FM where she revealed that her version of the song was different than the one we have been used to listen to. I must say it was a risk worth taking, even though the traditionalists on social media have cried foul. Her take on the song that night if my interpretation is right, was an opera rock version, arranged by herself and her undisclosed personal vocal coach. I thought it was a breath of fresh air from the melancholic versions I’ve heard before this from other singers. Liwani though she made one glaring mistake when her voice cracked, should be applauded for willing to plunge into uncharted waters. This astute move in trying to be different sets her apart from her fellow group competitors. Though I would have ranked her second behind Shahfiq, I think overall her confidence and assured performance, complete with theatrics and drama, won the judges over, who eventually placed her at top spot once again.
Before the show I had high hopes that Hakim Halim would at least get one of the top two or three spots in the night’s competition. Listening to his radio interview the night before, he did say he was going to sing his killer song, May‘s “Cintamu Mekar Di Hati“, which has brought him a lot of luck in other external singing competitions prior. The judges felt that his performance was an overconfident one which I felt was slightly harsh on him, as his demeanour and body language did not show that he was. However, I felt his overall output was a complacent one, in that he knew he was in his comfort zone and when he tried perhaps to do something out of the ordinary whilst hitting his high notes, he could have overstrained his vocal chords, resulting in him squeaking twice. As the competition dwindles down, small technical issues like that could scupper their chances and it was to be detrimental for him when the night ended.
Shalyza Rosly was up next, singing SLAM‘s “Tak Mungkin Berpaling“, which is one of my all-time favourite songs. If I have to sound critical with her rendition of the song, her start and end were imbalanced and her notes were pitchy. Plus she needs to get out of her singing style which is reminiscent to Dato’ Siti Nurhaliza. I will not add on my take on this as I had already brought it up when I commented on Elza Rahim in the previous entry. There were not many faults to her performance, however there were also not many positives I could derive as she was, in the words of the judges, still in her comfort zone. Shalyza needs to push herself further and sing songs which could challenge her vocal range. Her fellow competitors, not only in Group A, but Group B as well, are more adventurous and willing to take risks. I’ve also seen her perform outside with so much confidence but I have yet to see that level of confidence in this competition. She would do well to learn from her previous foray in the competition and do things slightly differently from now on and build on it.
Shafie Syed was the last to appear onstage, and he performed Sweet Charity‘s evergreen hit “Kamelia“. The one with the strongest band of supporters should have staged a performance that reflected the support given to him. His was a performance which was bland and quite a letdown even though his voice did not crack nor squeaked like Liwani and Hakim. Watching him perform that night was like watching David Arumugam (Alleycats) sing, which prompted some netizens to comment on his articulation. A song of this stature needed someone to understand the meaning and emotions associated with the song. Shafie failed in that respect to capture the essence of the song and was initially placed last, which personally I felt was a justified ranking for him. Even he admitted post-show that his singing was a disappointment that night.
Hakim Halim hugged Shafie Syed upon learning of his elimination…
We now come to the final results of the night. In what was quite a shocking move by the judges, Hakim who was at fifth place was asked to switch with Shafie who we knew was initially placed last, signalling the end of his journey in this competition. But the one that created an even bigger uproar with the netizens on social media was the ousting of Azhar Aziz who got the least number of votes, even though he was ranked second by the judges. I did say last week, in a reality competition like this where audience votes matter, no one is considered safe, except the one who is ranked first and enjoys immunity. The uproar has been going on for days now, questioning the legitimacy of the judges and their decisions, blaming the television station for in-house politics and basically saying the competition is a farce in every aspect.
Azhar Aziz gave his respects to the audience when he exited the stage and competition…
Somehow, this is like a bad record that goes on and on whenever such competitions take place. The voting mechanics are not new. It has been there since Anugerah 2005, down to Anugerah Skrin, Anugerah Band, Anugerah V, heck even the three seasons of Singapore Idol and two seasons of The Final One. Twelve bloody years!!! And still people have not learned their lessons and keep blaming the television station for what they perceived as trying to milk as much money from the voters. From my conversation with trusted sources working behind the scenes, the ones that stand to benefit are the telecommunications company who administer the voting system. You know damn well the name of the game is to vote for those whom you feel deserved to go through, why didn’t you exercise your God-damn right to do so??? If there are fingers to point at, it is the blind and deaf voters themselves who deserved every bit of flak for being irresponsible, just because their favourites are good looking or they have some relations or ties with them.
Our esteemed judges – Indra Shahrir, Taufik Batisah and Najip Ali…
To blame the television station is rich, to undermine the three judges is another serious allegation altogether as seen by some of the vile comments, some going as far as to say they had been bribed. I thought I will say this in much later entries but I guess my hands are forced on this one. I will go as far as to say the three judges this year are the best the competition has had in years. No matter how much Indra Shahrir sounds like a wet blanket and dampener to some, or Taufik is probably there as a token presence and tends to latch on to the other judges’ comments, all of them actually have valid reasons to have given their thoughts as truthfully as they could. Don’t get me started how I am a big fan of Najip Ali and his excellent command of the Malay language. All of us should take positives and learn from their perspectives, rather than comment and rant unnecessarily. There are substantial and valid reasons why these three are up there in the local music industry and icons in the community, whereas armchair critics out there are not. The decision to oust Hakim Halim was there for all to hear, he made two glaring technical mistakes as opposed to Shafie Syed, who was bland. Between blandness and technical errors, I guess the latter proved the deciding factor. As for Liwani‘s error compared to Azhar or Shahfiq, her overall performance and bravery in risk-taking won the judges over. Deal with it!!!
Hosts Suzairhe Sumari and Huda Ali…
Too many allegations going round these past few days online, most of them unsubstantiated and just empty rants for the sake of ranting. Most of those who ranted I doubt cast their votes and just followed the crowd in venting their frustrations. These are the same people who keep on blaming Mediacorp Suria for what they perceive as airing boring programmes / content, but still continue watching because their lives are equally empty. Or those who do not watch, yet still have the cheek to pass off comments as though they have stakes and shares in the station. In times like these, the dirty and irrational sides of the community rear its ugly head. I question sometimes the rationale and sanity of these people. Some even claimed they heard from so-and-so in the industry about the ongoing politics behind-the-scenes. Hearsays and rumours are all fine and dandy when it’s one-sided and what your ears would like to hear. Why don’t you start by asking the right questions with the people who actually work inside, rather than those on the periphery and then jump to conclusions???
There are even those who questioned the presence of the two mentors or buddies to the contestants (Hyrul Anuar and Syawal Kassim), and how they are not helping them much behind-the-scenes. Excuse me, did you actually sit with them in their sessions to know what basically went on to comment like that??? All I can say is their time and what they are able to share with the contestants are limited and are meant to guide them on general aspects of the competition, not spoonfeed them. The rest is still up to the contestants to do their respective homework, research and preparations. Some of these contestants have their own personal vocal coaches. They should be working closely with them instead to up their performances for the upcoming episodes, not just rely on their buddies or mentors to lay the foundations for them or do the dirty work for them.
Congratulations to Shalyza Rosly, Liwani Izzati, Mohammad Shahfiq and Shafie Syed on their progress to the next round…
It is not the end of the road for those already eliminated in the competition. Many before them have gone on to have singles and chart-toppers in the local radio charts. Some of the comments made by their ardent supporters, or even armchair critics, sometimes can be overboard and too defensive, when we all know that winning a reality competition is not the express ticket to stardom nor sustainability in the long run. Will there be a Wildcard Round as asked by many online??? I certainly hope so as nothing has been mentioned nor confirmed. This Tuesday 7 February 2017, sees the return of Group B on our television screens. We have seen the last time they appeared on our television screens how volatile the SMS voting system could be. I seek and appeal to voters to be responsible, not only to the competition but in helping to raise the standards of our local music industry. There are some very good talents left in this competition. I hope the voters will play a part, even those that did not before this, but passed excessive comments as though they spent hundreds or thousands voting. You know what to do. The ball is in your court…
Snapshots of Anugerah 2017 Week 3
Thank God for the long holiday weekend that I am able to post this up much earlier than usual. This past Tuesday 24 January 2017, saw the debut of another eight contestants of the new season of Anugerah, this time under the banner of Group B. Continuing from the previous week where the contestants sang a song of their own personal choice, the eight contestants had the opportunity to upstage their Group A counterparts, having had an extra week to prepare and study their performances during the first episode. Looking at the make-up of the eight contestants this week, there are several who have had experiences performing in various competitions before this and even before listening to them, I more or less expected them to progress, bar any hiccups via the SMS votes by the audience in the studio or at home. So without further ado, let’s start off with the first contestant.
Elza Rahim kicked off the night’s competition by singing Wany Hasrita‘s “Menahan Rindu“. Truth be told, I have not heard this song being played on our local airwaves before and had to rely on a friend to inform me on the identity of the original singer and listened to it again afterwards. But the first time I watched Elza‘s performance at the studio, I noted that she has a very rich and classical tone of voice. However that tone and style of singing also tend to sound like a certain top notch Dato’ across the Causeway. Elza has to be mindful not to sound like Dato’ Siti Nurhaliza, as many singers before her who tended to go this route, ended up being forgotten as quickly as they appeared. She already has a nice voice to begin with, she should hone it in such a way that she does not become another clone or copycat. A very composed performance which was slightly let down by one part where she went flat. Though I thought it was a decent start to the night, I also agreed with judges Taufik Batisah and Indra Shahrir that it was at best, an average performance, with Elza being more in her comfort zone.
Zul Nor should be applauded for his bravery in singing Sufi Rashid‘s “Kisah Dua Muka“, a song which is not easy to sing to begin with. However that is as far as I can go to rate his performance. It was a bit too dramatic for my liking with all his hand gestures and movements, it felt more like watching a musical theatre performance than an actual singing one. I thought I was alone in thinking he was trying too much to channel Sufi‘s style of singing into his performance, but this was also brought up by judge Indra, who noted that he was seeing two different personalities in the song, one of Zul Nor and the other being Sufi‘s. Najip Ali also brought up a pertinent point in that a song of such varying dynamics should also have a certain softness injected into it. Upon reflection and watching the performance again, I realised that Zul Nor pressed more on the intense and rage associated with the song.
I last watched Syakirah Noble performed live at the launch of Fiza O’s Ritabella collection five years ago at Joo Chiat Complex. She was only 12 then but it was easy to see that this girl, with the right attitude, practice and application, can go far. She is one of those I had mentioned earlier who loves to enter singing competitions and I am glad to see that she has made it this far. Syakirah sang Agnes Monica‘s “Rindu“, another tough song to sing with all the varying notes and the challenging high ones. I was afraid she might buckle under pressure, but there was nothing of that sort, as she gave an accomplished performance, which bothered a bit on overconfidence and this was cautioned by Najip Ali. Personally I felt it was a bit too much of Agnes Monica‘s soul and style being put into the song. I wanted to see more of Syakirah‘s. I think this is where she can work on, to infuse her own identity into the songs she sings. Take nothing away however, I had goosebumps listening to her, my personal indicator on how much I loved her performance.
Other than knowing Raja Zul‘s background as quite the model student in school, being in the Top 5-10% cohort, I did not know that this relative from my missus’ side, actually has a talent for singing and playing the guitar. When I chatted with him after the first episode ended, he said that he was going to perform Jaz Hayat‘s “Dari Mata” in his own style and adding new lyrics of his own into the song. I thought then that it was a good, yet risky move since he said he wanted to portray his personality to the audience. While I cannot fault his showmanship on Tuesday night, his singing was everywhere. He sounded quite nervous and pitchy at the start and there were times during the short pauses in the song where he could be seen strategically catching his breath. The judges loved his falsetto though and like Najip, I too liked that he chose a song which was concurrent with the times, even if Taufik had said the song was not quite suited for a competition.
Abby Nabila is another one who has had experience in a reality competition, and hers has been a very fruitful one when she entered the first season of Indonesia‘s reality Dangdut singing competition D’Academy Asia in late 2015, under the stage name Abby Tinara. Even though she was eliminated early, her learning experience and rubbing shoulders with some very good performers as well getting valuable mentorship, put her in good stead on how to be an accomplished performer and own the stage. So it was no surprise that Abby put in a performance befitting of her experience on Tuesday night, challenging herself to sing a male song, Hazama‘s “Ku Relakan Jiwa“. Her performance, like Zul Nor‘s, was filled with theatrics and hand gestures, but hers felt like they had more of an impact because she knew which parts were suitable to include them. Off-stage, she is quite the bubbly personality, just that sometimes she needs to curb her exuberance and dramatics, so as not to rub others the wrong way. Someone with her personality, you will either love her or feel she’s overacting. In a reality competition where viewers votes matter as well, it would be best to find that middle ground to win over the doubters or haters.
I think even without saying it here, if you had watched both episodes of Anugerah since its return on our television screens, or if you had caught the clips via the Mediacorp Suria Facebook page, you will agree with me that Nor Shafiq is the best male contestant so far with his soulful voice and measured performance. I could not detect a single flaw when I watched him sang Hafiz Suip‘s “Ku Akui” live, but when I watched his performance again, there was one minor part when he went slightly off as he was hitting the high notes. But it did not matter much. Shafiq immediately installed himself as one of the favourites in this competition with that performance, another one that made my hairs stood. 376 shares of his performance clip on Facebook to date, is a good indicator that he has made his presence felt.
Nadia Nadhirah was up next with her own rendition of Dayang Nurfaizah‘s “Di Pintu Syurga“. For someone who is majoring in music at LaSalle College of the Arts, her standard of performance was to be expected as it comes with the territory and expectation. Just like how I was expecting last year’s Anugerah Skrin winner, Syaiful Ariffin, a theatre undergraduate then, to perform much better than his competition rivals. Though I would not categorise her performance amongst the Top 3 on Tuesday night, there is a certain strength in Nadia‘s voice that sets her apart from the rest. Not many can sing low notes in measured degrees and in control without going flat. However she did give away her uncertainty at various points sounding as though she was unsure how to end off her lines. I also felt the performance was empty and lacking emotions needed for a song of this magnitude. I remember how much it moved others when the original singer herself performed this song at Anugerah Juara Lagu two years ago. The judges might have said they loved it, but I did not quite like it.
Sharizal Suwandi rounded off the night with The Sally‘s “Jauh“. For some reason only known to the audience, the whole studio erupted and were in raptures when he came onstage. It felt as though he had everyone on his side, even though the audience was also made up of supporters of the other seven contestants. There was a certain unexplained appeal and likeability factor about the oldest contestant in the competition. However he needs to translate that into a performance worthy of the support he was given in the coming weeks ahead. His performance was at best, average, flat and pitchy in many parts, but one thing I cannot fault was the feel-good factor he gave everyone who watched him in the studio. Even his fellow contestants were seen swaying and clapping along to his singing. But feel-good factors usually do not last long and as the competition wilts down, standards and expectations are raised even higher. He was placed at eighth position right after his performance had ended and I felt it was a fair position.
A dejected-looking Raja Zul smiled as the reality of his elimination sunk in…
However, there was a twist right after the final commercial break, as upon doing their final consultations and counsel with one another, the judges decided to play musical chairs once again and switched the positions of Raja Zul and Sharizal. I dunno if the judges “feared” the possibility of the audience baying for their blood had they eliminated Sharizal, but it certainly felt that way. No I am saying this not because of my relation ties with Raja Zul, but I initially agreed that their original positions were more than justified according to the performances they gave and in comparison with all the other contestants that night. Maybe the judges also took into account the support that Sharizal had and how he connected with the audience, which was probably why they decided to give him a second chance to prove himself the next time out. If I was the judge for the night, I would have had Abby Nabila at second position, followed by Syakirah Noble, Elza Rahim, Nadia Nadhirah, Zul Nor, Raja Zul and Sharizal Suwandi as my final ranking positions.
Zul Nor became the fourth contestant in total to be eliminated from the competition…
As for the second elimination of the night by virtue of the least number of votes, Zul Nor who was ranked sixth by the judges, was the one who made way and exited the competition. What struck me the most when his name was announced and just before he made his way off the stage, was his polite unwillingness to shake the hands of his fellow female counterparts and kept his arms to his chest and bowed at them. A rare sight in the entertainment scene that earned him my respect. Was his elimination to be expected??? I would say yes and no. Yes because it was a toss-up between him, Raja Zul and Sharizal had it been solely the judges’ decision to eliminate two out of three. No, because throughout the night we were informed from time to time that Abby Nabila, Syakirah Noble and Raja Zul had the least number of votes, so it could have been just about anyone who could have been eliminated in that respect.
The six who progressed from Group B (from left): Sharizal Suwandi, Syakirah Noble, Elza Rahim, Abby Nabila, Nadia Nadhirah and Nor Shafiq…
So far even with an equal amount of gender elimination on the opening first two weeks, I observed that the female contestants are technically more astute than their male counterparts and will not be surprised if eventually there will be a lop-sidedness to the competition, much like the last one in 2011. This coming Tuesday 31st January 2017 sees the return of Group A on our television screens. We were told before the night ended that the coming fortnight’s theme for both groups would be the Rock genre. This would be right up the alleys of the likes of Hakim Halim and Abby Nabila, who have shown that they are able to carry the genre, even if a lot can still be improved in terms of their delivery, execution, style and showmanship. Who knows, others might just up their game and prove that they are also no pushovers??? We shall see when Anugerah returns on our television screens this Tuesday at 8:30pm…
My goodness, how long has it been??? Three months I reckon since my last post and I have still yet to edit those 3000-odd photographs I snapped during Anugerah Planet Muzik 2016. Not only that, but some other events I attended in between like RIA 89.7FM‘s 26th anniversary bash or the radio station’s search for The Owesome Voice, not to mention the Anugerah 2017 auditions held at Kallang Wave Mall, amongst others. Been undergoing some busy schedules and commitments on the personal end that I simply lost the verve to do up entries on this domain. Now that the new year is in its infancy stage, it is a good time to start afresh and what better way to start than to speak about the return of the Anugerah singing competition, back after a six-year hiatus. Oh in the case of my long-awaited APM2016 entry, we need to revisit that another time. Or perhaps not at all??? We’ll see, I don’t want to make empty promises again…
Huda Ali and Suzairhe Sumari are tasked to helm the reality competition this year…
Part of the reason there was a distinct gap in the years of competition (six), was because the competition became a bit saturated at one point of time. It doesn’t help that our market and local entertainment industry is small with the same faces coming for auditions, even if their journey became shortlived before they actually began. In between the years, we’ve had reality competitions like Anugerah Skrin and Anugerah V, catering to a different niche or skill set, and the memorable TeRaSeh programme that spanned for two years and pitted radio and television personalities against each other, to raise funds for their selected charity organisations. I will not talk about the audition rounds of Anugerah 2017 till a latter date and just focus on what transpired on our television screens this past Tuesday 17th January 2017.
Resident judges: Indra Shahrir, Taufik Batisah and Najip Ali…
For starters, Anugerah 2017 comes with a fresh new concept. Not only a fresh concept in terms of competition mechanics, but hosting and judging line-up, save for Huda Ali, who was the host back in 2011 along with Fauzie Laily and Nity Baizura. Even the premise (Studio One in the spanking new Mediacorp campus situated at Stars Avenue) where the live telecast is held weekly, is new. Those who had caught the first episode would have noted that there is now a ranking system where the judges will rate the contestants’ performances and rank them from 1-8. The lowest unfortunately will be eliminated and that is not all. The viewers also play a part in determining who advances to the next round and who gets eliminated via the traditional SMS voting system, so there is not only one elimination per week, but possibly two.
Anugerah alumnus Fauzie Laily, Rahayu Ridwan, Hyrul Anuar and Hariani Hassan Bakri opened the show…
I am unsure of the actual numbers of votes cast, but I think it might be better if the voting system is tweaked in such a way that more people are able to participate and vote without having to pay a certain amount of money. I mean, there are online polls and voting via other means which are free out there. Putting a price tag would turn would-be voters off or those with a younger support base not able to vote in without prior adult consent. We have since moved with the times and through technological advances on social media. Even radio stations are now reading dedications or granting song requests off their Facebook pages and no longer relying on the age-old SMS system. But I do note that this is possibly basic commercial revenue which the television station stand to gain. I might be wrong on this aspect, but the revenue will probably help to cover costs along the way, hence maybe the need to retain these mechanics.
All 16 contestants were introduced to the watching audience in the studio and at home…
Being the inaugural episode, it was a special two-hour programme last Tuesday, beginning with a first half-hour slot dedicated to featuring what transpired during the audition rounds down to the announcement of the Top 16. The episode also included footages from the masterclasses the contestants had to attend to prepare themselves before appearing on stage as well as filming their short video montages and having their photoshoots, all that happening over a period of five weeks leading up to the actual competition proper. Rather than the usual rushed one hour show we’ve had in the past, it was a 90-minute affair afterwards where the first eight contestants who formed Group A, duked it out. This year’s competition is hosted by Suzairhe Sumari and Huda Ali and the resident judges are Najip Ali, Indra Shahrir and Taufik Batisah.
This will be a familiar sight in the weeks to come, the judges observing intently on the contestants’ singing, stage presence and showmanship…
Before the contestants in Group A took centrestage, four of the Anugerah alumnus which included 2005 and 2011 winners, Hyrul Anuar and Rahayu Ridwan, opened the show with this year’s theme song “Mengejar Impian“, composed by Reyza Hamizan. The other two who performed the song were Fauzie Laily and Hariani Hassan Bakri, both incidentally coming in 3rd in their respective Anugerah competition years, 2005 and 2002 respectively. I saw self-styled online critics wondering about the identity of Hariani or even the likes of Kalysa Aziz, whose brother, Azhar, is in this year’s competition. Maybe a little bit of homework or immersing one’s self in the local music scene would stand some way in answering those questions. Kalysa by the way, has had her collaboration single “Bila Kau Tiada” with Ryan Sufiyan and Lefttool topping the local music charts over the past year. Start listening to more local songs on radio to know and get to know our local talents through their songs and interviews on air, or follow them on their social media accounts.
I also noted people lamenting on social media about the standard of singing by the four Anugerah alumnus, most notably our 2011 winner, Rahayu. To be fair to her, she has not been actively singing for the past two or three years due to family commitments. Like many who have not been active, taking baby steps to get back into the groove and scheme of things, expect teething problems like lack of vocal stamina and rustiness to set in. Even during the popular Gegar Vaganza competition done by our next door neighbour, if you had watched and noticed, you see experienced singers struggling to find their rhythm and needing weeks to get back into their stride. That too if they were afforded the chance to progress by the judges. Granted as a winner, she should be setting a good example to the new generation, but weighing in the circumstances and possible reasons, I think we should not be too harsh on her. The focus is afterall still on the new batch.
Speaking of new batch, Fatihah Izyan had the unenviable task of kicking off this year’s competition. She sang 3 Suara‘s “Beribu Sesalan” much to the discomfort of my listening ears and probably the judges as well. It is not easy to sing a song with three different vocal tones and ranges intertwined into one. While her bravery should be applauded, her naivety in picking the wrong song to perform did not help her case. The strength of the original singers is the injection of their souls into the song giving it much life and exuding so much emotions. However, there was no feel whatsoever when Fatihah sang. Personally, I felt it wasn’t fair also to put the youngest contestant in the competition as the first, as it put unnecessary pressure on her young shoulders. She was a bundle of nerves based on her facial expressions and it showed.
Shafie Syed was up next and he sang Imran Ajmain‘s “Seribu Tahun“, a song which was also co-written by resident judge, Taufik Batisah. It is clear to see that Shafie has a passing resemblance to the guy on the judging panel and on certain parts it looked as if it was Taufik himself singing the song. Even the man himself jokingly admitted their resemblance to one another when it was his turn to comment on Shafie‘s performance. This is where Shafie needs to strike and build his own identity, and not to be seen as a Taufik Batisah clone. As for his performance, I’ve seen comments saying he sang better than the original singer. I disagree because judge Indra Shahrir brought up a relevant point about his falsetto, which I also felt was inconsistent and certain parts where he went a bit off. But he looks like one of the safest bets to progress further in the competition due to his strong support base.
Long time readers of this blog or even my own social media accounts will note that I usually don’t have much nice things to say when someone sings a Dato’ Siti Nurhaliza‘s song as they usually tend to copy her style or fail to live up to her lofty standards. So it was a nice surprise when I heard Liwani Izzati performed “Dialah Di Hati” with such maturity that belied her young age (she’s only 17!!!). During the introductory clip, music director Syawal Kassim had said he was surprised that someone her age could understand and distinguish technicalities and switch keys with ease. Those who watched her that night would have had no qualms with her final standings by the end of the night. When she sang, my hairs stood. That itself is a benchmark and one that won me over. She will easily be a shoo-in for the Grand Finals if she can keep this up and challenge herself further.
19-year old Mohammad Shahfiq continues a family legacy with his involvement in this year’s competition. As a trivia, his aunt, Liza Sanat, was a contestant ten years ago in the competition that introduced us to the likes of Aliff Aziz, Maiya Rahman and Nurun Nuwarrah. If my memory still serves me right, her journey ended at the quarter-final stage. It remains to be seen how Shahfiq, who sang Cakra Khan‘s “Harus Terpisah“, will progress in this competition. He was a bundle of nerves, uncertain with his movements and his darting eyes gave away his discomfort. Something was absolutely bothering him that night. For him to progress, he has to quickly learn to overcome his fears and gain some much-needed confidence.
Some of you who watched Anugerah 2011 would probably remember Shalyza Rosly, then a raw 17-year old contestant. I certainly remember her as she was my favourite contestant back then. She had bags of potential and only her lack of confidence and maturity on stage hampered her progress further. Fast forward six years later, expectations have naturally increased as she is now a more confident performer having had experiences performing at showcases, private functions and expo events. Along with Liwani, she was amongst the night’s two best performers. I felt she was more composed than Liwani when she sang Agnes Monica‘s “Tanpa Kekasihku“, but her performance lacked the challenge to sing higher notes and play around with the song dynamics like Liwani did. She was more in her comfort zone and this was touched upon by the judges. She would do well to heed their advice to choose a song that will raise her levels further.
Hakim Halim is another repeat contestant with his previous foray in the competition in 2011 ending with a first round elimination. Back then he sang a rock ballad, Fiq‘s “Tiga Malam Tanpa Bintang“. This time he stayed loyal with the genre, singing Kristal‘s “Memburu Impian“. I find him a unique contestant in that he is the only one so far, with a rockish voice and best suited to the genre. He certainly knows where his vocal strengths are but in this kind of competition they need to show that they can sing a variety of songs, from the slow to the catchy, the melancholic to the high energy. He also needs to shed his inhibitions and let loose a bit on stage. Having a voice is one thing, having stage presence and showmanship is another. I’m hoping this time round his luck would be much better than in 2011. He needs to work harder on his showmanship and own the stage.
The downside to having a sibling who is already established in the scene is that people will have high expectations of them and expect them to be as equally accomplished as their brother or sister. Undue and unnecessary pressure naturally will work its way through somehow. This is probably true in the case of Roziana Cindy, who is the younger sister of singer / songwriter, Didicazli. For a start, I personally feel that she has the physical package to be a prolonged contestant – the height, the sweet-saccharine looks, the ability to play a musical instrument. Unfortunately her voice brought her performance down. Though her performance singing Sherina‘s “Pergilah Kau” was not entirely bad, she could have done better by picking a song that required her to vary her vocal range. I dunno if the lack of playing the guitar might have hampered her performance, but her voice tone itself sounds like those already established female singers who perform with guitars, like Najwa Latif, Nanasheme and Ainan Tasneem, just to think of three. Too ordinary and did not captivate the judges and yours truly.
Rounding of the night’s competition was Azhar Aziz. Followers of the recent Final One reality song competition on Channel 5 will definitely remember him for his soulful voice and boyish good looks, as would judge Taufik Batisah, who was also on the judging panel in that competition. A different language medium than the previous one, but he is equally at ease singing in English or Malay. Not many in the audience and at home knew, but he was very ill that night, but he gave off his best. I felt his performance, singing Afgan‘s “Bukan Cinta Biasa” was worthy of Top 3 or 4 at least. For the guys, I feel that he has the package to rival Shafie Syed and the one that girls will have no problems voting for with his voice and dreamy looks. Let’s see how he will kick on when his health is much better in the coming weeks.
Roziana Cindy could still afford a big smile when she learned of her elimination…
The night ended with two eliminations, Roziana saying goodbye due to her being the lowest-ranking contestant by the judges and Fatihah by virtue of getting the least votes. Roziana took her ousting in her stride and was all smiles afterwards but the experience was a bit too hard for the young Fatihah to digest. I was actually partly surprised that the judges would let Roziana exit the competition so early, given past competitions have showed how the judges and voters, knowing or unknowingly, tended to hold on to the good-lookers slightly longer for viewership sake. Not this time. Finally I feel it’s time we are brave enough to put talents over looks. Also with a 100% power given to the judges, you can rest assured that talent will no doubt be at the forefront of their judging criteria. Anyway I do not believe we have seen the last of Roziana if her brother’s Instagram post afterwards can be interpreted correctly. In fact I think he should compose a song for her and bring out her strengths for us to appreciate better. One failed TV outing perhaps didn’t do her talent justice.
Though she was smiling as she exited the stage, Fatihah broke down and had to be consoled by the other contestants afterwards…
For Fatihah, though I had expected her to exit the competition just by observing her performance, I was expecting her elimination to be more via judging decisions, than based on SMS votes. I said in one of the earlier paragraphs that the voting system could be a disadvantage to some of the contestants and this was possibly true for Fatihah. I observed her supporters in the audience were no more than 16 years old, and would definitely have needed their parents’ consent to vote for her. She was at a disadvantage right from the start. Reality competitions can be a bit harsh when you do not have a strong support base and those with deep pockets. Anyway she is still young, she can learn from Shalyza‘s previous experience in the competition and work on her singing, confidence and showmanship. Who knows you might see a confident and more polished contestant in future editions? You’ll never know.
The Top 6 from Group A who advanced to the next round…
This season’s competition is already shaping up to be much better than the previous edition in that they did away with the hosting segment and concentrate on just the singing aspect. Which should be the way. Other than Shikin Imran, the previous competition’s runner-up who was given a hosting role in an info-ed show in the past five years, I struggle to think back which of the other Anugerah 2011 contestants who were fortunate enough to co-anchor or host a programme. The rubrics for this year’s competition look a bit haphazard with the contestants playing musical chairs with the rankings throughout the show, but I like it already as it keeps them all on their toes to do well. The $500 incentive and immunity from being eliminated via viewers’ votes, or lack thereof, that come with being placed first for the week should give them that motivation. Tonight, it is the turn for Group B to take centrestage. I cannot wait to see what the next eight contestants have in store for us. Can they perform better than Group A did last week??? We shall see…
Snapshots of Anugerah 2017 Week One
Artistes from Paranormal Talents – Ayda Jebat, Haikal Ali, Aisyaah Aziz and the company’s chief Melakaboy…
Back with my second instalment. I actually wanted to post this entry up this past Wednesday but got caught up with some personal matters, hence the delay in publishing this entry. For those who are in my Facebook contact list or linked to those whom I had tagged, you’re probably the more fortunate ones cos you get to view these photographs much earlier when I uploaded them early this past week. Anyway these photographs are just a selected few and not everything that I had shared on Facebook. Personally I feel that I did not snap that many photographs during the Red Carpet event, the Pre-Event Cocktail Reception and the Post-Event Reception, as my attention that night was taken up by chatting with some of the artistes and people in the industry. I only realised how few my photographs were when I uploaded all of them onto my PC, hence why I combined them all into one entry. Hope it will suffice for now as I continue to edit and select the 3000-odd photographs I snapped that night and of course come up with my review of Anugerah Planet Muzik 2016…
(Graphics poster courtesy of Mediacorp Suria)
Just like that in the blink of an eye, the fifteenth edition of Anugerah Planet Muzik (APM2016) whizzed by this past Friday 30 September 2016 and held for the very first time at the newly-opened MES Theatre @ Mediacorp. On a more personal note, this was one of the more memorable editions for me, no matter what many online commentators might have said about the awards show that night and post-show. I’ll save more of my comments in my review soon, but as usual, I’ll kickstart my annual APM entry series by honouring the best and most popular that night. Congratulations to all the deserving winners of Anugerah Planet Muzik 2016!!!
Artis Paling Popular APM / (APM Most Popular Artiste)
Lagu Paling Popular APM / (APM Most Popular Song) – Pencuri Hati
Ikon Media Sosial / (Social Media Icon)
Artis Singapura Paling Popular / (Most Popular Singapore Artiste)
Lagu Singapura Paling Popular / (Most Popular Singapore Song) – Kisah Dua Muka
Hanya Namamu – Caliph Buskers
(Composer & Lyricist: Edry Abdul Halim)
Lagu Terbaik (Malaysia) / (Best Malaysian Song)
Lagu Terbaik APM / (Best APM Song)
Musikimia – Dan Bernyanyilah
(Composers & Lyricists: Fadly, Yoyo, Stephan, Rindra & Iksan Skuter)
Band Terbaik / (Best Band)
Lagu Terbaik (Indonesia) / (Best Song – Indonesia)
Rizky Febian – Kesempurnaan Cinta
Artis Baru Terbaik (Lelaki) / (Best Male Artiste)
Glenn Fredly – Perempuanku
Artis Terbaik (Lelaki) / (Best Male Artiste)
Raisa – Kali Kedua
Artis Wanita Terbaik / (Best Female Artiste)
Yuka Kharisma – Hati Berbisik
Artis Baru Terbaik (Wanita) / (Best New Female Artiste)
Afgan & Raisa – Percayalah
Duo / Kumpulan Terbaik (Best Duo / Group)
Awi Rafael & Ayai Illusi – Manusia Sempurna
Kolaborasi Terbaik (Artis) / (Best Artiste Collaboration)
Beautiful – Aziz Harun
Composers: Faizal Tahir, Mike Chan, Omar K & Aziz Harun
Lyricists: Faizal Tahir & Mike Chan
Kolaborasi Terbaik (Lagu) / (Best Song Collaboration)
Haikal Ali – Bertemu Kembali
Composers: Haramain Osman & Judah Lyne (The Lion Story)
Lyricist: Haramain Osman (The Lion Story)
Lagu Terbaik Singapura / (Best Singapore Song)
Anugerah Rentas Planet / International Breakthrough Artiste
Anugerah Khas Planet Muzik / (Special Music Planet Award)
(Graphics poster courtesy of Mediacorp Suria)
Due to my heavy work commitments last year, Anugerah Planet Muzik 2015 (APM2015) did not get a proper coverage be it in terms of my customary annual review as well as the usual promo leading up to the event in this domain of mine, even though I did share photographs of the Walk of the Stars and Red Carpet segments during the actual event night. I also did not attend the media conference held at Orchard Hotel when the organisers released the list of nominees back then. Hence I would like to apologise if any of you had waited for me to post them up but ended up not seeing any on this blogsite. I’ll try to make it up this year, which is why this particular post takes precedence, less than a fortnight before the event makes its long-awaited return. This year, Anugerah Planet Muzik 2016 (APM2016), debuts at the newly-opened Theatre @ Mediacorp at Stars Avenue on 30 September 2016.
Fiza O and A B Shaik were the hosts of the media conference..
As with previous years, before the event proper, there will always be the traditional media conference to announce the nominees of the upcoming awards show. This year, the media conference was again held at the premises of Orchard Hotel on 20 July 2016 and was hosted by RIA 89.7FM‘s Fiza O and Warna 94.2FM‘s A B Shaik. Guests who mostly made up of local artistes, came to the event with high hopes of being nominated or at the very least, to soak in the atmosphere. For those still new to the scene, it was an eye-opening experience for them to just be in the same room as other household names, an opportunity for them to get to know one another and have mini networking sessions amongst themselves. Guests that day were also treated to performances by newbies Haikal Ali, Din Ilango and The Chapters, as well as Kalysa Aziz. All four displayed their worth on stage and personally, yours truly thoroughly enjoyed their respective performances.
The panel consisting of Mr. Hassan Salleh, Assistant Vice-President (Malay Broadcast Division) & Manja Editor, Ms. Zakiah Halim, Chief of Malay Broadcast Division and Dr. Edmund Lam, Chief Executive Officer of COMPASS, addressing the audience on the experience of selecting the nominees as well as giving nuggets on what to expect in this year’s awards show.
Looking at the final list of nominees this year, I personally feel the local pool of talents were unfortunate not to receive more nominations especially in the regional categories. Last year, Iman’s League made the all-important breakthrough for the Singapore acts and won the Best Band (Regional) award over more established names like Noah, Sheila On 7, Akim & The Magistret and Bunkface. Many netizens especially those in Singapore wondered who they were and cried foul over their win. Personally I was disgusted by the reaction as I thought national pride would at least overcome any emotions over their own personal favourites. Iman’s League though they are quite under the radar here, they have since made inroads in other Asian countries like Korea and even Malaysia, albeit in the underground scene. Their win gave so much hope and inspiration for other acts to follow suit that anything is possible if the quality of song is on par with the other established regional acts.
This year, the organisers of APM2016 (Mediacorp Suria, Warna 94.2FM, RIA 89.7FM and Manja Magazine) received 420 nominations from the various music distributors and record labels from Malaysia, Indonesia and Singapore. Nominees are not just solely from the three countries mentioned. Last year, the awards show received their very first nominees from Brunei (Aziz Harun) and Philippines (Mark Adam). This year, Shunpei Nakagawa became the very first Japanese to be nominated through his collaboration with Malaysia‘s Indah Ruhaila with their song “Aishiteru Selamanya” amongst the five nominees in the Best Collaboration (Artiste) category. Hark back to 2012 and you will note Cassidy Anderson from Australia as another nominee from outside the Nusantara region. As the name “Planet Muzik” implies, nominees from other countries are much welcomed. Speaking of Aziz Harun, he will be the third Bruneian after Faiz Nawi (2005) and Jazz Hayat (2013) to make a performance on the APM stage this coming 30th September 2016 (APM Wikipedia page admin please take note!!!).
Haikal Ali‘s “Bertemu Kembali” is such a haunting hit, I will not be surprised if he bags either Best New Artiste (Male) or Best Singapore Song awards or even both. His appearances at all three media conferences for APM2016 (including in Kuala Lumpur and Jakarta) showed the organiser’s confidence in his potential…
I had a small chat with Ms. Zakiah Halim during the reception afterwards on what we can expect during the show as well as voicing out some of my doubts over the choice of venue for this year’s event. I had attended three shows already at the new venue earlier this year (“Anda Mahu Rok?“, Sinar Lebaran 2016 and Raya Oh Yeah!) and somehow the place does not give me good vibes in terms of seating arrangement and how much the stage and auditorium as a whole resembles a school hall setting. Without giving much away except for a coy smile and a twinkle in her eyes, Ms. Zakiah Halim only let on that they will do what they can to make the stage more accomodating both to the performers as well as audience. She did elaborate however, on the choice of performers this year. As you will note from the promotional poster, a bulk of the performers are not the same faces you see year in and out. In that respect, it is a refreshing change of line-up. And as always, amongst the performers, there will be deserving winners in their respective categories.
Anyway, with less than a week to go before voting your favourites in the popular categories (local and regional) ends, let me just remind you to do the yeoman service for them and log on to Toggle.SG and vote before 23rd September 2016 23:59hrs. Every year you’ll get the sour grapes complaining about undeserving winners, but if you don’t vote, or expect others to do it for you, then you just have to suck it in when the final results are announced on the actual awards night. I did receive several invites via my personal inbox / private messages in my social media accounts from artistes who were nominated in the popular categories to either vote for them or help pitch in for them. I have to apologise that being a media outlet, I must be fair and neutral without showing any personal favours to anyone. What I just did was remind those reading this entry to go out and cast your votes for your respective favourites. I can only afford sufficient enough gesture like this as my way of helping.
Anugerah Planet Muzik 2016 is presented to you once again by One Drop Perfumes. Main sponsors are Pos T.K.I. and Sensuous By Shannz (Red Carpet event), Co-sponsors – House of Dre and Official Transportation by Uncle Sam Auto Trading Pte. Ltd. Official broadcasters as in previous years are Astro Ria and NET Mediatama Indonesia (NET TV). The awards show is supported by Media Development Authority (MDA) and Composers & Authors Society of Singapore (COMPASS) and is brought to you by Mediacorp Suria, Warna 94.2FM, RIA 89.7FM and Manja Magazine. The awards show will be telecast live via Mediacorp Suria on 30th September 2016 at 9:00pm. You can also catch the livestreaming of the show via Toggle.SG, which includes the Red Carpet event at 8:30pm, and will not be televised on Suria, or the simulcast via the two radio stations Warna 94.2FM and RIA 89.7FM.