Dato’ Sri Siti Nurhaliza On Tour Promo…

We are exactly four weeks away from one of the most-awaited concerts of 2019! It’s also exactly 5 years since Malaysia‘s number one singer, Dato’ Sri Siti Nurhaliza, held her last solo concert here in Singapore at The Star Vista Theatre, a sell-out event organised by Hype Records and featured our local acts, Farisha Ishak and Taufik Batisah. This time, Shiraz Projects, the same concert organisers of the successful Ruffedge 20th Anniversary Concert held in October last year at Zepp @ Big Box, returns with the concert many have been waiting for, ever since Dato’ Sri took almost a year off to savour the sweetness of motherhood for the very first time. I remember during last year’s Anugerah Planet Muzik, rumours of her having another solo concert was in the pipeline and it was more or less confirmed when Shiraz Projects flashed a teaser video indicating “SNP” (Siti Nurhaliza Productions) as one of their upcoming projects for 2019, just before the Ruffedge concert began. This time round, Dato’ Sri Siti Nurhaliza will perform at Singapore Expo Hall 3 on Saturday, 2nd March 2019 at 8:30pm.

Dato’ Sri Siti Nurhaliza performing “Anta Permana” at last year’s Anugerah Planet Muzik

This self-titled tour “DATO’ SRI SITI NURHALIZA ON TOUR, promises to be a musical journey that will take you down memory lane, with hit after hit, rearranged to make your heart skip a beat, reminisce the good old days of youth and get you on your feet. Each segment of the concert will feature the best of the best – an Ethnic segment, Ballads, Chart Toppers and an Unplugged segment; all musically produced and rearranged by music extraordinaire, Aubrey Suwito, with an All-Star band. Aubrey has personally hand picked this star-studded group of musicians, some hailing all the way from New York City as well as the crème de la crème of Malaysian musicians who have been with Dato’ Sri since the start of her career. Truly this upcoming concert is a celebration of more than twenty years of hits. An enthralling night of savouring the enchanting voice, the music, and the legend on her biggest tour yet in her illustrious singing career spanning almost twenty-five years.

I was there to witness firsthand when the #QasidahChallenge was started by Dato’ Sri Siti Nurhaliza and Khai Bahar kicking the challenge off, watched by talented Malaysian singer-cum-beatboxer Raja Nur Syahiran

The concert will also be featuring the incomparable and award-winning Indonesian singer-songwriter, Tulus. The blend of these two amazing voices will surely make the night even more magical. Tulus will be the guest singer for the tour, performing his hit songs which should not be missed by any of his diehard fans. Who knows, you might probably be first-time witnesses to a new hit duet, before its official release. Speaking of releases, a special feature of this tour, a movie-cum-documentary will be released on the silver screens titled They Call Me SitiOne woman, two decades of music, ten thousand miles”. This upcoming release will take you behind-the-scenes of Malaysia’s Queen of Pop music’s biggest tour yet. From juggling between nursing her first born child to performing at prestigious and iconic venues. Watch how this mogul preserves her legacy for more than two decades.

There are special Meet-&-Greet packages available for Dato’ Sri Siti Nurhaliza‘s die-hard fans. The Meet-&-Greet ticket gives you a chance to get up-close and personal with Dato’ Sri Siti Nurhaliza the day after her concert. The package includes a concert ticket, a free t-shirt, CD and refreshments at the Meet-&-Greet session. Don’t miss this golden opportunity to rub shoulders with Malaysia‘s most iconic singer at this private event. Fans can also purchase special limited edition merchandise at the concert venue. “DATO’ SRI SITI NURHALIZA ON TOUR, is an ongoing tour with confirmed venues in Jakarta (21st February 2019), Singapore (2nd March 2019) and Malaysia (16 March 2019), with the much-celebrated Royal Albert Hall in London, another to be confirmed in the near future, a return to the venue where she held two successful concert showcases back in 2005. Tickets for the concert is available on sale at www.mytickets.asia since 19 January 2019. For further information, please visit www.shirazprojects.com or call +6590604439.

Dato’ Sri Siti Nurhaliza On Tour Ticketing Details

Ticket price:    SGD 425 (Meet & Greet), SGD175 (diamond), SGD145 (Platinum), SGD95 (Gold), SGD65 (Silver)

Tickets:            www.myticket.asia

Ticket Hotline: +65 31651506

Info Hotline:    +65 90604439

Website:          www.shirazprojects.com

Instagram:       shirazproject.sg

Facebook:        Shirazprojects

Anugerah Planet Muzik 2017 Review…

Graphics poster courtesy of Mediacorp Suria…

It’s been three long years since I last did a proper Anugerah Planet Muzik review entry. I personally did not expect not posting any review entries to be this long, given my previous penchant and eagerness to share my views and thoughts on the annual event. Personal commitments got in the way and time wasn’t kind enough for me to post them up. By the time I entered the second month after each event with photographs still not properly edited, I already lost that momentum and passion to type something out. Anyway, I had this feeling that I was recycling and rehashing my thoughts year in and out, to a point I felt like a broken record. I hope that the time I had been keeping my thoughts to myself would do me good, to evaluate the show with as much fairness and giving benefit of doubt where shortcomings are concerned. The question I have in my mind right now is, where do I even begin??? Hahahaha gosh it does feel a bit rusty after three years…

Ayda Jebat opened the show with “Nakal Nakal Nakal“…

I think for a start, let’s talk about the slogan for this year which came with the hashtag “#GilerTakGerek“. I tried to hark back to previous APMs before this, but I struggle to remember if they ever had a slogan or theme such as this. I believe this year was the first time they had an additional hashtag to go along with the usual “#APM“, followed by the event year (#APM2017 being the latest for this year). I think it was a fresh move to inject a bit of hipness to the event, in line with how much technology and social media have taken much of our attention on a daily basis. I initially didn’t like the usage of the word “Giler“, being the language Nazi that I am, moreso when they first announced it, we were still in the midst of our annual Malay Language Month. However, to put it into the context and lingo of today, the spelling reflected a fun factor rather than a serious element to being crazy. The usage of the word “Gerek“, even though we seldom hear people here using it now, is still synonymous with us Singaporeans as compared to our neighbours. I think generally this was a uniqueness of its own, to highlight a Singaporean flavour to the event.

The addition of Dzar Ismail and Nabila Huda to the line-up of hosts for this year, gave the show a certain freshness…

Since my last review in 2014, we’ve had a change of venues, from the rather spacious Suntec City Convention Centre, to the relatively spanking new MES Theatre @ Mediacorp. This year’s event was its second held at the new Mediacorp Campus at Stars Avenue. I do have a well-documented love-hate relationship with this new theatre, more hate than love actually, as my close circle of friends can testify. Well “hate” is actually too strong a word for me to use. I would probably use the word “dislike” to express my thoughts on this matter. For one, it is further away from previous locations like the earlier-mentioned Suntec City Convention Centre, Max Pavilion, Singapore Expo, and Singapore Indoor Stadium. North or east-siders like myself will find travelling here a bane, which is also partly a contributing factor why I have slowed down my commitments to cover events and answering invitations to attend a particular programme or show by Mediacorp Suria.

One of my favourite performances of the night, Gloria Jessica teaming up with Aisyah Aziz and Haikal Ali

My main gripe with the theatre is that it resembles a lot like a typical school hall setting, and I know I am not alone in having these same thoughts. The stage also looks smaller and limited than previous venues. The opening performance that featured Ayda Jebat and her dancers, as well as Maher Zain and his accompanying vocal group, felt a bit overcrowded. I observed the dancers especially, had to hold back some of their moves so as not to bump into one another. The one thing I dislike the most about this theatre is that I am no longer able to sit on the floor in front of the first row to capture close-up shots, just like in past APMs or even the times I covered shows at the old Mediacorp Theatre at the now-vacant Caldecott Broadcast Centre at Andrew Road. At this new place, photographers now either have to stand behind the sound engineers somewhere in the middle section or sit on the floor along the aisles by the side.

I know for one, the audience enjoyed this particular segment featuring Hael Husaini, Virgoun and Sufi Rashid

The positive thing I can say about this theatre is that it boasts a sound system which is very good. The acoustics and clarity is as good as the Esplanade, if not better. Well it is certainly much better than the one at Star Vista Theatre, a stone’s throw away. I also observed with this new place, the organisers save quite a bit on their budget, not to mention having the autonomy to dictate how the additional segments like the Red Carpet segment would pan out without having to splurge more than they should. I noticed that even with a venue as good as Suntec City Convention Centre, there were trade-offs, in that certain things had to be compromised or made do without altogether. The ones that come to mind were the “Walk of the Stars” segment, where the nominees / award presenters / performers were introduced to the audience by walking to the stage from the back and to their seats, which I personally felt was a poor man’s version of the Red Carpet segment and the lack of a post-event reception afterwards, which had a number of local and overseas guests / performers grumbling quietly afterwards, as they were famished after a long night. With the event held at the MES Theatre, these factors were taken care of and the event looked to be proper as it should be.

Award presenters Hannah Delisha and Izzue Islam

Speaking of the Red Carpet segment, there was a notable difference between last year and this year. Last year, we saw the nominated artistes as well as the performers and award presenters arriving via limousines with both sides of the fences teeming with screaming fans like any typical Red Carpet segments you see around the world. This year, they did away with the limos but made the concourse level a long and winding stretch going into the MES Theatre. The Red Carpet segment literally began when the nominated artistes, performers and award presenters appeared from the lift just next to the escalator on the third floor. From there they had to pass by the specially-erected stage for the fans to see them clearly, as they were interviewed by newly-minted radio presenter, Kyrul Ashrie and Nity Baizura. After that it was stop after stop as they were greeted by a horde of waiting media brigade, eager to interview or photograph them, yours truly included.

Malaysian heartthrob Farid Kamil and Singapore‘s up-and-coming Sofia Dendroff

I must say I was surprised by the number of media people that attended this time around, not only from Singapore, but Malaysia and Indonesia as well. I basically had to jostle for a comfortable position so as not to block their view when they were filming, taking photographs or recording short clips. Previously this Red Carpet segment or a lack thereof, was one of my main complaint agendas whenever I do up any reviews of Anugerah Planet Muzik. Not anymore. The organisers have done very well to make this a much-hyped affair with live Facebook updates and online screenings via Toggle. For that they deserved much of the accolades for the effort to make the show as colourful as it should be. I saw the improvement being made since 2015 when the show was still at Suntec City Convention Centre, but I think with the venue of the event being at their homeground, more improvements and upgrade in outlook were able to be executed without running foul of the venue management, if any. They even have what I call a “battle command centre” for all the live social media updates as the show went on.

Actress-singer Kilafairy and another newbie to the local Malay entertainment scene, Zachary Ibrahim

Looking at the list of performers that night, I was surprised that this time round, there was a distinct lack of star names, save for those whom we know from our own respective countries or maybe the few established ones known to the three countries like Afgan, Ella and Maher Zain. For the very first time in the history of Anugerah Planet Muzik, there were no performing bands featured. Hard to believe but it was the reality. Up till the last moment, I had expected the organisers to pull a last-minute surprise and have at least one band performing, but that was not to be. Even though we were devoid of distinct star names, the ones who were onstage did not disappoint at all, at least to yours truly. The surprising thing was, even with a lack of stellar names, it was a sold-out event!!! The last we had a sold-out APM was back in 2014, when the event was at Suntec City Convention Centre, of which the main draw were legendary group Wings and Noah, plus a bevy of household names like Cakra Khan, Judika, Dato’ Rossa, Taufik Batisah, Dato’ Siti Nurhaliza, Joe Flizzow, Sezairi and more.

My personal favourite pairing of the night, the gorgeous Janna Nick and my “twin”, Fakkah Fuzz

I am not sure about those at home cos last year, I observed comments made online that the show was boring. I think there is a lot of difference watching at home and seeing it live. I do agree to some extent when I watched the repeat telecast much later, that visually it looked a bit plain. If I were to make a comparison with last year’s and this year’s editions, I think the latter was much better. Last year’s instalment had Caliph Buskers and Sufi Rashid to thank cos their respective performances individually and collectively together, were the highlights of the night, while the rest were forgotten in a hurry. Also the stage setup made it looked as though we were watching a variety show like Rapsodi or Muzika Extravaganza. However, I noted that the organisers had made visual improvements to the stage design, layout and backdrop for this year’s show. Maybe the show itself is meant to be appreciated by watching it live with our very own eyes and not via the television screens. We have to give the organisers a bit of leeway as it was their first time afterall doing it at the MES Theatre last year. I believe this year it was much better, as most online comments I monitored were kinder and more on the positive side.

Afgan doing what he knows best, making hearts flutter with his voice, smile and dimples…

I was surprised that Desta was called upon again to host this year’s APM. As I recalled his performance hosting last year, he was a bit lost and tried too hard to match up with the energy of his co-hosts Suhaimi Yusof and Sherry Alhadad. I was ok with the initial selection of the other hosts, Dzar Ismail and Nabila Huda, as I know both exude energy and fire. But lo!!! Desta proved me wrong on the night and emerged the “Man-of-the-match“, in the words of his co-host Dzar. He had the audience laughing to all his jokes and while those that were made at last year’s event looked a bit forced or unnatural at times, his punchlines this year were absolutely spot-on. He even had time to poke fun at several members of the audience unannounced. I was proud to see Dzar Ismail given the honours to co-host the awards show, representing Singapore. It gave the show a bit of freshness instead of the usual faces. He also has come a long way since being the raw and wide-eyed newbie in the scene. A word of advice to Dzar, he might want to slow down his talking pace, as at times he sounded a bit rushed and his words lost on our ears. At least no one tried to outdo the other like some of the previous editions and there was a nice balance of energy between the three. The best host so far for me in recent times, who gave their co-hosts equal limelight to shine was, and still is, Jihan Muse back in 2015. She’s adorable and I’m a big fan!!!

A beaming Ms. Zakiah Halim presenting the International Breakthrough Award

I would like to touch upon the award presenters. I assume, based on the reactions of the audience, the only ones they and probably those at home enjoyed watching were Janna Nick and Fakkah Fuzz and slightly later on, Afgan and Fiza O. With all due respect to the other presenters, I think generally the audience didn’t know who they were or there was hardly any chemistry or relevant banter between them. I remember there was one award presenter who presented twice in previous editions, but you could hear a pin drop when they were on stage with murmurings around me asking them to be quick with the award presentations. The same thing happened a few times on the night, and I don’t think the audience could tolerate the antics of some of the presenters, who tried to act cool but only served to turn them off judging by the silence or non-reaction. I also noticed a certain lopsidedness in the pairings which, save for the Afgan and Fiza O award presentation segment, were all from Malaysia and Singapore. There were other Indonesian acts seated amongst the audience, I doubt it would hurt to let them have a bit of the limelight as well. On a sidenote, I personally think Fakkah Fuzz just put his name into the hat to present either Pesta Perdana or future editions of APM. Twice he presented awards at both events this year, both times he had the audience in stitches and enjoyed his presentation style.

Maher Zain performed the Malay version of “For The Rest of My Life” right after his acceptance speech…

Winners-wise, I will not debate who was worthy and who was not, but there was one award which had me a little perplexed. In retrospect, I think all the winners and nominees are much deserving of their positions, lofty or otherwise. It has to be said that it is lost on many people’s minds, but we cannot take away the landmark achievement made by “Senyum Saja” at #APM2017. For the first time in its 16-year history, a Made-in-Singapore song finally managed to win the Best Regional Song award!!! This win was the fourth for The Lion Story in the space of seven years and their third in a row, cementing their status as prolific and respected songwriters our country has to offer. For the longest time, it has been something that we have come to accept, that the Malaysians and Indonesians are far superior than us. The glass ceiling has finally been broken. I hope this win will inspire more of our local songwriters to come up with more quality music because they definitely have the talent to match up with their regional counterparts. However, the Best Male and Female categories remain elusive till this day and I hope some day one of our acts can finally reach that pinnacle and recognised by the jury from the three countries.

I just realised when I looked at this photo, the last time Dato’ Adi Putra presented awards at APM2011, his partner was also Nity Baizura

I don’t care what the online brickbats might say till this day or have questioned ever since, if they had not listened to the song or never heard of it before, and there are many of them out there, the ones commenting and criticising for the sake of it. The beauty of awards shows is that you look at the nominees and you try to do your own research by listening to them on YouTube, iTunes, Spotify and what-have-you. The best is not necessarily the most popular. Likewise the most popular might not necessarily be the best. You only see the regional dissenters up in arms when a Singaporean comes on stage to win the regional awards. I observed some sour grapes who are definitely not from these shores, commenting this was a “Shiok Sendiri” show by the organisers when the Best Song category was announced. If it was, I think Singapore would have won more than they had expected to. It has always been that way but the best awards are judged by a panel of jury from the three countries. So it is definitely sweet when you see your own local product be recognised by not only your own, but from others. And for that we can only “Senyum Saja” at the haters.

Isyana Sarasvati showed her prowess at playing the piano prior to getting off and dancing along with her accompanying dancers when she performed “Kau Adalah“…

It was just one big award and suddenly the “My country’s song is better than yours” mentality reared its ugly heads. This village mentality obviously needs to go, but it will never be eradicated fully, not when online and social media is filled with irresponsible and brainless keyboard warriors. People keep on forgetting that this awards show is about forging friendship, extending ties and network amongst people in the entertainment and media industry between the three countries. It is never meant to be a competition per se, but a celebration of the best. Obviously people who were watching and commenting negatively afterwards, paid scant respect to some of the winning speeches calling for unity and ties to be strengthened. Sad to think that in this current day and age, people tend to form opinions and act upon what comes out from their nether regions rather than whatever rationale that is processed in their heads. It is difficult to educate these country bumpkins when they already have this mentality that theirs is better than others.

Another one of my favourite pairings of the night – Afgan and Fiza O, who showed off her multi-functional outfit created by celebrity designer Raffiey Nasir

I did say I will not debate who was worthy and who was not, but that I was a bit perplexed by the decision to award one of them. It did not take a rocket scientist to predict that Maher Zain would pick up the International Breakthrough Award when his name and photograph appeared on the promotional poster. I can accept the reasons given for him receiving the award when Ms. Zakiah Halim presented the award to him that night. However, I question his current relevance to the entertainment industry of the three countries. Don’t get me wrong, I love the guy, and I love his positive-infused songs, but his last sold-out concert here in Singapore was back in 2011 when his debut album hit killer heights. Since then his songs have seldom been played on our airwaves. Other than “Ramadhan” which is played during the annual fasting month, we do get the odd airing of songs like “For The Rest Of My Life” being played, either in its original version or the one in Malay / Bahasa Indonesia. I might be wrong, but I highly doubt his latter albums have been well received nor promoted extensively here as compared to his debut offering. If I remember correctly, he recently held a concert here last year and the attendance paled in comparison with his first one, which was quite regrettable, given his standing in the eyes of many.

A very proud moment for our local Malay music scene, finally clinching the biggest award at APM after 16 long years…

If he had been the first recipient when this award was introduced three years ago, then probably I would not be dedicating two paragraphs on this matter. Cos I sincerely thought this awards show is specifically to honour those from the three participating countries who have introduced our lingua franca to the rest of the world through their songs. I am not sure how his Malay or Indonesian song versions have made people from the other countries sit up and learn the Nusantara languages, cos I believe he also has different versions of some of his popular hits in other languages as well like Urdu and Turkish amongst others. I had expected someone like Shila Amzah, and to a lesser extent, Anita Sarawak, to be getting this particular award. I foresee this particular award will probably not be able to stand the test of time (I give it five more years), unless more acts from this part of the world spread their wings and fly abroad and create a name for themselves wherever they are. The organisers probably wanted to have a slight difference in handing out the awards this time round, but it does feel a bit odd, and gave the impression that we have forgotten our own people from this part of the world. Take nothing away from Maher Zain. He probably did not ask nor expected to be awarded the accolade. His acceptance speech at least soothed my aching heart for the rest of our Nusantara acts who might have felt slighted as a result. He has always been a very humble person with no airs and you could see and feel for yourself through the message that his words or lyrics bring.

Our zany hosts closing the show by giving props to legend and rock queen, Ella

In the past I would usually compare which editions were good, which ones were forgettable, which instalments were memorable. I think for this time I will not make any as I observed each single one brought with them different sets of challenges and obstacles, difficulties and hardships of their own, not to mention which ones left indelible impressions on the mind till I can remember to this day. Take for instance, the great number of no-shows from some of the award recipients. I know for one the likes of Anuar Zain, Dayang Nurfaizah and Khai Bahar were invited to perform but they could not make it as each already had their own prior singing commitments in Malaysia and Hong Kong (Khai Bahar). Probably no one seemed to have noticed this particular trivia, but this year the event was held on a Saturday evening, when usually it is held on a Friday evening. I think had the event been held on a Friday evening, we probably could have had those earlier-mentioned names in attendance and probably had more star names to the line-up. For the show itself to be a sell-out event a good two months before the actual date, spoke volumes of its reach and that we can have confidence that not having stellar names can also attract bums to seats. But for how long???

The question remains, how will the awards benefit the winners in getting known by the neighbouring countries??? For example, will winning the Best Song Award open more doors for the likes of Haikal Ali and The Lion Story to venture into unknown territory in Malaysia and Indonesia if they eventually choose to move in that direction??? How much collaboration and acceptance do artistes, songwriters, producers and such stand to gain from the exposure??? For one, they cannot rest on their laurels and to proactively churn out new works and release them, strike while the iron is hot and not sit on their laurels or just expecting our local radio stations to play their music. They also need to invest some time and money to go out and promote their music, to be heard on airwaves abroad. I really hope that our local acts who were nominated or those who have won, will continue the good work that they have, to always strive for perfection, to improve on shortcomings, to be better performers, songwriters, producers and what-have-you. We have seen good nominations from Singapore this year. Where there’s a need to complement one another, do so. Where there’s no need to compete to bring down the other, don’t bother. Your sincerity and passion will eventually reap its rewards, one way or another. This is my parting shot for my #APM2017 entry…

Snapshots of APM2017

Anugerah Planet Muzik 2017 Roll-of-Honour

(Graphics poster courtesy of Mediacorp Suria)

It’s been a good five days since Anugerah Planet Muzik 2017 ended, but the euphoria of seeing our home country finally winning the biggest regional award for Best Song, for the very first time in the 16-year history of this prestigious awards show is still fresh and unforgettable, at least not anytime soon. I have lots to say since I have not been doing a proper review on APM since 2014, but I guess I will keep it and snowball them in another entry and yes, this year I will finally post a review entry. It has been that long but it has to be done. Of course as always, my first entry after an awards show will be to honour the best and the most popular who were awarded on the night itself. So without further ado, here’s my Anugerah Planet Muzik 2017 roll-of-honour’s list…

P.S. Additional graphic posters of winners who did not attend the awards show are courtesy of Mediacorp Suria. Photograph of Sonaone courtesy of Glam Malaysia

 

Gloria Jessica – Dia Tak Cinta Kamu

Artis Baru Terbaik (Wanita) / (Best New Female Artiste)


Virgoun – Surat Cinta Untuk Starla

Artis Baru Terbaik (Lelaki) / (Best Male Artiste)

 

Faizal Tahir & Dato’ Siti Nurhaliza – Dirgahayu

Duo / Kumpulan Terbaik (Best Duo / Group)

 

Afgan Syah Reza Feat. Sonaone – X

Kolaborasi Terbaik (Artis) / (Best Artiste Collaboration)

 

Tanda Tanya – Aisyah Aziz

Composers: Omar K, Ezra Kong & Ishazee Ishak
Lyricists: O
mar K, Ezra Kong & Ishazee Ishak

Kolaborasi Terbaik (Lagu) / (Best Song Collaboration)

APM2017 708

 

Armada – Asal Kau Bahagia

Band Terbaik / (Best Band)

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Anuar Zain – Andainya Takdir

Artis Terbaik (Lelaki) / (Best Male Artiste)

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Dayang Nurfaizah – Lelaki Teragung

Composers: Natasyah
Lyricists: Iman Imran

Artis Wanita Terbaik / (Best Female Artiste)

Lagu Terbaik (Malaysia) / (Best Malaysian Song)

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Isyana Sarasvati & Raisa – Anganku Anganmu

Composers: Isyana Sarasvati & Raisa
Lyricists: Isyana Sarasvati & Raisa

Lagu Terbaik (Indonesia) / (Best Song – Indonesia)

IsyanaRaisa

 

Aisyah Aziz & Haikal Ali – Senyum Saja

Composers: Aisyah Aziz, Haikal Ali, Haramain Osman & Judah Lyne (The Lion Story)

Lyricist: Aisyah Aziz, Haikal Ali, Haramain Osman & Judah Lyne (The Lion Story)

Lagu Terbaik Singapura / (Best Singapore Song)

Lagu Terbaik APM / (Best APM Song)

 

Sufi Rashid – Aku Sanggup

Lagu Singapura Paling Popular / (Most Popular Singapore Song)

APM2017 2453

 

 

Hannah Delisha

Artis Singapura Paling Popular / Most Popular Singapore Artiste

APM2017 2125

 

 

Ayda Jebat

Ikon Media Sosial / Social Media Icon

APM2017 2228

 

Khai Bahar – Bayang

Artis Paling Popular APM / APM Most Popular Artiste

Lagu Paling Popular APM / APM Most Popular Song

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Maher Zain

Anugerah Rentas Planet / International Breakthrough Artiste

 

 

Ella

Anugerah Khas Planet Muzik / (Special Music Planet Award)

Anugerah Planet Muzik 2017 Media Conference

(Graphics poster courtesy of Mediacorp Suria)

I usually start off my entries after a long hiatus with an apology to my readers for making them wait so long for my return. Seeing how in the past I’ve been doing it, only to repeat the cycle again and again like a bad record, I have decided that I will not be doing any at all this time. Some of you will be extremely surprised to read this, but this entry almost became my final entry announcing my retirement from the scene. Yup you read that right!!! I was heavily toying at the idea of retiring as I had lost interest in doing write-ups and reviews, not to mention my time-consuming photo-editing process. In addition, this is a job that is not being paid but out of my passion for the local / regional Malay entertainment scene. There is only so much time and effort I can afford to put in at the expense of quality time with family. Why I decided to put the idea on the back-burner is because there is still that wee bit ounce of passion which I managed to coax out of me. For how long more??? That itself is a question to be answered. I feel jaded really to be honest.

Local artistes and representatives of the local Malay music scene who turned out in force for the media conference at Orchard Hotel

I wish there were more like me out there, the ones who write / type with sense and rationale, not too emotional when critical, who will give benefit of doubt as much as they can. I just feel that it is time for a new generation of writers to take over but sadly also, blogging seems to be passe these days. I will not promise anything, but I guess from now, any entries on this domain should be regarded as “Heaven-sent”. I will pick and choose what events I attend henceforth and will not be bogged down by having to put entries or photos up as soon as the events end. Well it has always been that way, hasn’t it??? Just that I cannot commit to attending events (mostly at Mediacorp) on a regular basis henceforth, with its current location a bit far for my liking being the North-Easterner that I am. It is also to be fair to those who have kindly invited me to cover their respective events. With that out of the way, let’s begin this entry in earnest.

KC and Dzar Ismail were the hosts of the media conference in Singapore

Anugerah Planet Muzik has always been THE event that I most look forward to annually since its inception on 20th January 2001, so much so I am willing to forgo watching my beloved football club Manchester United, when they face our sworn enemies Liverpool on the day of the event (14th October 2017). Part of the reason I’ve decided to continue blogging was also because of this event. It is afterall the Grammys of the regional music scene, whereby the four countries, Singapore, Malaysia, Indonesia and Brunei come together to celebrate the best amongst them for the year. I know I have not been doing any reviews since the 2014 edition, but it also gave me some breathing space to observe changes that were made over the last two instalments. I noted a lot of improvements along the way which many at home do not have the benefit of knowing nor seeing, and there were also shortcomings, mostly because of a change in venue and having to adapt to new surroundings. I am hoping that with the event once again returning to the MES Theatre @ Mediacorp, the visual experience will improve, especially for those at home, because watching it live in the theatre and at home are two extremely stark contrasting experiences.

Nurul Isnina performed her debut hit single “Buaya“…

Just like the previous year, the media conference announcing the nominees for this year’s edition, was held at Orchard Hotel, albeit at the smaller Lavender Room a fortnight ago (22nd August 2017). Where A.B. Shaik, Aura Shai and Fiza O have always been the usual hosts at previous APM media conferences in Singapore, this year saw a somewhat refreshing change with Dzar Ismail and KC anchoring the proceedings. The media conference was also graced by the performances of eventual nominees Nurul Isnina, Iyaad Salleh, Arus Band & Sofia Arissa. Where previous media conferences were used to showcase upcoming young talents our local industry has to show for, there was a distinct upgrade of quality with those nominated being invited to perform and to show the audience why their names are up there along with the regional’s best. The event also saw the performance of Aidil Akmal and Dzar Ismail with their Malay rendition of the global hit “Despacito“, titled “Incognito“, which has since garnered their music video more than ten million views!!! I was telling Dzar afterwards, if only one view could be converted to a dollar, he could afford to retire by now. Such is the outreach of social media these days, that through creative works such as these, one can make it viral worldwide.

Arus Band, along with Sofia Arissa, were one of the few performers that day. Here, they’re seen singing their current hit song on the airwaves “Terlalu“…

A minor controversy emerged when I was viewing the live Facebook feed of the media conference at Hard Rock Cafe Kuala Lumpur on 24th August 2017. I noted that Dato’ Siti Nurhaliza who was initially nominated in the Best Female Artiste Category for her song “Menatap Dalam Mimpi” was missing as compared to the one announced in Singapore just two days before. I only got the answer after seeing reports that the organisers had indeed acknowledged and apologised for their error during the media conference in Kuala Lumpur itself and that all was fine between them as well as Dato’ Siti, and her management who were the ones who had alerted the organisers about it. I think this is a fine example of years of good working relationship between both sides as well as honesty and integrity being practised. The management could have kept quiet about it, but they did not. Thumbs up to Siti Nurhaliza Productions for the highlight and Mediacorp for acknowledging their error and apologising for it!!!

Ms. Zakiah Halim, Head of Mediacorp Malay Community addressing the floor along with CEO of COMPASS, Dr. Edmund Lam and Mr. Hassan Salleh, Senior Programming Director, Warna 94.2FM & RIA 89.7FM, Mediacorp

A special first concert road tour for this year’s Anugerah Planet Muzik was announced by Mr. Hassan Salleh towards the end of the media conference. For the first time in the history of the prestigious regional awards show, Mediacorp is partnering with the organisers of the Formula 1 Petronas Grand Prix Malaysia for a concert road tour to close the race in Sepang, which will see it hosting for the 19th and final time. The concert will be the penultimate show on the final day of the race (1st October 2017) and will feature some of the regional award nominees of Anugerah Planet Muzik 2017. At the time of typing this entry, I still do not know details of the concert and who exactly will be performing till perhaps closer to the date. My guess is that we will have big names from Malaysia, Indonesia and also Singapore to grace the concert. Will I be covering the concert??? That depends if some kind soul or organisation will be kind enough to sponsor my trip up north. Anyway I’m sure there will be some live streaming or at the very least, some live Facebook feed of the concert for us to view the proceedings if we are unable to physically watch it live.

The APM trophies are up for grabs again…

A total of 19 awards will be presented at this year’s event, the same as the previous year, with no tweaks nor changes made to any of the categories. Viewers and listeners can catch the ‘LIVE’ simulcast on TV channel Mediacorp Suria, radio stations RIA 89.7FM and Warna 94.2FM as well as online streaming via Toggle LIVE. APM 2017 will feature a new generation of artistes discovered largely from social media platforms and is set to entertain and dazzle with a stellar line-up such as Ayda Jebat, Aisyah Aziz, Isyana Sarasvati, Virgoun, Gloria Jessica, Aiman Tino, Hael Husaini, and many more. Music fans and enthusiasts are also given the opportunity to vote for their favourite songs and artistes in fan-driven categories from 22nd August until 14th October, 10.00pm on Toggle at toggle.sg/apm. The categories are Most Popular Artiste (Singapore), Most Popular Song (Singapore), APM Most Popular Artiste, APM Most Popular Song and Social Media Icon. Tickets are priced at SGD $28 and SGD $48 (including GST and excluding SISTIC fee) and can be purchased at all authorised SISTIC outlets and online at www.sistic.com.sg from 22nd August 2017 onwards. At the time of typing this entry, the $68 seats are already sold out!!! APM 2017 is supported by Info-communications Media Development Authority of Singapore (IMDA) and Composers and Authors Society of Singapore (COMPASS).

Snapshots of APM2017 Media Conference

Anugerah Planet Muzik 2015 Roll of Honour

APM 2015 - Media Release

(Graphics poster courtesy of Mediacorp Malay Broadcast Division)

Anugerah Planet Muzik 2015 was, for the third year running, held at Suntec City Convention Centre this past Friday 9 October 2015. The annual music awards show that celebrates the best in the local Malay and regional Nusantara music industry saw 19 awards up for grabs. As usual, I will kickoff my series of APM entries in bits and pieces, beginning with this entry which honours the winners of this year’s edition, the fourteenth since its inception in 2001. So if you would want to view photographs of the event and some of the snapshots I took which might not have been covered by the other media sources, mine will complement theirs. Without further ado, my heartiest congratulations to all the winners of APM2015

Taufik Batisah

Ikon Media Sosial / (Social Media Icon)

Artis Singapura Paling Popular / (Most Popular Singapore Artiste)

Lagu Singapura Paling Popular / (Most Popular Singapore Song) – #Awakkatmane

Lagu Paling Popular APM / (APM Most Popular Song) – #Awakkatmane

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Assalammualaikum – Faizal Tahir

Lagu Terbaik (Malaysia) / (Best Malaysian Song)

Lagu Terbaik APM / (Best APM Song)

(Composers & Lyricists: Omar K, Ezra Kong, Audi Mok, Mike Chan & Faizal Tahir)

faizaltahir(Photo courtesy of budiey.com)

Iman’s League

Band Terbaik / (Best Band)

Lagu Terbaik (Singapura) / (Best Song – Singapore) – Lisa Feat. The Lion Story

(Composers: Haramain Osman, Judah Lyne, Ishyam Lal, Khairul Anhar & Iman; Lyricist: Haramain Osman)

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Kunto Aji – Terlalu Lama Sendiri

Artis Baru Terbaik (Lelaki) / (Best Male Artiste)

Lagu Terbaik (Indonesia) / (Best Indonesian Song) – Terlalu Lama Sendiri

(Composer & Lyricist: Kunto Aji)

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Judika – Apakah Ini Cinta

Artis Terbaik (Lelaki) / (Best Male Artiste)

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Raisa – Jatuh Hati

Artis Wanita Terbaik / (Best Female Artiste)

raisa-1(Photo courtesy of kingkangkung.com)

 

Elizabeth Tan – Knock Knock

Artis Baru Terbaik (Wanita) / (Best New Female Artiste)

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Afgan & Dato’ Rossa – Kamu Yang Ku Tunggu

Duo / Kumpulan Terbaik (Best Duo / Group)

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Fatin Shidqia Lubis

Artis Paling Popular APM / (APM Most Popular Artiste)

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Dato’ Siti Nurhaliza & Cakra Khan – Seluruh Cinta

Kolaborasi Terbaik (Artis) / (Best Artiste Collaboration)

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Jangan Coba Berlari – Sezairi, Composer & Lyricist: Tulus

Kolaborasi Terbaik (Lagu) / (Best Song Collaboration)

SezairiTulus

Anggun Cipta Sasmi

Anugerah Rentas Planet / International Breakthrough Artiste

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A. Ramlie & The Rhythm Boys

Anugerah Khas Planet Muzik / (Special Music Planet Award)

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Anugerah Planet Muzik 2014 Review

apm2014poster(Graphics poster courtesy of Mediacorp Malay Broadcast Division)

It’s been three weeks since Anugerah Planet Muzik 2014 (APM2014) was held at Suntec City Convention Centre on 17 October 2014, but the memories of the prestigious awards night are still fresh in my mind. I cannot guarantee if I will blog as lengthily as what everyone has been used to reading when it comes to my annual APM reviews, simply because on the surface, I doubt I have much to dissect and analyse this time round. But you’ll never know, since I have this tendency to blabber, make sidenotes and references that would eventually veer me off-course. But that’s the beauty of this blog, other than the many photographs that everyone loves to come in and see. I just wish I can make this a full-time career, but is there a proper industry here in Singapore to begin with??? 🙂

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The right choice for the opening performance, Taufik Batisah with his current hit “#Awakkatmane“…

In years past, I would normally take the trouble and effort to read the reactions of the general audience and see their comments on social media. Not this year, as I did not wish to concern myself with the “Macam Faham” keyboard warriors. These people will always be there on social media, ever ready whenever there is an event on television, quick to comment on things that are trivial and out of their understanding, but still feel the need and urge to comment when they know nuts what is going on behind-the-scenes or understanding reasons behind certain shortcomings. But I believe this year’s event had few controversial incidents (more on that!!!) or arguable award recipients as in previous years. Congratulations to the organisers as APM2014 was the top trending topic on Twitter worldwide that night!!!

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Yacko, Joe Flizzow and Sheikh Haikel continued where Taufik left off…

I had extremely good vibes about APM2014 days before the event, for the sole reason, this was (and if my memory still serves me well), the first in its thirteen editions, that it witnessed a sell-out crowd. Between 2001-2005 I remembered APM being close to a full house, but there were still empty pockets here and there. I attributed the presence of legendary Malaysian rock group WINGS and seeing Ariel of NOAH after his well-documented legal struggles, as the two main factors that pulled in the audience this year. In the past, we might have had household names like Dato’ Siti Nurhaliza and Taufik Batisah to help entice the crowd to attend, but still their presence were not enough, even if they continue to receive the biggest cheers every time they appear on stage. This time, I’m sure it felt like a major coup to have two of the biggest bands in the regional Nusantara music scene to grace the APM stage. This was the first time WINGS made an appearance at the awards show and the first time Ariel appeared since Peterpan performed at APM2005.

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Hosts for the night – Dyn Norahim, Sarah Sechan and Nabil Ahmad

But the sell-out audience was also a major factor in me stopping short of saying this was the best APM in years. Yes the event itself, in terms of performances and overall production, is probably up there amongst the best and most enjoyable ones in its thirteen years of existence, but the atmosphere was close to dead from my humble observations. Other than Taufik Batisah‘s opening performance or whenever he appeared onstage either to receive his three awards or presented with Najwa Mahiaddin, the only times the crowd came alive were when Dato’ Siti Nurhaliza, NOAH and WINGS made appearances. The atmosphere during the rest of the other performances or award presentations felt like a morgue, or at the very least, just courtesy applause heard. At times, one could just hear a pin drop. That was how bad the atmosphere was and I had to turn around a couple of times to see whether it was really a sell-out audience or not.

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A common feature of APM – Performances by artistes from the three countries together onstage – Maria Calista, Mafarikha Akhir and Aisyah Aziz

I expected a bit more vigour and pride from the audience, when our local artistes who were nominated in the regional categories, had their names announced as the nominees. Or when the likes of Aisyah Aziz, Sufie Rashid, Sezairi and Sheikh Haikel performed. But it was just dead, with little to no positive reaction, save perhaps when Sufie Rashid won his award for Lagu Terbaik Singapura (Best Singapore Song). I wondered aloud that night, aren’t we proud to see our own acts stand toe to toe with the region’s best??? I was seething throughout the night at the thought and somehow when I’m typing this and recalling again, I feel that sense of anger returning. Last year, we had a party atmosphere with fans bringing drums and percussions, even when it was not a full house. It was just a big pity the same fans were not around to hype the audience. Or perhaps told not to bring their instruments into the event venue. But even if they were not allowed to, I’m sure they would still be in full voice.

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The cool cat, Sezairi, performed his nominated single “Sayang“…

This year, there was a change in hosts from Singapore and Malaysia. Dyn Norahim (and not Ibrahim. Astro & MeleTOP please take note!!!) from Warna 94.2FM and Ahmad Nabil Ahmad, the winner of the second season of Malaysia‘s Raja Lawak reality competition took over the microphone duties alongside APM veteran Sarah Sechan. Indeed this was Dyn Norahim‘s first big break hosting an event of this magnitude, where the region’s eyes were on him. He admitted to having a lot of jitters before the show, in awe of his two colleagues whom he felt were more prolific in their crafts as hosts and extremely quick on the draw to butt in when he fluffed his lines during rehearsals. But I told him not to be overawed by the occasion and he would do just fine. Most importantly, I reminded him not to go overboard with some of his jokes, and overall I think he did extremely well without trying too hard.

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Sultry Najwa Mahiaddin serenaded the audience with “Impian Terindah“…

While I’ve heard of many negative feedbacks about Dyn Norahim‘s performance that night, mostly from the online brickbats, I thought he did not do much wrong for a newbie on the APM stage. Local radio listeners would have been disappointed not to have witnessed Dyn‘s alter-egos Abang J and Mr. Wong, or that he might not have matched Nabil‘s wacky personality, but there needed to be a certain balance with all three hosts complementing one another, rather than hogging or competing for the limelight. Dyn is outgoing and comical in his own way and did not need to match Nabil pound for pound in the wacky stakes. Nabil‘s butting in at several award presentations and chiming in with wisecracks when others were presenting, were either welcomed or a source of irritation, depending on how you tolerate his style. Just that I was a bit uncomfortable when he made a joke about plane crashes in this very same year his own country suffered two tragedies of that nature. I was expecting some backlash from his countrymen about it, but thankfully I’ve heard none of it till today.

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Loved Tulus‘ humble speech when he won his award for Artis Baru Terbaik (Lelaki) / Best New Male Artiste

Speaking of backlash and the earlier mention of controversies that arose from this year’s edition, poor Dzar Ismail was targeted by the Indonesians on Twitter for unwittingly using the term “Indon” to refer to the “Indonesians” when he presented with Hanis Zalikha. For those who do not know, the term “Indon” is derogatory to the Indonesians. It is either a racial slur or a negative connotation to describe them. But I know Dzar Ismail did not mean it the way the Indonesians had slagged him off for it. For one, the term is used here in Singapore as a shortened name for Indonesia / Indonesians. Most, if not all of us, even Malaysians, use it as a shortened word of convenience, and not to degrade or look down at our neighbours. Even the Indonesians living here in Singapore refer to themselves as “Indon“, so I was a bit surprised at the amount of abuse being directed towards Dzar Ismail. Our own Berita Harian congratulated their new President by using the same term as their front page headlines recently. So really, it’s a matter of cultural misunderstanding. It would be nice however, to take note, not to use it during such events where we are interacting with Indonesian audience, out of basic respect and courtesy. It’s like the N-word where it is ok for the Negros and blacks to use it amongst themselves, but not us.

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Dato’ Rossa and Taufik Batisah‘s onstage chemistry was intense and passionate to say the least…

I don’t think there are any major grievances pertaining to all the award winners. Previously, our regional neighbours were up in arms when any Singaporean artistes were to walk away with the popular regional award categories, but the winners this year (“Dia Dia Dia” – Fatin Shidqia Lubis and NOAH) somehow could have been justified in their eyes. I might not hear or perhaps been oblivious if there are any objections towards Taufik Batisah winning the Ikon Media Sosial (Social Media Icon) award. This is a guy who has timed his return to perfection and launched his latest album at the right moment, a month before APM2014. With his viral videos with the hashtag “#awakkatmane” making its rounds since Ramadhan and resulting in countless number of parodies being made, it was a no brainer. Rightly so that such an award conferred to him reflected his influence. I would also like to take this opportunity to congratulate Taufik on getting more than a million views on YouTube for his latest music video “#Awakkatmane” within three weeks of uploading it, and also for the hashtag to be the top trending topic on YouTube Malaysia.

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One of the top draws of the night, Ariel and NOAH

Such popularity comes with the caveat of having haters as well. You either like the “#Awakkatmane” song, or you do not. Personally I love it, in fact I need to listen to it daily as a form of perk-me-up. However, linguistic “Nazis” like myself however have a little grouse with regards to its title, where “mana” is spelt as “mane“. Releasing it in the middle of our national Malay Language Month, where speaking good Malay is encouraged, also felt a little odd but I know for one that Taufik meant no disrespect whatsoever. By adding that hashtag at the beginning of the title meant, he probably was taking a dig at those who love to misspell or spell out of convenience in social media or online messaging. Nonetheless, I am so hoping and wishing that with this new album launch, his viral clips and music video as well as his collaboration with the likes of Altimet in his new album and two of his songs being chosen as the soundtracks for drama series shown in Malaysia, it will finally be the big break that has eluded him all these years. Ten years in the scene, it is high time he becomes a household name across our shores. Sidenote, the voice of the lady in that hit song does not belong to Fiza O. Wonder how some people came to such a conclusion when the voice tones of both ladies are different.

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Odd to see Judika attending APM without his wife Duma Riris, but congratulations to them on the birth of their firstborn, Cleo Deora Boru Sihotang

I was and still am elated over the awards won by Awi Rafael for his collaboration with Altimet for “Kalau Aku Kaya” (Kolaborasi TerbaikArtis / Best Artiste Collaboration), as well as those won by Aisyah Aziz for “Mimpi” (Kolaborasi TerbaikLagu / Best Song Collaboration) and Sufie Rashid for “Tiada Pengganti” (Lagu Terbaik SingapuraBest Singapore Song). I did say last year that I would not at all be surprised if “Kalau Aku Kaya” were to be nominated in at least the Duo / Kumpulan Terbaik (Best Duo / Group) or Kolaborasi Terbaik (Best Collaboration) categories. I stopped short of saying the song or collaboration would win outright last year, for the fact that I had yet to listen to newer songs from other artistes, but if I had the choice to award them for it, I would have given it to them last year. However, my hunch came true this time and I thought it was a satisfying reward earned by two artistes whom I have so much respect for in the regional music scene.

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One of my favourite photos of the night – Dato’ Siti Nurhaliza belting “Jaga Dia Untukku“…

If there is an award for “Most Improved Performer” over the past year, I would give it to Sufie Rashid in a heartbeat. He has grown so much since his first forays in the scene, joining the various reality talent competitions on television, only to falter in the earlier stages. He was one of the guest performers during last year’s APM2013 Media Conference, along with Yaya Hamid, but he did not impress me at all that day. He was a bag of nerves and had pitching issues when he sang. In short, I was cringing when I watched him. I remembered Aura Shai asking me to upload a full video of his performance that day but I chose not to, cos I did not want viewers to slate him or subject him to abuse from online brickbats. But I know and can see that he has taken great pains to improve himself over the past year. Most importantly, he has gained so much confidence onstage thanks to his involvement in the recent SG Mania competition on Mediacorp Suria.

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Judika and Dato’ Siti Nurhaliza teased a possible collaboration when they presented at last year’s APM and called themselves “Ju-Si“. This year it became a reality when they sang “Apakah Ini Cinta“…

SG Mania, I felt, was the making of Sufie Rashid. Where once he had confidence issues, he is now a fearless performer onstage. His performance during APM2014 made my hairs stood and I was happy for him that he was not overawed when paired with the likes of Hazama and Cakra Khan. He told me afterwards how he was worried that he might have upstaged the other two when he went for the high notes. I for one, was afraid his voice would crack as a result, but he pulled it off much to the audience’s approval, judging by their whoops and cheers. Credits also go out to members of The SallysShafiq Iskandar, Izwan Khuzair and Rusdi Badri for composing “Tiada Pengganti“. This is an under-rated local band that has produced quite a number of radio-friendly hits. But my personal favourite from their collection of songs till this day is still “Gadis Marmalade“. Like my blog, the band recently celebrated their tenth year of existence this year.

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The fearless performer, Sufie Rashid

I enjoyed all the performances that night from the start right till the end. In fact, I did not feel the time passing by till the voiceover announcement informed that Dato’ Siti Nurhaliza, Dato’ Rossa and Aisyah Aziz were up next, indicating the second last performance of the night (I had the benefit of knowing who was performing in order of performances and songs thanks to the media press kit given to us). Slowly but surely, the organising team have begun to master the art of keeping things compact within a two-and-a-half hour timeframe. The commercial breaks were short, between three to four minutes, and most people who went to relieve themselves or went out for a quick smoke break ended up returning to their seats during the following commercial breaks or rushing back when the live cameras were rolling. Where previously the event felt like a drag, I have seen a lot of improvement in this area over the past two to three years.

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Cakra Khan, Sufie Rashid and Hazama paying tribute to Sweet Charity with “Kamelia”…

I have been waxing lyrical all along other than making my unhappiness felt towards the audience for not being supportive enough. But of course I have other few niggly issues which I feel the need to voice out and hopefully improve future APM events. I already stated in my “Walk of the Stars” entry that not many artistes walked onstage to be introduced to the audience and how it would be nice for the audience to see our very own local acts be introduced to them. I also overheard and observed how the local artistes had to enter through the same doors and walked along the same route as the other audience. Though it would be nice to see them enter the event venue through another route as a mark of exclusivity accorded to artistes, I believe logistical issues were probably why they had to enter through the same way as the general audience or the fact that they were not mobbed could have been another factor why they entered the same way as the rest.

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Another one of my favourite shots of the night, this time with Dato’ Rossa

Logistical issue was also another factor why there was no post-event reception after APM ended last year. I was pleased that at least there was one this time round. Where some might complain about having to make do with light / finger food not befitting of such a prestigious event, I personally feel that beggars cannot be choosers. It was gracious and kind enough for the organisers to provide a place where artistes could do a bit of networking with industry players and fill their stomachs a bit before going for supper with friends elsewhere. Cos I’m sure a lot of artistes when they meet friends and such, they would want to adjourn to another place to continue their conversations. Fathin Amira Zubir was the busiest from my observations of the goings-on during the post-event reception, handing over her single CDSebenarnya” to various artistes and people from the music industry. I should have asked one from her, never mind if I had to pay for it, cos I always do my bit to purchase products from our local acts, rather than expect freebies or complimentary copies.

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APM promotes friendship and warmth between artistes from the three countries. This photograph is one fine example.

Before the event and after looking at its graphics poster, I noted on my Facebook status that there was a bit of lopsidedness in terms of female performers and bands if one were to compare those in Singapore to our regional counterparts. Malaysia and Indonesia each had a band representative and more than one female performer than us who only had Aisyah Aziz to be proud of. I had called upon the organisers to balance the odds and add an additional female performer and band, cos seriously after watching Konsert Siti Nurhaliza Live back in March as well as SG Mania and Singa Maksima Live prior to APM2014, I felt the likes of Fathin Amira Zubir, Sarah Aqilah, Farisha Ishak and Tujuhband at least deserved to represent us and performed that night. I was absolutely sure they would not disappoint us on the big stage. At the same time I was not expecting much given the nineteen awards that were presented and the already stellar-cast on show having to fit into a compact timeframe of two-and-a-half hours.

APM2014 2014-10-17 3771 Loved this tribute segment for three Divas who recently passed on, Dato’ Sharifah Aini, Diana Nasution and Kartina Dahari…

I just hope for future APMs, more of such acts would be showcased cos we do not have a dearth of talent in our local pool, but it is sometimes a question of us having confidence if they would deliver or not. Somehow I have been observing over the years that our local bands do not get much exposure on television as compared to individual artistes. Most variety or charity shows on Suria do not feature our local bands as much as we would like them to. We know they have composed and churned out radio hits, some even topping the charts for weeks, but relatively, I dare say most of them are an unknown quantity to the masses. I wonder if it is a case of budgeting (cheaper to pay a solo singer as compared to a group / band) or show producers do not have confidence on the abilities and capabilities of our local bands. When was the last time we saw the likes of Diorama, The Sallys, Tujuhband, Aryan Band, Kraton, Klutz etc. on television??? It’s either been a long time or none at all!!! I hope the next edition of SG Mania would feature bands instead of individual singers. Cos really our bands deserve a platform to showcase their talents to the masses.

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Oddly enough, the hosts only appeared onstage together twice throughout the whole show…

But speaking of our local bands and I hope they don’t kill me after this for saying this, I noticed a lot of them were too quick to get up from their seats that night during the commercial breaks to go for smoke breaks. I’m not a smoker and I cannot understand this addiction for nicotine, but surely some of them could have limited themselves to one break or none at all over the course of the whole event. Cos it didn’t look nice (since the event was also attended by dignitaries, people from the industry, sponsors and foreign guests sitting near the front rows where they were seated) that our local artistes were more interested in having a puff than watching the awards show. There were times during the show where they were all seen rushing back to their seats, some smelling from their cigarette smells which was and is a major turn-off.

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Awie still packs a punch onstage and remains one of the best performers with his showmanship…

Respect in many ways, deeds and creeds, I believe goes two ways. If you want the bigwigs to sit up, take notice of your talents and feature you in future, you need to show a bit of respect towards yourselves and the event you’re at, cos there are many other observant eyes around us besides myself. It might be trivial, but little things sometimes might be used as a cause against you. And I personally wouldn’t want that to hinder their progress or possible exposure to the masses. I can only dispense advice from a perspective of an observer who has seen and heard grouses from people from the industry. At times I become the Agony Aunt to some of our local acts and listen to some of the problems they face. But I do not have the answers to everything, but where I can help, I’ll try to. This is one aspect I noticed and feel the need to voice out for them to improve on their image and standing as talents and acts to be given due respect.

APM2014 2014-10-17 4712

WINGS closed the proceedings with an energetic medley of their current and past hits…

I finally come to my last paragraph. So much for saying at the start that I won’t make this a lengthy entry. I wanted to share more anecdotes and problems faced behind-the-scenes, but I guess I won’t because some things are best left unsaid to protect the dignity of others and the event as a whole. Some backstage politicking should remain between the relevant parties and not one for me to stick my nose into. I was there at the awards show to be entertained and to meet friends in the scene. I was sufficiently satisfied by what I saw onstage and contented with what I had off it, which made me feel that this was one of the most enjoyable APM events I had attended. I hope the next time APM is organised, Suntec City Convention Centre would continue to be the event venue. Congratulations once again to all the award winners and to the organising team from Mediacorp Malay Broadcast Division for a job well done!!!

Snapshots of APM2014