Suria Elektra Review…

Just as I had begun my previous entry, Mediacorp Suria reached a milestone on 30 January 2010 when it turned a decade old. And to commemorate its ten years of existence, the premier Malay television channel in Singapore held two big bashes within the space of a week – Fiesta Suria held at East Coast Park on 30 January 2010 itself and Suria Elektra on Friday 5th February 2010. While I will update this domain on photographs of the beach event on a slightly later date, I’m sure the one that people have vested interest in, is the Suria Elektra event.

Suria Elektra featured a stellar gathering of around 100 artistes and these included the unsung performers like the dancers, under the direction of veteran choreographer Eddy, the back-up singers under the tutelage of vocal coach Ann Hussein and the musicians led by Amri Amin, a well-respected music arranger and director. The two-hour live musical extravaganza was not only an evening of musical splendour but it also celebrated the unveiling of Suria’s new logo:

The new Suria logo reflects the channel’s growth. The strong bold letter “S” symbolises the channel’s strength in its aspiration to strife for new creative ideas. The bright orange signifies freshness and vibrancy while the “smiley” shape below the letter “S” characterises the channel as a “feel-good” channel that continues to shine with the viewers. The logo was officially unveiled by Prime Minister Lee Hsien Loong, who was the guest-of-honour, during the show itself.

Suria‘s prime-time viewership has grown by 33% from 2008 to 2009 with the channel’s local contents constantly been its top-rated programmes. In a press release statement, Mr Suhaimi Jais, Senior Vice President of Suria Programming & Promotions and Mediacorp Eaglevision said that the challenge for them is to continuously improve their contents and keeping them fresh. The change in logo also portrays Suria‘s aspirations to be more innovative and providing up-to-date content.

It was a throwback to the year 2000 when the Prime Minister who was then-Deputy Prime Minister, had also launched the first official Malay channel on our shores. The days when our Malay programmes had to share a common channel with the arts, Tamil as well as children’s programmes now seem like a distant memory. Over the years we have also seen the launching of dedicated channels to cater to our Indian community (Vasantham) as well as for the children / arts / documentaries / lifestyle (Okto).

Before the show kicked off in earnest, there was a red-carpet and pre-show cocktail event. Hosted by roving hosts, Huda Ali & Rilla Melati, clips of the event were shown in brief and it looked grand seeing the invited artistes dressed in their very best. I did not attend the event as my invitation card did not include being invited to it. Even if I was invited, I doubt I would be able to make it as I was still stuck at work right up till 7.30pm, when the card clearly stated that we were to be there at 7:00pm!!! Good thing when I reached Caldecott Broadcast Centre, I was still considered early and had time to make my way into the auditorium. The only downside was having to negotiate my way in and being resorted to strict security checks. But that was understandable as the event was graced by the who’s who in our Malay community circle, distinguished dignitaries and of course, our Prime Minister.

The show kicked off with aplomb, Sarah Aqilah, the winner of Anugerah 2009, came onstage to sing Mulan Jameela‘s “Makhluk Tuhan Paling Seksi“. It came as a big surprise to me that this song was able to be performed on national television and in front of very, very important people who made up part of the audience. You might wonder and question, “What is wrong with that???” Here’s the ironical part. This song was not approved to be aired by our local radio stations due to its apparently suggestive nature, and yet here we are seeing it being performed on a grand scale. I wonder if the so-called “ban” would now be lifted as a result.

I thought the choice of having Najip Ali & Nurul Aini as hosts was spot-on. For someone who has not done live hosting for a few years, I thought Nurul did extremely well, even to the point of improvising her script at certain points to give it an edgier punch. Their chemistry throughout the show, grew as the minutes wore on. Obviously Nurul didn’t look out of place even though she did admit, she was very nervous prior to the show. One could understand her fears, especially since this was afterall a grand event watched by thousands at home and very, very important people in the auditorium.

Sleeq & Maiya Rahman performing a song specially composed in tribute to popular programmes televised on Suria over the past ten years…

It was apt that Eka Mairina & Kunjung Whitaker performed together onstage as they’re our two famous Indonesian imports whose raw potentials were polished in the Anugerah competition. I had envisaged that someday they would perform together but I did not expect it to be this soon. For the record, Eka became champion in 2003 while Kunjung was the runner-up in last year’s competition. That night, they sang the classic hit “Jelingan Manja” and was accompanied by renowned saxaphonist Jari.

Anang Hermansyah performing his current hit “Separuh Jiwaku Pergi“. The whole auditorium felt his emotions flowing in the song and he was given a rousing ovation by a whole row of female personalities that included the likes of Seri Wahyuni Jaes, Mastura Ahmad, Ariati Tyeb and Rita Zahara

This particular segment whereby Anang and Sarah sang the former’s composition “Belajarlah Untuk Cinta” was both cute and cynical at the same time – Cute because Anang was being cheeky and romantic by holding onto Sarah‘s hands throughout the song and grinning from ear to ear, and cynical because the words to the song was an obvious dig to his ex-wife. They obviously were a joy to listen to, showing good vocal harmony together and having the chemistry that lent credence to the performance. Sarah who was initially coy, showed the audience why she deserved to be crowned Anugerah 2009 champion by hitting the high notes with nonchalant ease. Not that regular viewers needed any reminders.

Vadi, Kym Ng and Suhaimi Yusof cracking up the audience with their short skit…

The girls of Pianka definitely did not disappoint when they sang their first single “Mau Yang Besar“. Though the song is more than a year old, having been included in the Cicakman 2 official soundtrack album, I’ve yet to hear it on this shores. I just hope the slightly suggestive title doesn’t go the same way as Mulan Jameela‘s “Makhluk Tuhan Paling Seksi“, because compared to the latter which I agree has some undesirable tones, the former actually portrays how some ladies’ preferences for material stuff, are conditions warranted in order to win over their hearts. This song has been playing at the back of my head ever since I met them at the Suria Elektra Media Session. Kudos to Edry KRU on another masterpiece composition. He’s not a millionaire for nothing or just by introducing mere pretty faces in the music industry across the Causeway.

As winners of the inaugural Anugerah Band competition, I expected Rancour to at least have more minutes to their segment, cos Sarah Aqilah appeared in no less than three items that night. Surely being winners themselves, they deserved slightly more, yes???

Eiss & “Papa Rock“, Ramli Sarip, singing the latter’s old hit “Teratai“. The hairs stood in awe of their performance…

Ramli Sarip then took centrestage singing “Keliru“…

He was ably accompanied by Zoul (left) and Alif Putra (right). For the uninitiated, Zoul is the younger brother of M. Nasir and Alif was the winner of Best Musician at the inaugural Anugerah Band competition in 2008, where he turned out with the group Putra.

This segment featuring the new faces of Suria over the past decade left me and the audience scratching our heads as to whether it was necessary to have in the first place or merely a filler of sorts because it felt more like a fashion showcase where models do the catwalk along the runway. Even though I have no qualms about their selections and felt all ten of them deserved to be there, I just can’t help thinking that besides the good-lookers, maybe perhaps they could have included the breakthrough artistes or artistes who are plus-sized but still became household names like Fadhilah Samsudin (Erlin Montel), Zamberi Abdul Patah (Cik Leh in “Jeritan Sepi 2“) and Haryani Othman (Cikgu Bedah in “Tahu Nahu“). Granted, you need to look good to be on television, but a more realistic perspective could probably have given these people a fairer opportunity to receive some form of recognition for their good performances and making viewers remember them by.

Unlike his haunting hit “Angkasa” which has now topped the local radio charts for a ninth straight week, I found Hady Mirza‘s next single “Hentikan“, taken off his “Sang Penyanyi” album, which he sang that night, needing a lot of getting used to as compared to the former. “Angkasa” is easier on the ears as it is a typical ballad and sappy song. What made it even more special was the fact that it was Hady‘s first Malay single since “Jangan Memandu Di Pinggir Jalan“. However, the message the song “Hentikan” brings with it with regards to world peace, ending strifes and wars I believe, is more important and that’s what make this next single of his a song of pristine substance. I also do not dare to bet against this song following the footsteps of “Angkasa” and topping the local charts in time to come.

When Suria Channel was first launched on 30 January 2000, Siti Nurhaliza was slowly making waves as the hottest singing sensation this part of South-East Asia was witnessing. Back then when she donned a striking kimono and singing “Kurniaan Dalam Samaran“, I doubt that anyone of us, me included, would have envisaged seeing her being conferred the status of a “Dato‘” within a ten-year period. But such has been her colourful journey and without waxing too much lyrical on her achievements that need no further reminding, she has definitely gone on to become a brand name that the whole Nusantara has come to love and in the case of certain quarters, dislike. The title bestowed on her was a matter of when, not if. She would have gotten it even if she had not married a “Dato‘” as well.

That night Dato’ Siti Nurhaliza sang three songs to the delight of the watching audience. The first, “Batas Asaku” was taken off the official soundtrack of the movie “Perempuan Berkalung Sorban“, which was based on a novel by Abidah el Khalieqy, and was first published by the Yayasan Kesejahteraan Fatayat in Jogjakarta in 2001. After addressing the audience, she followed up her segment with a medley of Bukan Cinta Biasa and Destinasi Cinta, two songs that needed no further introductions. I guess in any appearance she makes, be it for a showcase, a concert or even a brief cameo, the audience would never get enough of her and that night was no different.

I certainly did not expect Taufik Batisah to sing “Sesuatu Janji” taken off his “All Because Of You” album, simply for the sole reason that he already has a more recent album entitled “Suria Hatiku“, one that has produced hits after hits with every single being introduced on the airwaves. But was I complaining??? Not one bit, cos amongst all his songs, this is my personal favourite and little wonder too, since I got him to sing this song when he recorded a greeting for this blog which I posted in the entry before last. I half-expected him to do his somersault, which he executed when he sang the same song at Anugerah Planet Muzik 2008, but I guess the space constraints didn’t allow him to. Or perhaps that special moment in 2008 was reserved for the regional audience. Still, I enjoyed it all the same.

The show came to a rousing end when the Anugerah alumnus, which consisted of Fauzie Laily, Maiya Rahman, Hyrul Anuar and Eka Mairina came on stage to sing Adam & Stacy‘s “Menggegar Dunia“. This was followed by Sarah Aqilah appearing for the third time that night, along with Eiss and Kunjung singing Faizal Tahir‘s “Gemuruh“. I just felt the first song, which is punchier as compared to the second one, would have been a better choice to open or end the show. The performance which reeked of zest and energy, as demonstrated by Fauzie, Maiya, Hyrul and Eka, would have been a fairer reflection of what Suria is all about – Vibrancy.

If there were any complaints or misgivings I had, then perhaps it would have been the fact that certain people were apparently overlooked for this event. The show was meant to be a celebration of the past ten years and it was fair to have those performing or those who made an appearance that night being given the opportunity to do so. Yes it was commendable to have the Anugerah alumnus between the years 20032009 performing, but what about those before that, most notably Aqmal Noor (winner in 2004), Indra Hamzah (winner in 2001) and Rudy Djoharnaen (winner in 2002)??? While Aqmal is slowly making inroads as seen by his win at last year’s Rentak Singapura event for his composition entitled “Warkah Dunia“, the other two have been relatively quiet and not heard of since.

Suria also had non-singing competitions like Juara (2002) and Anugerah Skrin (2006) in search of the next big thing in acting and hosting. Though the potentials of Nurul Aini as the night’s co-host and Huda Ali as roving host during the pre-event cocktail reception, were discovered and eventually polished to be who they are now, I hope no one has forgotten the likes of Firdaus Abdul Rahman (who appeared as “Captain Zero” in the comedy sitcom “Ahakz” and lately as the teacher in “Dikir Putri“) and Shahril Wahid (who played the handicapped character in “Gerimis Di Hati“), winners of Juara and Anugerah Skrin (Male Category) respectively. Both are accomplished theatre actors and they have definitely brought their experiences to the screens. One can only recall how Shahril‘s character in “Gerimis Di Hati” was excellently portrayed and I wouldn’t bet against him winning something at next year’s Pesta Perdana event just for that role itself.

If the segments that night were already too packed for a two-hour programme, then perhaps they could have just made cameo appearances, just like the catwalk segment that featured the new faces of the past decade. I think a small gesture like that could have gone a long way in refreshing the minds of viewers, that these guys also had had their moments of joy when they created history with the channel. I hope in future, winners like them would be remembered, even if they’re mentioned in brief or shown short clips of their performances. They are all unique in their own rights, skilled in their respective crafts, and should not be reduced to mere footnotes or forgotten altogether. I could be wrong in my analysis though, as perhaps they could have been invited to perform or make an appearance, but could not make it due to personal commitments. Shahril for the record, was invited as a guest that night.

The finale…

I just found it extremely unfortunate that on a week our premier Malay channel celebrated its milestone, unsavoury news in the print and alternative media with regards to a home-made video of a former actress / host, as well as news of the arrests of a famous comedian and a rock singer came to light. Everyone seems to have an opinion one way or another about these incidents as they’re being talked about almost everywhere on the Net. Even my blog statistics jumped because people were searching for the name of that former actress / host and their search results led to this domain. I will not delve too much on it, but I hope the public’s opinions on artistes in general will still be as positive as ever and not look down on them nor stereotype this career path as was famously portrayed in Allahyarham Tan Sri P. Ramlee‘s classic “Ibu Mertuaku“.

Like any offender, I believe the people who have made the news of late, should not be made outcasts or pariahs throughout their lives. We all make mistakes, whether they’re minor or severe, and the only way for them to lead normal lives again after this, is for us to offer them support & encouragement to be better people and accept them as part of society. Do not ostracise them just because as artistes, they are expected to be role models discerning youngsters look up to for inspiration. I’m actually heartened by the fact that fellow artistes have voiced their support in one way or another via their Tweets and Facebook statuses. This spirit of togetherness and protecting one another is what I admire and applaud, even though we’ve all heard before about the industry being harsh and bitchy due to a lot of backbiting.

Which reminds me of this entry I typed last July entitled “Be True To Yourselves“. When all these incidents happened, became the talking points and ended up being tabloid fodder (ok granted we only have one tabloid paper in our midst), I was eeriely reminded of what I outlined through several pointers in that particular posting. I certainly did not expect some of what I mentioned to be uncannily prophetic. Though I will not quote everything on what I typed back then, I will just end this entry with three paragraphs from that post I made, which relate to what has been happening around us of late and I hope we would all learn something from these recent episodes:

“Which is why I hope that up-and-coming artistes like our new batch of Anugerah contestants as well as those that are already established, would succeed without having any skeletons in the closet or deceive the fans through cunning ability spinning yarns after yarns of crap. One can put up a false front in front of the public, pull the wool over the eyes of the legions of fans, but shit catches up with the bull eventually since the latter needs to defecate afterall. In other words, one can only go so far with bullshit but life has a way of revealing dirty little secrets through time and when one leasts expects it.

Be thankful that there will always be an ever caring and protective arm around your shoulder, shielding you away from any possible backlash from your own fans or the community, when the paparazzis come a-calling, catching you in the act with your pants down. Cos too many of our local acts think they can get away with misdemeanours done mostly with the opposite sex or through various forms of intoxications. We are afterall, living in a society that is still conservative and sensitive. Being in the public eye, one should know better than to do things that could jeopardise their growing reputation as an established brand in the industry.

This entry, even though it looks as though I’m dissing someone or some people, it has to be said that it is also a reminder I want to share with all local artistes out there because I want to see our small industry succeed, without having to go through nasty episodes, which would eventually lead to a lot of unhappiness and ostracising. Everything that is to be done should be from the heart, laced with integrity and filled with unbridled honesty. That’s how one achieves blessed sustenance in any work or endeavour that we put our will into. I am very sure that most of our local acts are true to themselves and honest in their approach to their craft. For that, I will always continue to support our industry, no matter how much we seem to lack in several areas of professionalism.”

P.S. You must be wondering where are the post-event reception photographs. This entry was already too long for my liking that I’ve decided to split it into two. I’ll try to upload the photographs before Monday. Till then, I hope you’ve enjoyed reading this review and thank you Suria for inviting me to the event as well as providing useful information which I have included in this entry…

Anugerah Day One Auditions…


The Anugerah auditions are underway as I speak, today being Day 2 of the auditions. For those of you still living on a different planet, Anugerah is back this year, in the process, celebrating a decade of talent spotting in our local entertainment industry and this year, the champion will win prizes worth $250,000, which includes a recording contract with Suria Records Sdn Bhd (SRC), $10,000 cash and an Artiste Management contract with Mediacorp. The first runner up will take home $120,000 worth of prizes, comprising of a recording contract with local music label Gumbira and an Artiste Management contract with Mediacorp.


The crowd spilled over to the upper levels to get a clear view of the proceedings…

Yesterday I was over at East Point Mall to experience the atmosphere of the Anugerah auditions, between 11:50am-3:50pm. Knowing that registrations would only begin at 9am, I decided to go a wee bit later. As I was turning into the multi-storey carpark of the shopping centre, I could see that the queue to register their applications was simply overwhelming, spilling over to the field behind the building. And to think the weather was blistering hot!!! I gotta take my hat off to these wannabes for braving the heat, some I could see, dressed to the nines. My goodness, even if I still qualify to enter the competition, I would never dream of wasting my time queueing up just to sing for 30 seconds or so on stage, especially since I’m very much a stickler for time and have no patience at waiting for someone / something.


The main registration area…


The long queue…


That stretched all the way to the field behind the shopping centre…

Initially I thought the auditions would be held outside the shopping centre, so it was a bit of a surprise to see that it was held indoors instead. At first I could feel the coolness from the air-conditioner in the building, but as time ticked by and more people thronged the venue, not to mention the temperature outside getting hotter, the place grew more and more stuffy. This was made worse by the building’s architecture which has a skylight directly above the stage area, allowing the sun’s rays and heat to engulf everyone inside. I could see that quite a few people were complaining of the heat and saying how stuffy it was. But I cannot complain much, since I had good access inside the stage area, thanks to the kind media invite by Suria.


An overhead view of the stage area…


The contestants patiently await their turns…


The distinguished panel of judges – Imran Ajmain, Eddy Ali, Ann Hussein and Gani Karim

The contestants were being judged by the resident judges of the competition – Ann Hussein, Eddy Ali and Gani Karim. The guest judge to round off the panel of judges was singer and director of GumbiraImran Ajmain. I dunno if the mood changed after I left, since the auditions stretched all the way past dinnertime, but the judges were more or less keeping their cool and dispensing valuable advice to the contestants wherever possible. From their choice of clothing to their presentation style, right down to how they sounded (nasal, diction, pitching, going off-key etc), I sincerely hope that all these wannabes would learn from their mistakes and strive to do better in future competitions. I certainly learnt something in that when you wear something vibrant, your choice of song should not be mundane and melancholic.


The two resident hosts – Fiza O & Fauzie Laily

From the four hours spent at the auditions, so far, I could not see anyone that has the “wow” factor, even though they showed glimpses of raw diamonds needing lots of polishing. Perhaps after I had left and also during today’s second round of auditions, there were / will be some that perhaps have got the potential to go far. However, I have to say that I was quite bored at the auditions, simply because a large majority of the contestants preferred to sing songs before 2005 and sappy, old rock hits. I think it is quite lost on most of these contestants that they have to keep up with the times and sing current songs that suit the mass audience and consumers. And most of these wannabes, I dare say 90% of them, sang sappy ballad tunes. It’s ok if they could sing, but what happens when they can’t??? I can only sympathise with the jury, having to sit down the whole day having to endure everything being presented to them.


The roving host – Lina Farhana

Another reason why I was bored at the auditions was because these contestants have limited repertoire in their arsenal. For the guys, I observed that they simply loved singing Mawi‘s “Kian“, B8‘s “Bidadari Hatiku“, Didicazli‘s “Dambaan“, Irwansyah‘s “Camelia” and Aizat‘s “Hanya Kau Yang Mampu“. For the ladies, Siti Sarah‘s “Kesetiaan“, Rossa‘s “Tegar” and Agnes Monica‘s “Matahariku” seemed to be their favourites. This is on top of those 80s rock hits which are quite irrelevant in this day and age. Granted some of them could carry these tunes, but they have to come out from their comfort zones and show that they are also versatile in singing other genres. What I could not understand was why did the girls sing “Kesetiaan“, when they jolly well could not maintain the execution of the R&B style that goes along with the song??? None of them actually progressed singing that song, throughout my four hours there.



Then there is that problem of replicating the original singer’s voice and funnily enough, those who replicated were mostly females. You had the Ziana Zain wannabes, the Mazleela pretenders, the Elly Mazlein impersonators and of course you’ll definitely have a like-for-like voice clone of Siti Nurhaliza. How I wish they would be more original in their delivery of songs, rather than keep to the original state. They have to remember that people would want to remember them as them, not another wannabe. Some of them, even when they were singing the very first word of the song, you could easily guess whether they would progress or not. I was constantly shaking my head when I felt a contestant wasn’t good enough and nodding when he / she deserved to go through. More often than not, the jury’s decisions coincided with mine.



As for style-wise, the contestants were well-dressed in general though I kinda frowned on guys wearing bermuda slacks and those who came wearing slippers / flip-flops. Hello, where is your respect towards the competition??? Where is your respect towards something you dream of and hope to achieve??? Where is your self-respect for all that mattered??? This kind of laid-back attitude should not be glaring for all to see and I really have to applaud Eddy Ali (for once) for telling off one of the female contestants who was wearing something as though she was off to her nearby convenience store. If you do not show some self-worth, then please do not expect the audience to root for you in time to come and I hope that those who progress in the competition would learn from this.


He had style, from his haircut to his dressing. A pity that PSP holder spoilt his overall outlook. He did not progress simply because his diction was not good and he had no sense of rhythm when he sang Scan‘s “Kau Dipaksa Aku Terpaksa“. However, I applaud George for being brave enough to enter a Malay singing competition.

Another thing I would like to touch on is homework and research. Just because singing only requires you to open your mouth and tune the words doesn’t mean you can get away with lack of initiative to expand your knowledge. Too many songs were sung from years gone by and when the judges asked to sing songs from the present, more often than not, they would be lost and trying to find the words to the lyrics of the songs that flashed in their heads. They should have at least prepared three songs they are comfortable with, of which two should be current. All they needed to do was surf around the region’s music charts and find out which songs are in. Or listen to the radio on a daily basis. Is that too much to ask for??? And please do your homework on the true origins of a song. “Kau Pergi Jua” was made famous by Adam Ahmad, not Dinodi or even Dayang Nurfaizah and even though Innuendo gave “Belaian Jiwa” a more soothing tune to the original, it is still widely known as Carefree‘s. Even if you wanted to sing the way the more present singers do, you’re not up to scratch, sorry to say.


He progressed to the next round…


And so did she…

Then, we have those who tried to be original but ended up sounding fake. I’m referring to those who when singing Indonesian songs, also following the style of the original singer. For example, the letter “S” should not be pronounced as “Sh”. The simple word “siapa” can end up sounding “shiapa” and that’s not music to the ears. It’s a bloody turn off I tell you!!! And some of them could cut down on the slang during singing. Not only that, one should also move / prance / dance according to the mood of the song. I just don’t understand why there should be a lot of movement when the song is a downright sappy ballad. I still remember one contestant was labelled “Over” by Eddy Ali and again, he was right. For a song as slow as what he sang, he was dancing as though the song was injected a faster tempo to it.


The guy who was “over”…

For the record, the auditions and subsequent weekly rounds will be hosted by resident hosts Fauzie Laily and Fiza O. At yesterday’s event, they were ably assisted by RIA 897FM deejay KC, who acted as the time filler host during the intermissions as well as Lina Farhana, one of the Anugerah Skrin finalists who acts as a roving host. I’m not sure if the latter is in this temporarily or throughout the competition, but if it’s a permanent one for the whole event, then it should be a good platform for her to spread her wings in this industry. From my observations of her recorded segment outside the building, reporting on the registration process, her vibrancy and zest needs to come from within. But she can be forgiven as she is regarded as a newbie and would do well to improve as she goes along. She just needs to look at how Fiza O started off and how she has improved over the years.


A familiar face spotted in the crowd, none other than our national footballer, Khairul Amri

The event was not complete without the airing of the latest Anugerah theme song entitled “Bintang Anugerahku“, sung by Aliff Aziz, Eka Mairina & Hyrul Anuar. I think it is apt that they chose the past three winners of the competition to sing this song, giving positive hope to those entering the competition this year that they too could possibly record a similar-themed tune in time to come. The song was composed by Sleeq and the lyrics were penned by the combined efforts of both Sleeq and Zaharian Osman. Naturally the song sounded a bit like their hit single “Cun Saja“, especially the introductory part of it.

I met two familiar people who entered the competition…


Eddy, who works at the California Fitness outlet that I frequent, was unlucky not to go through…


But Emelya who is a big fan of local talents, progressed through her excellent rendition of Agnes Monica‘s “Matahariku“, the best amongst all the female contestants who sang the same song througout my four hours at the event…

Next weekend, the numbers will dwindle down and by the end of next Sunday 10 May 2009, we will get to know who would be in the Top 20 and duke it out in the weekly rounds, starting from 9 June 2009 onwards. So for those of you who have some spare time and would like to see the next big thing in the local entertainment industry, come on down to East Point Mall today and next weekend. Oh lest I forget, Suria is also selling the official Anugerah t-shirts and a pair of wristbands at $15.00 and $4.50 respectively. If you buy two t-shirts, you will get the pair of wristbands free. Hurry!!! While stocks last!!!


P.S. Thank you to Siti Zalinah of Mediacorp Suria for the kind assistance and information rendered.


Our hosts say, “See you in the upcoming auditions!!!”…