Back with the second instalment of my APM2018 photo series. Apologies you had to wait more than a week for this even though I had shared them more than a week ago if you’re following me on Instagram or even my personal Facebook account. My social media followers are usually more fortunate to be able to view them much earlier. Actually I wanted to post this entry on Monday but was tied down with work, as well as assisting Berita Harian in selecting the appropriate photographs for their article on Ruffedge‘s 20th Anniversary Concert held at Zepp @ Big Box, which I had the opportunity to have attended as well as provided photo coverage. I’ll be sharing more of that concert somewhere down the road, most probably after Anuar Zain‘s upcoming one at the end of the month. Without further ado, here are the photos I snapped during the Pink Carpet event prior to Anugerah Planet Muzik 2018 held at the MES Theatre @ MediaCorp Campus on 28th September 2018.
Graphics poster courtesy of MediaCorp Suria and designed by Budi Iskandar Sa’ad…
We’re just a few days away from my annual favourite regional awards event, Anugerah Planet Muzik (APM 2018), and I finally got the time to share what transpired during the media conference which was held on 31st July 2018. I could have posted this entry much earlier but Elit Suria which was more concurrent back then took precedence and I didn’t want to hype this event too early as we were still a good two months away. Anyway, this year marks APM‘s seventeenth edition with the unveiling of notable nominees from Singapore, Malaysia, Indonesia and Brunei Darussalam. Once again organised by Mediacorp Suria, Warna 94.2FM and RIA 89.7FM, the 2018 nominees were announced at Orchard Hotel‘s Grand Ballroom with performances by local artistes Farhan Shah, Izat Ibrahim, Liwani Izzati, Firwan Johan, Jagad Edge and Miiko the 13th. An estimated attendance of about a hundred local singers, musicians, producers and songwriters attended the event.
The APM trophies, which go through several revised changes in design and sizes over the years, again up for grabs this year…
What was intriguing about the media conference that day for me was the presence of Mimifly of One Nation Emcees fame, who is now a solo artiste. Seldom do we get a regional artiste attending an APM media conference here in Singapore in years past. Seeing her presence from a distance as I was going up the escalator, was an early indicator of her coming involvement in this year’s instalment. The moment I stepped off from the escalator, I met Ryan Sufiyan who let slipped that he is scheduled to perform with her at this year’s awards show. Instantly I knew that their song “Gila” would be up for nomination for one of the Best Collaboration categories. I guess years of following the event has more or less got me tuned in to the link between performing on the actual night and being nominated. Eventually when the nominations were officially announced, I was proven correct. Speaking of nominations, leading the list is Malaysian-based rapper-songwriter Alif Abdullah of former pop duo, SleeQ, with six nominations. This is followed closely by our local acts Aisyah Aziz and Sufi Rashid, Malaysia’s up-and-coming pop star As’ad Motawh, as well as Indonesia’s pop princess, Isyana Sarasvati with five nominations each.
DJs KC and Dzar Ismail returned once again as hosts for this year’s media conference. They were seen here with Farhan Shah right after his performance…
It is nice to see amongst the list of nominees a mix of young and the more experienced. Who would expect to see a legendary group like Search still churning out quality music in this current age of 90s revival music and social media sensations??? Or Brunei affirming their continued presence in the list with Jaz Hayat once again being nominated since his previous in 2016??? Indeed with the proclivity of social media as a daily staple for most of us, music has found a way for us to appreciate regional talents and for music producers to scout for budding talents. In the case of Bruneians like Aziz Harun and Jaz Hayat, they were fortunate to have Malaysian and Indonesian producers who saw the talent they possess, and now they are reaping the benefits of such collaboration. Which is what the Anugerah Planet Muzik brand is also about, getting to know talents from all four regional Southeast Asian countries, exchanging ideas, networking and eventually collaborating to make more good music for us to savour. As what former Lead of Mediacorp Malay Community, Ms. Zakiah Halim said, “As the only regional Malay music awards event, Anugerah Planet Muzik has always created meaningful opportunities and collaborations between artistes and musicians to raise their profiles in the region. We are proud that the APM 2018 nominees are trendsetters who are pushing the boundaries of creativity in their music.”
Ms. Zakiah Halim and Dr. Edmund Lam, CEO of COMPASS, addressing the attendees of the media conference…
Viewers can expect the hottest music acts and buzzworthy pop culture moments in this year’s APM that will be held at MES Theatre at MediaCorp Campus this coming Friday, 28 September 2018 from 9.00pm. The awards show will be hosted by RIA 89.7FM‘s Fiza O, Malaysia‘s Nabil Ahmad and Indonesia‘s Daniel Mananta. Another highlight of the media conference was the announcement of the performers for this year’s event, where usually they do not announce till much later due to confirmation of artistes availability. This time round, the organisers managed to secure the acts by the time the media conference came about. For the record, Anugerah Planet Muzik 2018 will feature hit performances by Dato’ Sri Siti Nurhaliza who is making a comeback to the event after a three-year break, Dato’ Rossa, Judika, Isyana Sarasvati, Ryan Sufiyan, MimiFly, Khai Bahar, Ayda Jebat, Sara Fajira, DJ Kenny Gabriel, Adrian Khalif, Farhan Shah, Jaz Hayat, G.A.C. (Gamaliel Audrey Cantika) as well as local band The Pinholes. I for one am very much looking forward to seeing the trio of Gamaliel, Audrey and Cantika (G.A.C.) for the first time live as I have been quite a big fan of some of their hits over the past year or so like “Satu“, “Cinta“, “Never Leave Ya” and their debut single, “Bahagia“. I will not be surprised if they are slated to open or end the show with their catchy songs “Satu” and “Never Leave Ya“.
The local artistes, as well as Mimifly herself (front row eighth from right), with a group photograph for memories sake…
Music fans and enthusiasts are also given the opportunity to vote for their favourite songs and artistes in fan-based categories from 31 July to 25 September 2018, 11.59pm on toggle.sg/apm. The categories are Most Popular Artiste (Singapore), Most Popular Song (Singapore), APM Most Popular Artiste, APM Most Popular Song and Social Media Icon. The theme for this year’s Anugerah Planet Muzik 2018 is Tropics / Tropical with the hashtag #TropicLikeItsHot expected to trend on social media platforms like Twitter, Instagram and Facebook, alongside #APM2018 and the returning #GilerTakGerek hashtags which caught on at last year’s event. Suffice to say, the next few days cannot come soon enough and I cannot wait to share with you photographs I will be snapping on Friday itself. Just so you know the usual drill, I will break down my posts and post them in instalment entries so you just have to come here every few days to check them out.
*Best APM Song and Special APM Awards will be announced on 28th September 2018…
Snapshots of APM2018 Media Conference
Thank God for the long holiday weekend that I am able to post this up much earlier than usual. This past Tuesday 24 January 2017, saw the debut of another eight contestants of the new season of Anugerah, this time under the banner of Group B. Continuing from the previous week where the contestants sang a song of their own personal choice, the eight contestants had the opportunity to upstage their Group A counterparts, having had an extra week to prepare and study their performances during the first episode. Looking at the make-up of the eight contestants this week, there are several who have had experiences performing in various competitions before this and even before listening to them, I more or less expected them to progress, bar any hiccups via the SMS votes by the audience in the studio or at home. So without further ado, let’s start off with the first contestant.
Elza Rahim kicked off the night’s competition by singing Wany Hasrita‘s “Menahan Rindu“. Truth be told, I have not heard this song being played on our local airwaves before and had to rely on a friend to inform me on the identity of the original singer and listened to it again afterwards. But the first time I watched Elza‘s performance at the studio, I noted that she has a very rich and classical tone of voice. However that tone and style of singing also tend to sound like a certain top notch Dato’ across the Causeway. Elza has to be mindful not to sound like Dato’ Siti Nurhaliza, as many singers before her who tended to go this route, ended up being forgotten as quickly as they appeared. She already has a nice voice to begin with, she should hone it in such a way that she does not become another clone or copycat. A very composed performance which was slightly let down by one part where she went flat. Though I thought it was a decent start to the night, I also agreed with judges Taufik Batisah and Indra Shahrir that it was at best, an average performance, with Elza being more in her comfort zone.
Zul Nor should be applauded for his bravery in singing Sufi Rashid‘s “Kisah Dua Muka“, a song which is not easy to sing to begin with. However that is as far as I can go to rate his performance. It was a bit too dramatic for my liking with all his hand gestures and movements, it felt more like watching a musical theatre performance than an actual singing one. I thought I was alone in thinking he was trying too much to channel Sufi‘s style of singing into his performance, but this was also brought up by judge Indra, who noted that he was seeing two different personalities in the song, one of Zul Nor and the other being Sufi‘s. Najip Ali also brought up a pertinent point in that a song of such varying dynamics should also have a certain softness injected into it. Upon reflection and watching the performance again, I realised that Zul Nor pressed more on the intense and rage associated with the song.
I last watched Syakirah Noble performed live at the launch of Fiza O’s Ritabella collection five years ago at Joo Chiat Complex. She was only 12 then but it was easy to see that this girl, with the right attitude, practice and application, can go far. She is one of those I had mentioned earlier who loves to enter singing competitions and I am glad to see that she has made it this far. Syakirah sang Agnes Monica‘s “Rindu“, another tough song to sing with all the varying notes and the challenging high ones. I was afraid she might buckle under pressure, but there was nothing of that sort, as she gave an accomplished performance, which bothered a bit on overconfidence and this was cautioned by Najip Ali. Personally I felt it was a bit too much of Agnes Monica‘s soul and style being put into the song. I wanted to see more of Syakirah‘s. I think this is where she can work on, to infuse her own identity into the songs she sings. Take nothing away however, I had goosebumps listening to her, my personal indicator on how much I loved her performance.
Other than knowing Raja Zul‘s background as quite the model student in school, being in the Top 5-10% cohort, I did not know that this relative from my missus’ side, actually has a talent for singing and playing the guitar. When I chatted with him after the first episode ended, he said that he was going to perform Jaz Hayat‘s “Dari Mata” in his own style and adding new lyrics of his own into the song. I thought then that it was a good, yet risky move since he said he wanted to portray his personality to the audience. While I cannot fault his showmanship on Tuesday night, his singing was everywhere. He sounded quite nervous and pitchy at the start and there were times during the short pauses in the song where he could be seen strategically catching his breath. The judges loved his falsetto though and like Najip, I too liked that he chose a song which was concurrent with the times, even if Taufik had said the song was not quite suited for a competition.
Abby Nabila is another one who has had experience in a reality competition, and hers has been a very fruitful one when she entered the first season of Indonesia‘s reality Dangdut singing competition D’Academy Asia in late 2015, under the stage name Abby Tinara. Even though she was eliminated early, her learning experience and rubbing shoulders with some very good performers as well getting valuable mentorship, put her in good stead on how to be an accomplished performer and own the stage. So it was no surprise that Abby put in a performance befitting of her experience on Tuesday night, challenging herself to sing a male song, Hazama‘s “Ku Relakan Jiwa“. Her performance, like Zul Nor‘s, was filled with theatrics and hand gestures, but hers felt like they had more of an impact because she knew which parts were suitable to include them. Off-stage, she is quite the bubbly personality, just that sometimes she needs to curb her exuberance and dramatics, so as not to rub others the wrong way. Someone with her personality, you will either love her or feel she’s overacting. In a reality competition where viewers votes matter as well, it would be best to find that middle ground to win over the doubters or haters.
I think even without saying it here, if you had watched both episodes of Anugerah since its return on our television screens, or if you had caught the clips via the Mediacorp Suria Facebook page, you will agree with me that Nor Shafiq is the best male contestant so far with his soulful voice and measured performance. I could not detect a single flaw when I watched him sang Hafiz Suip‘s “Ku Akui” live, but when I watched his performance again, there was one minor part when he went slightly off as he was hitting the high notes. But it did not matter much. Shafiq immediately installed himself as one of the favourites in this competition with that performance, another one that made my hairs stood. 376 shares of his performance clip on Facebook to date, is a good indicator that he has made his presence felt.
Nadia Nadhirah was up next with her own rendition of Dayang Nurfaizah‘s “Di Pintu Syurga“. For someone who is majoring in music at LaSalle College of the Arts, her standard of performance was to be expected as it comes with the territory and expectation. Just like how I was expecting last year’s Anugerah Skrin winner, Syaiful Ariffin, a theatre undergraduate then, to perform much better than his competition rivals. Though I would not categorise her performance amongst the Top 3 on Tuesday night, there is a certain strength in Nadia‘s voice that sets her apart from the rest. Not many can sing low notes in measured degrees and in control without going flat. However she did give away her uncertainty at various points sounding as though she was unsure how to end off her lines. I also felt the performance was empty and lacking emotions needed for a song of this magnitude. I remember how much it moved others when the original singer herself performed this song at Anugerah Juara Lagu two years ago. The judges might have said they loved it, but I did not quite like it.
Sharizal Suwandi rounded off the night with The Sally‘s “Jauh“. For some reason only known to the audience, the whole studio erupted and were in raptures when he came onstage. It felt as though he had everyone on his side, even though the audience was also made up of supporters of the other seven contestants. There was a certain unexplained appeal and likeability factor about the oldest contestant in the competition. However he needs to translate that into a performance worthy of the support he was given in the coming weeks ahead. His performance was at best, average, flat and pitchy in many parts, but one thing I cannot fault was the feel-good factor he gave everyone who watched him in the studio. Even his fellow contestants were seen swaying and clapping along to his singing. But feel-good factors usually do not last long and as the competition wilts down, standards and expectations are raised even higher. He was placed at eighth position right after his performance had ended and I felt it was a fair position.
A dejected-looking Raja Zul smiled as the reality of his elimination sunk in…
However, there was a twist right after the final commercial break, as upon doing their final consultations and counsel with one another, the judges decided to play musical chairs once again and switched the positions of Raja Zul and Sharizal. I dunno if the judges “feared” the possibility of the audience baying for their blood had they eliminated Sharizal, but it certainly felt that way. No I am saying this not because of my relation ties with Raja Zul, but I initially agreed that their original positions were more than justified according to the performances they gave and in comparison with all the other contestants that night. Maybe the judges also took into account the support that Sharizal had and how he connected with the audience, which was probably why they decided to give him a second chance to prove himself the next time out. If I was the judge for the night, I would have had Abby Nabila at second position, followed by Syakirah Noble, Elza Rahim, Nadia Nadhirah, Zul Nor, Raja Zul and Sharizal Suwandi as my final ranking positions.
Zul Nor became the fourth contestant in total to be eliminated from the competition…
As for the second elimination of the night by virtue of the least number of votes, Zul Nor who was ranked sixth by the judges, was the one who made way and exited the competition. What struck me the most when his name was announced and just before he made his way off the stage, was his polite unwillingness to shake the hands of his fellow female counterparts and kept his arms to his chest and bowed at them. A rare sight in the entertainment scene that earned him my respect. Was his elimination to be expected??? I would say yes and no. Yes because it was a toss-up between him, Raja Zul and Sharizal had it been solely the judges’ decision to eliminate two out of three. No, because throughout the night we were informed from time to time that Abby Nabila, Syakirah Noble and Raja Zul had the least number of votes, so it could have been just about anyone who could have been eliminated in that respect.
The six who progressed from Group B (from left): Sharizal Suwandi, Syakirah Noble, Elza Rahim, Abby Nabila, Nadia Nadhirah and Nor Shafiq…
So far even with an equal amount of gender elimination on the opening first two weeks, I observed that the female contestants are technically more astute than their male counterparts and will not be surprised if eventually there will be a lop-sidedness to the competition, much like the last one in 2011. This coming Tuesday 31st January 2017 sees the return of Group A on our television screens. We were told before the night ended that the coming fortnight’s theme for both groups would be the Rock genre. This would be right up the alleys of the likes of Hakim Halim and Abby Nabila, who have shown that they are able to carry the genre, even if a lot can still be improved in terms of their delivery, execution, style and showmanship. Who knows, others might just up their game and prove that they are also no pushovers??? We shall see when Anugerah returns on our television screens this Tuesday at 8:30pm…