Domicile of Da' KRUsader's Mind Crafts…

Posts tagged “Joe Flizzow

Gergasi KRU25 Concert – End of an Era…

I know this domain is basically slanted more towards happenings in Singapore‘s own Malay entertainment scene, but as a self-styled entertainment blogger, I have the prerogative to dictate what content I want to share with my audience. Long time followers of my social media accounts or even those who have known me long enough will know that I am a massive fan of Malaysia‘s evergreen pop-rap group, KRU. Just look at the name of this domain – Da’ KRUsader’s Manor – and it will tell you all about my love for the group and where I drew inspiration from. Since the Abdul Halim brothers – Dato’ Norman, Yusry and Edry – came into the fore in 1992 with their debut hit single, “Hanya Kau“, I have been hooked to their music, songs and albums, challenging myself to memorise every lyrics – the longer or challenging they were, the more pleasure I derived from eventually mastering them. When they announced in a media conference about a fortnight ago that this three-night concert at Istana Budaya Kuala Lumpur would be their swansong in the music scene, what I initially had predicted in private came true.

I will not disguise the fact that I am not sad at the announcement, but it was a matter of when and not if, given they have not been that active musically, save for Edry. The brothers had achieved everything they could over the past twenty-six years of their involvement in the scene. We literally grew up with them, from teenage adolescence till our current status of being married with kids. It has been a joyful journey supporting the brothers through their ups and downs, sticking by through whatever unsavoury controversies that befell them, even sympathised when they were going through several low points in their personal private lives. They outlived all the groups that appeared in the same era as them, built themselves a legacy and empire that many could only dream of or watched with envy. Some may counter and say, it is fine for them as they are real-life siblings afterall for them to have such longevity, but in business, even siblings do disagree to the point of eventually splitting just like two famous sports brands in the world. But no KRU did not fight amongst themselves. They felt the time was right to retire when they have achieved everything.

The brothers have contributed so much to the Malaysian entertainment scene, through music and through film-making. They dared to experiment with heavy CGI effects for their hit films like “Cicakman“, at a time when not many dared to do so because of the high costs that they entailed. Even in music, they continued to reinvent their own sounds as well as churning out hits after hits for other singers and groups. And who can forget how audacious they were to bring Allahyarham Tan Sri P. Ramlee literally back to life by “recording a duet with him” for “Getaran Jiwa“, reminiscent of the late Nat King Cole‘s duet with his daughter Natalie??? I will be the first to admit, that as a huge fan of their compositions, not all of them were music to my ears. They had some songs, an even one particular album (KRUnisme), that were not my cup of tea, but it was no big deal for me as they were in the midst of being current with the times as well as experimenting new sounds and concepts. Even though they had a certain formula to making their own songs a hit, their music also had to mature to reflect their age. Like what Edry once told me, we cannot expect them to be jumping and prancing around onstage like how they used to back in the 90s.

Still, during the concert that I attended last Saturday, all of us were transported back in time. For slightly more than two hours, the audience anti-aged ourselves fifteen to twenty years behind and became youngsters once again, singing with gusto to every song that was carefully selected to perform, all massive radio hits back in their time. Even though not one of my own personal favourites (“Hanya Kau“, “Inikah Ertinya Cinta“, “Go KRU! – TRRG“, “Vendetta“, “Fobia“, “Aneh“, “Salah Siapa“, “Emilia“, “Mahaguru“, “Impak Maksima“, “For You“, “Tribe“, “Girlfriend’s Girlfriend“, “Seperti Yang Ku Jangka“, “Perpisahan Terasing“) was performed that night, the set list which was almost similar to the one performed at our very own Esplanade back in August 2016, was enough to bring us back down memory lane for one last hurrah. The songs too were arranged to suit the trio’s stamina levels, given it was the first time they performed back-to-back for three nights in a row, something which they had never done before this, but I believed they aced it for every one. How could they not, when they admitted getting their energies from the ever-sporting audience who hailed from all over Malaysia and even those from Singapore, Brunei, Australia, Dubai and Europe??? How fortunate also for those who attended the very last concert on Sunday night to have witnessed Joe Flizzow rapping to “Ooh! La! La!” and Jaclyn Victor singing “Di Pintu Syurga” with the brothers. Wished we could have seen them in the earlier performance nights.

For each and every attendee, this concert will live long in our memories for years to come. We can all proudly say we were there when KRU performed for us one last time before riding off into the sunset. All those songs performed during the three nights had their own personal memories for all of us. Some could have been related to our very own personal heartbreaks, some when we were madly in love with our current or probably ex-partners. Whereas others just inspired confidence and a perk-me-up, a certain defiance for us to seize the day amidst whatever obstacles we faced. I remember being teased and ridiculed for being a massive fan boy back in school cos most guys were either into English or rock music. One thing I learned from the group back then was to remain steadfast in my beliefs and principles and that has served me well in life, no matter the criticisms that came my way. Truly, it is difficult to find a true replacement for the group, like in the words to the lyrics of “Janji Tinggal Janji” – “Kata pada diri ini, di mana kan ku cari ganti?“. KRU is a brand name, a label and icon in the Malaysian and regional music scene. Their legacy and empire will continue to live long in the annals of history as a game-changer and trend-setter of their time. This is indeed the end of an era for a group that has contributed so much to the changing face of the music scene in Malaysia. Will we ever get to see their likes again? I am afraid not so soon.

To my KRU brothers, Dato’ Norman, Yusry and Edry – Thank you for 26 years of entertainment and above all, your appreciation and friendship. From the time I first attended your performance in Singapore in June 1994 at Marina Bay, to your first concert here (AWAS Da’ Concert) at the now-defunct Harbour Pavilion on 16 October 1995, countless others in between right down to your final one at Istana Budaya this past weekend, it has been nothing but an honour to have supported your journey and be entertained by your songs as well as your showmanship on stage. Above all, I cherish every single moment we used to hang out at the airport whilst waiting for your flights home, watching Edry in the studio producing Yusry‘s solo album back in 2003, or even hanging out at your hotel rooms to talk about music, the entertainment scene on both sides of the Causeway and our respective lives. For fellow KRU fanatics out there, the group will continue to live on in our hearts and we will continue to listen and sing along to your songs. I wish all three of you the best in your upcoming ventures and endeavours and wish nothing but more success to you and your respective families. I held back tears at least three times last Saturday during the concert, but by the end, I chose to smile and remember the good times we had over these wonderful years of support. Your music journey might have ended, but I hope our friendship will continue to last a lifetime, regardless wherever you are or what you do henceforth.

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P.S. I end this entry by apologising for my last one. Unbeknownst to me till the morning after I had posted it, did I know that the “An Evening with the StarsMothers Day charity showcase involving Anuar Zain, Zamani SLAM and Fauzie Laily, which was supposed to have been staged on 6th May 2018 at Persada International Convention Centre in Johor Bahru, had been cancelled due to unforeseen circumstances. It is with much regrets that such an untimely occurrence had to happen so close to the date of event. Those who had purchased the tickets are entitled for a full refund by the organisers from what I know from trusted sources who had informed me of the unfortunate turn of events. I will not speculate why the show was cancelled given the upbeat media conferences that were held both in Kuala Lumpur and Singapore recently. I just hope that some day, the same line-up will get to perform together on the same stage. I for one, am gutted for bro Fauzie who had been looking forward to the showcase.

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Anugerah Planet Muzik 2017 Review…

Graphics poster courtesy of Mediacorp Suria…

It’s been three long years since I last did a proper Anugerah Planet Muzik review entry. I personally did not expect not posting any review entries to be this long, given my previous penchant and eagerness to share my views and thoughts on the annual event. Personal commitments got in the way and time wasn’t kind enough for me to post them up. By the time I entered the second month after each event with photographs still not properly edited, I already lost that momentum and passion to type something out. Anyway, I had this feeling that I was recycling and rehashing my thoughts year in and out, to a point I felt like a broken record. I hope that the time I had been keeping my thoughts to myself would do me good, to evaluate the show with as much fairness and giving benefit of doubt where shortcomings are concerned. The question I have in my mind right now is, where do I even begin??? Hahahaha gosh it does feel a bit rusty after three years…

Ayda Jebat opened the show with “Nakal Nakal Nakal“…

I think for a start, let’s talk about the slogan for this year which came with the hashtag “#GilerTakGerek“. I tried to hark back to previous APMs before this, but I struggle to remember if they ever had a slogan or theme such as this. I believe this year was the first time they had an additional hashtag to go along with the usual “#APM“, followed by the event year (#APM2017 being the latest for this year). I think it was a fresh move to inject a bit of hipness to the event, in line with how much technology and social media have taken much of our attention on a daily basis. I initially didn’t like the usage of the word “Giler“, being the language Nazi that I am, moreso when they first announced it, we were still in the midst of our annual Malay Language Month. However, to put it into the context and lingo of today, the spelling reflected a fun factor rather than a serious element to being crazy. The usage of the word “Gerek“, even though we seldom hear people here using it now, is still synonymous with us Singaporeans as compared to our neighbours. I think generally this was a uniqueness of its own, to highlight a Singaporean flavour to the event.

The addition of Dzar Ismail and Nabila Huda to the line-up of hosts for this year, gave the show a certain freshness…

Since my last review in 2014, we’ve had a change of venues, from the rather spacious Suntec City Convention Centre, to the relatively spanking new MES Theatre @ Mediacorp. This year’s event was its second held at the new Mediacorp Campus at Stars Avenue. I do have a well-documented love-hate relationship with this new theatre, more hate than love actually, as my close circle of friends can testify. Well “hate” is actually too strong a word for me to use. I would probably use the word “dislike” to express my thoughts on this matter. For one, it is further away from previous locations like the earlier-mentioned Suntec City Convention Centre, Max Pavilion, Singapore Expo, and Singapore Indoor Stadium. North or east-siders like myself will find travelling here a bane, which is also partly a contributing factor why I have slowed down my commitments to cover events and answering invitations to attend a particular programme or show by Mediacorp Suria.

One of my favourite performances of the night, Gloria Jessica teaming up with Aisyah Aziz and Haikal Ali

My main gripe with the theatre is that it resembles a lot like a typical school hall setting, and I know I am not alone in having these same thoughts. The stage also looks smaller and limited than previous venues. The opening performance that featured Ayda Jebat and her dancers, as well as Maher Zain and his accompanying vocal group, felt a bit overcrowded. I observed the dancers especially, had to hold back some of their moves so as not to bump into one another. The one thing I dislike the most about this theatre is that I am no longer able to sit on the floor in front of the first row to capture close-up shots, just like in past APMs or even the times I covered shows at the old Mediacorp Theatre at the now-vacant Caldecott Broadcast Centre at Andrew Road. At this new place, photographers now either have to stand behind the sound engineers somewhere in the middle section or sit on the floor along the aisles by the side.

I know for one, the audience enjoyed this particular segment featuring Hael Husaini, Virgoun and Sufi Rashid

The positive thing I can say about this theatre is that it boasts a sound system which is very good. The acoustics and clarity is as good as the Esplanade, if not better. Well it is certainly much better than the one at Star Vista Theatre, a stone’s throw away. I also observed with this new place, the organisers save quite a bit on their budget, not to mention having the autonomy to dictate how the additional segments like the Red Carpet segment would pan out without having to splurge more than they should. I noticed that even with a venue as good as Suntec City Convention Centre, there were trade-offs, in that certain things had to be compromised or made do without altogether. The ones that come to mind were the “Walk of the Stars” segment, where the nominees / award presenters / performers were introduced to the audience by walking to the stage from the back and to their seats, which I personally felt was a poor man’s version of the Red Carpet segment and the lack of a post-event reception afterwards, which had a number of local and overseas guests / performers grumbling quietly afterwards, as they were famished after a long night. With the event held at the MES Theatre, these factors were taken care of and the event looked to be proper as it should be.

Award presenters Hannah Delisha and Izzue Islam

Speaking of the Red Carpet segment, there was a notable difference between last year and this year. Last year, we saw the nominated artistes as well as the performers and award presenters arriving via limousines with both sides of the fences teeming with screaming fans like any typical Red Carpet segments you see around the world. This year, they did away with the limos but made the concourse level a long and winding stretch going into the MES Theatre. The Red Carpet segment literally began when the nominated artistes, performers and award presenters appeared from the lift just next to the escalator on the third floor. From there they had to pass by the specially-erected stage for the fans to see them clearly, as they were interviewed by newly-minted radio presenter, Kyrul Ashrie and Nity Baizura. After that it was stop after stop as they were greeted by a horde of waiting media brigade, eager to interview or photograph them, yours truly included.

Malaysian heartthrob Farid Kamil and Singapore‘s up-and-coming Sofia Dendroff

I must say I was surprised by the number of media people that attended this time around, not only from Singapore, but Malaysia and Indonesia as well. I basically had to jostle for a comfortable position so as not to block their view when they were filming, taking photographs or recording short clips. Previously this Red Carpet segment or a lack thereof, was one of my main complaint agendas whenever I do up any reviews of Anugerah Planet Muzik. Not anymore. The organisers have done very well to make this a much-hyped affair with live Facebook updates and online screenings via Toggle. For that they deserved much of the accolades for the effort to make the show as colourful as it should be. I saw the improvement being made since 2015 when the show was still at Suntec City Convention Centre, but I think with the venue of the event being at their homeground, more improvements and upgrade in outlook were able to be executed without running foul of the venue management, if any. They even have what I call a “battle command centre” for all the live social media updates as the show went on.

Actress-singer Kilafairy and another newbie to the local Malay entertainment scene, Zachary Ibrahim

Looking at the list of performers that night, I was surprised that this time round, there was a distinct lack of star names, save for those whom we know from our own respective countries or maybe the few established ones known to the three countries like Afgan, Ella and Maher Zain. For the very first time in the history of Anugerah Planet Muzik, there were no performing bands featured. Hard to believe but it was the reality. Up till the last moment, I had expected the organisers to pull a last-minute surprise and have at least one band performing, but that was not to be. Even though we were devoid of distinct star names, the ones who were onstage did not disappoint at all, at least to yours truly. The surprising thing was, even with a lack of stellar names, it was a sold-out event!!! The last we had a sold-out APM was back in 2014, when the event was at Suntec City Convention Centre, of which the main draw were legendary group Wings and Noah, plus a bevy of household names like Cakra Khan, Judika, Dato’ Rossa, Taufik Batisah, Dato’ Siti Nurhaliza, Joe Flizzow, Sezairi and more.

My personal favourite pairing of the night, the gorgeous Janna Nick and my “twin”, Fakkah Fuzz

I am not sure about those at home cos last year, I observed comments made online that the show was boring. I think there is a lot of difference watching at home and seeing it live. I do agree to some extent when I watched the repeat telecast much later, that visually it looked a bit plain. If I were to make a comparison with last year’s and this year’s editions, I think the latter was much better. Last year’s instalment had Caliph Buskers and Sufi Rashid to thank cos their respective performances individually and collectively together, were the highlights of the night, while the rest were forgotten in a hurry. Also the stage setup made it looked as though we were watching a variety show like Rapsodi or Muzika Extravaganza. However, I noted that the organisers had made visual improvements to the stage design, layout and backdrop for this year’s show. Maybe the show itself is meant to be appreciated by watching it live with our very own eyes and not via the television screens. We have to give the organisers a bit of leeway as it was their first time afterall doing it at the MES Theatre last year. I believe this year it was much better, as most online comments I monitored were kinder and more on the positive side.

Afgan doing what he knows best, making hearts flutter with his voice, smile and dimples…

I was surprised that Desta was called upon again to host this year’s APM. As I recalled his performance hosting last year, he was a bit lost and tried too hard to match up with the energy of his co-hosts Suhaimi Yusof and Sherry Alhadad. I was ok with the initial selection of the other hosts, Dzar Ismail and Nabila Huda, as I know both exude energy and fire. But lo!!! Desta proved me wrong on the night and emerged the “Man-of-the-match“, in the words of his co-host Dzar. He had the audience laughing to all his jokes and while those that were made at last year’s event looked a bit forced or unnatural at times, his punchlines this year were absolutely spot-on. He even had time to poke fun at several members of the audience unannounced. I was proud to see Dzar Ismail given the honours to co-host the awards show, representing Singapore. It gave the show a bit of freshness instead of the usual faces. He also has come a long way since being the raw and wide-eyed newbie in the scene. A word of advice to Dzar, he might want to slow down his talking pace, as at times he sounded a bit rushed and his words lost on our ears. At least no one tried to outdo the other like some of the previous editions and there was a nice balance of energy between the three. The best host so far for me in recent times, who gave their co-hosts equal limelight to shine was, and still is, Jihan Muse back in 2015. She’s adorable and I’m a big fan!!!

A beaming Ms. Zakiah Halim presenting the International Breakthrough Award

I would like to touch upon the award presenters. I assume, based on the reactions of the audience, the only ones they and probably those at home enjoyed watching were Janna Nick and Fakkah Fuzz and slightly later on, Afgan and Fiza O. With all due respect to the other presenters, I think generally the audience didn’t know who they were or there was hardly any chemistry or relevant banter between them. I remember there was one award presenter who presented twice in previous editions, but you could hear a pin drop when they were on stage with murmurings around me asking them to be quick with the award presentations. The same thing happened a few times on the night, and I don’t think the audience could tolerate the antics of some of the presenters, who tried to act cool but only served to turn them off judging by the silence or non-reaction. I also noticed a certain lopsidedness in the pairings which, save for the Afgan and Fiza O award presentation segment, were all from Malaysia and Singapore. There were other Indonesian acts seated amongst the audience, I doubt it would hurt to let them have a bit of the limelight as well. On a sidenote, I personally think Fakkah Fuzz just put his name into the hat to present either Pesta Perdana or future editions of APM. Twice he presented awards at both events this year, both times he had the audience in stitches and enjoyed his presentation style.

Maher Zain performed the Malay version of “For The Rest of My Life” right after his acceptance speech…

Winners-wise, I will not debate who was worthy and who was not, but there was one award which had me a little perplexed. In retrospect, I think all the winners and nominees are much deserving of their positions, lofty or otherwise. It has to be said that it is lost on many people’s minds, but we cannot take away the landmark achievement made by “Senyum Saja” at #APM2017. For the first time in its 16-year history, a Made-in-Singapore song finally managed to win the Best Regional Song award!!! This win was the fourth for The Lion Story in the space of seven years and their third in a row, cementing their status as prolific and respected songwriters our country has to offer. For the longest time, it has been something that we have come to accept, that the Malaysians and Indonesians are far superior than us. The glass ceiling has finally been broken. I hope this win will inspire more of our local songwriters to come up with more quality music because they definitely have the talent to match up with their regional counterparts. However, the Best Male and Female categories remain elusive till this day and I hope some day one of our acts can finally reach that pinnacle and recognised by the jury from the three countries.

I just realised when I looked at this photo, the last time Dato’ Adi Putra presented awards at APM2011, his partner was also Nity Baizura

I don’t care what the online brickbats might say till this day or have questioned ever since, if they had not listened to the song or never heard of it before, and there are many of them out there, the ones commenting and criticising for the sake of it. The beauty of awards shows is that you look at the nominees and you try to do your own research by listening to them on YouTube, iTunes, Spotify and what-have-you. The best is not necessarily the most popular. Likewise the most popular might not necessarily be the best. You only see the regional dissenters up in arms when a Singaporean comes on stage to win the regional awards. I observed some sour grapes who are definitely not from these shores, commenting this was a “Shiok Sendiri” show by the organisers when the Best Song category was announced. If it was, I think Singapore would have won more than they had expected to. It has always been that way but the best awards are judged by a panel of jury from the three countries. So it is definitely sweet when you see your own local product be recognised by not only your own, but from others. And for that we can only “Senyum Saja” at the haters.

Isyana Sarasvati showed her prowess at playing the piano prior to getting off and dancing along with her accompanying dancers when she performed “Kau Adalah“…

It was just one big award and suddenly the “My country’s song is better than yours” mentality reared its ugly heads. This village mentality obviously needs to go, but it will never be eradicated fully, not when online and social media is filled with irresponsible and brainless keyboard warriors. People keep on forgetting that this awards show is about forging friendship, extending ties and network amongst people in the entertainment and media industry between the three countries. It is never meant to be a competition per se, but a celebration of the best. Obviously people who were watching and commenting negatively afterwards, paid scant respect to some of the winning speeches calling for unity and ties to be strengthened. Sad to think that in this current day and age, people tend to form opinions and act upon what comes out from their nether regions rather than whatever rationale that is processed in their heads. It is difficult to educate these country bumpkins when they already have this mentality that theirs is better than others.

Another one of my favourite pairings of the night – Afgan and Fiza O, who showed off her multi-functional outfit created by celebrity designer Raffiey Nasir

I did say I will not debate who was worthy and who was not, but that I was a bit perplexed by the decision to award one of them. It did not take a rocket scientist to predict that Maher Zain would pick up the International Breakthrough Award when his name and photograph appeared on the promotional poster. I can accept the reasons given for him receiving the award when Ms. Zakiah Halim presented the award to him that night. However, I question his current relevance to the entertainment industry of the three countries. Don’t get me wrong, I love the guy, and I love his positive-infused songs, but his last sold-out concert here in Singapore was back in 2011 when his debut album hit killer heights. Since then his songs have seldom been played on our airwaves. Other than “Ramadhan” which is played during the annual fasting month, we do get the odd airing of songs like “For The Rest Of My Life” being played, either in its original version or the one in Malay / Bahasa Indonesia. I might be wrong, but I highly doubt his latter albums have been well received nor promoted extensively here as compared to his debut offering. If I remember correctly, he recently held a concert here last year and the attendance paled in comparison with his first one, which was quite regrettable, given his standing in the eyes of many.

A very proud moment for our local Malay music scene, finally clinching the biggest award at APM after 16 long years…

If he had been the first recipient when this award was introduced three years ago, then probably I would not be dedicating two paragraphs on this matter. Cos I sincerely thought this awards show is specifically to honour those from the three participating countries who have introduced our lingua franca to the rest of the world through their songs. I am not sure how his Malay or Indonesian song versions have made people from the other countries sit up and learn the Nusantara languages, cos I believe he also has different versions of some of his popular hits in other languages as well like Urdu and Turkish amongst others. I had expected someone like Shila Amzah, and to a lesser extent, Anita Sarawak, to be getting this particular award. I foresee this particular award will probably not be able to stand the test of time (I give it five more years), unless more acts from this part of the world spread their wings and fly abroad and create a name for themselves wherever they are. The organisers probably wanted to have a slight difference in handing out the awards this time round, but it does feel a bit odd, and gave the impression that we have forgotten our own people from this part of the world. Take nothing away from Maher Zain. He probably did not ask nor expected to be awarded the accolade. His acceptance speech at least soothed my aching heart for the rest of our Nusantara acts who might have felt slighted as a result. He has always been a very humble person with no airs and you could see and feel for yourself through the message that his words or lyrics bring.

Our zany hosts closing the show by giving props to legend and rock queen, Ella

In the past I would usually compare which editions were good, which ones were forgettable, which instalments were memorable. I think for this time I will not make any as I observed each single one brought with them different sets of challenges and obstacles, difficulties and hardships of their own, not to mention which ones left indelible impressions on the mind till I can remember to this day. Take for instance, the great number of no-shows from some of the award recipients. I know for one the likes of Anuar Zain, Dayang Nurfaizah and Khai Bahar were invited to perform but they could not make it as each already had their own prior singing commitments in Malaysia and Hong Kong (Khai Bahar). Probably no one seemed to have noticed this particular trivia, but this year the event was held on a Saturday evening, when usually it is held on a Friday evening. I think had the event been held on a Friday evening, we probably could have had those earlier-mentioned names in attendance and probably had more star names to the line-up. For the show itself to be a sell-out event a good two months before the actual date, spoke volumes of its reach and that we can have confidence that not having stellar names can also attract bums to seats. But for how long???

The question remains, how will the awards benefit the winners in getting known by the neighbouring countries??? For example, will winning the Best Song Award open more doors for the likes of Haikal Ali and The Lion Story to venture into unknown territory in Malaysia and Indonesia if they eventually choose to move in that direction??? How much collaboration and acceptance do artistes, songwriters, producers and such stand to gain from the exposure??? For one, they cannot rest on their laurels and to proactively churn out new works and release them, strike while the iron is hot and not sit on their laurels or just expecting our local radio stations to play their music. They also need to invest some time and money to go out and promote their music, to be heard on airwaves abroad. I really hope that our local acts who were nominated or those who have won, will continue the good work that they have, to always strive for perfection, to improve on shortcomings, to be better performers, songwriters, producers and what-have-you. We have seen good nominations from Singapore this year. Where there’s a need to complement one another, do so. Where there’s no need to compete to bring down the other, don’t bother. Your sincerity and passion will eventually reap its rewards, one way or another. This is my parting shot for my #APM2017 entry…

Snapshots of APM2017


Anugerah Planet Muzik 2014 Review

apm2014poster(Graphics poster courtesy of Mediacorp Malay Broadcast Division)

It’s been three weeks since Anugerah Planet Muzik 2014 (APM2014) was held at Suntec City Convention Centre on 17 October 2014, but the memories of the prestigious awards night are still fresh in my mind. I cannot guarantee if I will blog as lengthily as what everyone has been used to reading when it comes to my annual APM reviews, simply because on the surface, I doubt I have much to dissect and analyse this time round. But you’ll never know, since I have this tendency to blabber, make sidenotes and references that would eventually veer me off-course. But that’s the beauty of this blog, other than the many photographs that everyone loves to come in and see. I just wish I can make this a full-time career, but is there a proper industry here in Singapore to begin with??? 🙂

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The right choice for the opening performance, Taufik Batisah with his current hit “#Awakkatmane“…

In years past, I would normally take the trouble and effort to read the reactions of the general audience and see their comments on social media. Not this year, as I did not wish to concern myself with the “Macam Faham” keyboard warriors. These people will always be there on social media, ever ready whenever there is an event on television, quick to comment on things that are trivial and out of their understanding, but still feel the need and urge to comment when they know nuts what is going on behind-the-scenes or understanding reasons behind certain shortcomings. But I believe this year’s event had few controversial incidents (more on that!!!) or arguable award recipients as in previous years. Congratulations to the organisers as APM2014 was the top trending topic on Twitter worldwide that night!!!

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Yacko, Joe Flizzow and Sheikh Haikel continued where Taufik left off…

I had extremely good vibes about APM2014 days before the event, for the sole reason, this was (and if my memory still serves me well), the first in its thirteen editions, that it witnessed a sell-out crowd. Between 2001-2005 I remembered APM being close to a full house, but there were still empty pockets here and there. I attributed the presence of legendary Malaysian rock group WINGS and seeing Ariel of NOAH after his well-documented legal struggles, as the two main factors that pulled in the audience this year. In the past, we might have had household names like Dato’ Siti Nurhaliza and Taufik Batisah to help entice the crowd to attend, but still their presence were not enough, even if they continue to receive the biggest cheers every time they appear on stage. This time, I’m sure it felt like a major coup to have two of the biggest bands in the regional Nusantara music scene to grace the APM stage. This was the first time WINGS made an appearance at the awards show and the first time Ariel appeared since Peterpan performed at APM2005.

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Hosts for the night – Dyn Norahim, Sarah Sechan and Nabil Ahmad

But the sell-out audience was also a major factor in me stopping short of saying this was the best APM in years. Yes the event itself, in terms of performances and overall production, is probably up there amongst the best and most enjoyable ones in its thirteen years of existence, but the atmosphere was close to dead from my humble observations. Other than Taufik Batisah‘s opening performance or whenever he appeared onstage either to receive his three awards or presented with Najwa Mahiaddin, the only times the crowd came alive were when Dato’ Siti Nurhaliza, NOAH and WINGS made appearances. The atmosphere during the rest of the other performances or award presentations felt like a morgue, or at the very least, just courtesy applause heard. At times, one could just hear a pin drop. That was how bad the atmosphere was and I had to turn around a couple of times to see whether it was really a sell-out audience or not.

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A common feature of APM – Performances by artistes from the three countries together onstage – Maria Calista, Mafarikha Akhir and Aisyah Aziz

I expected a bit more vigour and pride from the audience, when our local artistes who were nominated in the regional categories, had their names announced as the nominees. Or when the likes of Aisyah Aziz, Sufie Rashid, Sezairi and Sheikh Haikel performed. But it was just dead, with little to no positive reaction, save perhaps when Sufie Rashid won his award for Lagu Terbaik Singapura (Best Singapore Song). I wondered aloud that night, aren’t we proud to see our own acts stand toe to toe with the region’s best??? I was seething throughout the night at the thought and somehow when I’m typing this and recalling again, I feel that sense of anger returning. Last year, we had a party atmosphere with fans bringing drums and percussions, even when it was not a full house. It was just a big pity the same fans were not around to hype the audience. Or perhaps told not to bring their instruments into the event venue. But even if they were not allowed to, I’m sure they would still be in full voice.

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The cool cat, Sezairi, performed his nominated single “Sayang“…

This year, there was a change in hosts from Singapore and Malaysia. Dyn Norahim (and not Ibrahim. Astro & MeleTOP please take note!!!) from Warna 94.2FM and Ahmad Nabil Ahmad, the winner of the second season of Malaysia‘s Raja Lawak reality competition took over the microphone duties alongside APM veteran Sarah Sechan. Indeed this was Dyn Norahim‘s first big break hosting an event of this magnitude, where the region’s eyes were on him. He admitted to having a lot of jitters before the show, in awe of his two colleagues whom he felt were more prolific in their crafts as hosts and extremely quick on the draw to butt in when he fluffed his lines during rehearsals. But I told him not to be overawed by the occasion and he would do just fine. Most importantly, I reminded him not to go overboard with some of his jokes, and overall I think he did extremely well without trying too hard.

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Sultry Najwa Mahiaddin serenaded the audience with “Impian Terindah“…

While I’ve heard of many negative feedbacks about Dyn Norahim‘s performance that night, mostly from the online brickbats, I thought he did not do much wrong for a newbie on the APM stage. Local radio listeners would have been disappointed not to have witnessed Dyn‘s alter-egos Abang J and Mr. Wong, or that he might not have matched Nabil‘s wacky personality, but there needed to be a certain balance with all three hosts complementing one another, rather than hogging or competing for the limelight. Dyn is outgoing and comical in his own way and did not need to match Nabil pound for pound in the wacky stakes. Nabil‘s butting in at several award presentations and chiming in with wisecracks when others were presenting, were either welcomed or a source of irritation, depending on how you tolerate his style. Just that I was a bit uncomfortable when he made a joke about plane crashes in this very same year his own country suffered two tragedies of that nature. I was expecting some backlash from his countrymen about it, but thankfully I’ve heard none of it till today.

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Loved Tulus‘ humble speech when he won his award for Artis Baru Terbaik (Lelaki) / Best New Male Artiste

Speaking of backlash and the earlier mention of controversies that arose from this year’s edition, poor Dzar Ismail was targeted by the Indonesians on Twitter for unwittingly using the term “Indon” to refer to the “Indonesians” when he presented with Hanis Zalikha. For those who do not know, the term “Indon” is derogatory to the Indonesians. It is either a racial slur or a negative connotation to describe them. But I know Dzar Ismail did not mean it the way the Indonesians had slagged him off for it. For one, the term is used here in Singapore as a shortened name for Indonesia / Indonesians. Most, if not all of us, even Malaysians, use it as a shortened word of convenience, and not to degrade or look down at our neighbours. Even the Indonesians living here in Singapore refer to themselves as “Indon“, so I was a bit surprised at the amount of abuse being directed towards Dzar Ismail. Our own Berita Harian congratulated their new President by using the same term as their front page headlines recently. So really, it’s a matter of cultural misunderstanding. It would be nice however, to take note, not to use it during such events where we are interacting with Indonesian audience, out of basic respect and courtesy. It’s like the N-word where it is ok for the Negros and blacks to use it amongst themselves, but not us.

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Dato’ Rossa and Taufik Batisah‘s onstage chemistry was intense and passionate to say the least…

I don’t think there are any major grievances pertaining to all the award winners. Previously, our regional neighbours were up in arms when any Singaporean artistes were to walk away with the popular regional award categories, but the winners this year (“Dia Dia Dia” – Fatin Shidqia Lubis and NOAH) somehow could have been justified in their eyes. I might not hear or perhaps been oblivious if there are any objections towards Taufik Batisah winning the Ikon Media Sosial (Social Media Icon) award. This is a guy who has timed his return to perfection and launched his latest album at the right moment, a month before APM2014. With his viral videos with the hashtag “#awakkatmane” making its rounds since Ramadhan and resulting in countless number of parodies being made, it was a no brainer. Rightly so that such an award conferred to him reflected his influence. I would also like to take this opportunity to congratulate Taufik on getting more than a million views on YouTube for his latest music video “#Awakkatmane” within three weeks of uploading it, and also for the hashtag to be the top trending topic on YouTube Malaysia.

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One of the top draws of the night, Ariel and NOAH

Such popularity comes with the caveat of having haters as well. You either like the “#Awakkatmane” song, or you do not. Personally I love it, in fact I need to listen to it daily as a form of perk-me-up. However, linguistic “Nazis” like myself however have a little grouse with regards to its title, where “mana” is spelt as “mane“. Releasing it in the middle of our national Malay Language Month, where speaking good Malay is encouraged, also felt a little odd but I know for one that Taufik meant no disrespect whatsoever. By adding that hashtag at the beginning of the title meant, he probably was taking a dig at those who love to misspell or spell out of convenience in social media or online messaging. Nonetheless, I am so hoping and wishing that with this new album launch, his viral clips and music video as well as his collaboration with the likes of Altimet in his new album and two of his songs being chosen as the soundtracks for drama series shown in Malaysia, it will finally be the big break that has eluded him all these years. Ten years in the scene, it is high time he becomes a household name across our shores. Sidenote, the voice of the lady in that hit song does not belong to Fiza O. Wonder how some people came to such a conclusion when the voice tones of both ladies are different.

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Odd to see Judika attending APM without his wife Duma Riris, but congratulations to them on the birth of their firstborn, Cleo Deora Boru Sihotang

I was and still am elated over the awards won by Awi Rafael for his collaboration with Altimet for “Kalau Aku Kaya” (Kolaborasi TerbaikArtis / Best Artiste Collaboration), as well as those won by Aisyah Aziz for “Mimpi” (Kolaborasi TerbaikLagu / Best Song Collaboration) and Sufie Rashid for “Tiada Pengganti” (Lagu Terbaik SingapuraBest Singapore Song). I did say last year that I would not at all be surprised if “Kalau Aku Kaya” were to be nominated in at least the Duo / Kumpulan Terbaik (Best Duo / Group) or Kolaborasi Terbaik (Best Collaboration) categories. I stopped short of saying the song or collaboration would win outright last year, for the fact that I had yet to listen to newer songs from other artistes, but if I had the choice to award them for it, I would have given it to them last year. However, my hunch came true this time and I thought it was a satisfying reward earned by two artistes whom I have so much respect for in the regional music scene.

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One of my favourite photos of the night – Dato’ Siti Nurhaliza belting “Jaga Dia Untukku“…

If there is an award for “Most Improved Performer” over the past year, I would give it to Sufie Rashid in a heartbeat. He has grown so much since his first forays in the scene, joining the various reality talent competitions on television, only to falter in the earlier stages. He was one of the guest performers during last year’s APM2013 Media Conference, along with Yaya Hamid, but he did not impress me at all that day. He was a bag of nerves and had pitching issues when he sang. In short, I was cringing when I watched him. I remembered Aura Shai asking me to upload a full video of his performance that day but I chose not to, cos I did not want viewers to slate him or subject him to abuse from online brickbats. But I know and can see that he has taken great pains to improve himself over the past year. Most importantly, he has gained so much confidence onstage thanks to his involvement in the recent SG Mania competition on Mediacorp Suria.

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Judika and Dato’ Siti Nurhaliza teased a possible collaboration when they presented at last year’s APM and called themselves “Ju-Si“. This year it became a reality when they sang “Apakah Ini Cinta“…

SG Mania, I felt, was the making of Sufie Rashid. Where once he had confidence issues, he is now a fearless performer onstage. His performance during APM2014 made my hairs stood and I was happy for him that he was not overawed when paired with the likes of Hazama and Cakra Khan. He told me afterwards how he was worried that he might have upstaged the other two when he went for the high notes. I for one, was afraid his voice would crack as a result, but he pulled it off much to the audience’s approval, judging by their whoops and cheers. Credits also go out to members of The SallysShafiq Iskandar, Izwan Khuzair and Rusdi Badri for composing “Tiada Pengganti“. This is an under-rated local band that has produced quite a number of radio-friendly hits. But my personal favourite from their collection of songs till this day is still “Gadis Marmalade“. Like my blog, the band recently celebrated their tenth year of existence this year.

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The fearless performer, Sufie Rashid

I enjoyed all the performances that night from the start right till the end. In fact, I did not feel the time passing by till the voiceover announcement informed that Dato’ Siti Nurhaliza, Dato’ Rossa and Aisyah Aziz were up next, indicating the second last performance of the night (I had the benefit of knowing who was performing in order of performances and songs thanks to the media press kit given to us). Slowly but surely, the organising team have begun to master the art of keeping things compact within a two-and-a-half hour timeframe. The commercial breaks were short, between three to four minutes, and most people who went to relieve themselves or went out for a quick smoke break ended up returning to their seats during the following commercial breaks or rushing back when the live cameras were rolling. Where previously the event felt like a drag, I have seen a lot of improvement in this area over the past two to three years.

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Cakra Khan, Sufie Rashid and Hazama paying tribute to Sweet Charity with “Kamelia”…

I have been waxing lyrical all along other than making my unhappiness felt towards the audience for not being supportive enough. But of course I have other few niggly issues which I feel the need to voice out and hopefully improve future APM events. I already stated in my “Walk of the Stars” entry that not many artistes walked onstage to be introduced to the audience and how it would be nice for the audience to see our very own local acts be introduced to them. I also overheard and observed how the local artistes had to enter through the same doors and walked along the same route as the other audience. Though it would be nice to see them enter the event venue through another route as a mark of exclusivity accorded to artistes, I believe logistical issues were probably why they had to enter through the same way as the general audience or the fact that they were not mobbed could have been another factor why they entered the same way as the rest.

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Another one of my favourite shots of the night, this time with Dato’ Rossa

Logistical issue was also another factor why there was no post-event reception after APM ended last year. I was pleased that at least there was one this time round. Where some might complain about having to make do with light / finger food not befitting of such a prestigious event, I personally feel that beggars cannot be choosers. It was gracious and kind enough for the organisers to provide a place where artistes could do a bit of networking with industry players and fill their stomachs a bit before going for supper with friends elsewhere. Cos I’m sure a lot of artistes when they meet friends and such, they would want to adjourn to another place to continue their conversations. Fathin Amira Zubir was the busiest from my observations of the goings-on during the post-event reception, handing over her single CDSebenarnya” to various artistes and people from the music industry. I should have asked one from her, never mind if I had to pay for it, cos I always do my bit to purchase products from our local acts, rather than expect freebies or complimentary copies.

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APM promotes friendship and warmth between artistes from the three countries. This photograph is one fine example.

Before the event and after looking at its graphics poster, I noted on my Facebook status that there was a bit of lopsidedness in terms of female performers and bands if one were to compare those in Singapore to our regional counterparts. Malaysia and Indonesia each had a band representative and more than one female performer than us who only had Aisyah Aziz to be proud of. I had called upon the organisers to balance the odds and add an additional female performer and band, cos seriously after watching Konsert Siti Nurhaliza Live back in March as well as SG Mania and Singa Maksima Live prior to APM2014, I felt the likes of Fathin Amira Zubir, Sarah Aqilah, Farisha Ishak and Tujuhband at least deserved to represent us and performed that night. I was absolutely sure they would not disappoint us on the big stage. At the same time I was not expecting much given the nineteen awards that were presented and the already stellar-cast on show having to fit into a compact timeframe of two-and-a-half hours.

APM2014 2014-10-17 3771 Loved this tribute segment for three Divas who recently passed on, Dato’ Sharifah Aini, Diana Nasution and Kartina Dahari…

I just hope for future APMs, more of such acts would be showcased cos we do not have a dearth of talent in our local pool, but it is sometimes a question of us having confidence if they would deliver or not. Somehow I have been observing over the years that our local bands do not get much exposure on television as compared to individual artistes. Most variety or charity shows on Suria do not feature our local bands as much as we would like them to. We know they have composed and churned out radio hits, some even topping the charts for weeks, but relatively, I dare say most of them are an unknown quantity to the masses. I wonder if it is a case of budgeting (cheaper to pay a solo singer as compared to a group / band) or show producers do not have confidence on the abilities and capabilities of our local bands. When was the last time we saw the likes of Diorama, The Sallys, Tujuhband, Aryan Band, Kraton, Klutz etc. on television??? It’s either been a long time or none at all!!! I hope the next edition of SG Mania would feature bands instead of individual singers. Cos really our bands deserve a platform to showcase their talents to the masses.

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Oddly enough, the hosts only appeared onstage together twice throughout the whole show…

But speaking of our local bands and I hope they don’t kill me after this for saying this, I noticed a lot of them were too quick to get up from their seats that night during the commercial breaks to go for smoke breaks. I’m not a smoker and I cannot understand this addiction for nicotine, but surely some of them could have limited themselves to one break or none at all over the course of the whole event. Cos it didn’t look nice (since the event was also attended by dignitaries, people from the industry, sponsors and foreign guests sitting near the front rows where they were seated) that our local artistes were more interested in having a puff than watching the awards show. There were times during the show where they were all seen rushing back to their seats, some smelling from their cigarette smells which was and is a major turn-off.

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Awie still packs a punch onstage and remains one of the best performers with his showmanship…

Respect in many ways, deeds and creeds, I believe goes two ways. If you want the bigwigs to sit up, take notice of your talents and feature you in future, you need to show a bit of respect towards yourselves and the event you’re at, cos there are many other observant eyes around us besides myself. It might be trivial, but little things sometimes might be used as a cause against you. And I personally wouldn’t want that to hinder their progress or possible exposure to the masses. I can only dispense advice from a perspective of an observer who has seen and heard grouses from people from the industry. At times I become the Agony Aunt to some of our local acts and listen to some of the problems they face. But I do not have the answers to everything, but where I can help, I’ll try to. This is one aspect I noticed and feel the need to voice out for them to improve on their image and standing as talents and acts to be given due respect.

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WINGS closed the proceedings with an energetic medley of their current and past hits…

I finally come to my last paragraph. So much for saying at the start that I won’t make this a lengthy entry. I wanted to share more anecdotes and problems faced behind-the-scenes, but I guess I won’t because some things are best left unsaid to protect the dignity of others and the event as a whole. Some backstage politicking should remain between the relevant parties and not one for me to stick my nose into. I was there at the awards show to be entertained and to meet friends in the scene. I was sufficiently satisfied by what I saw onstage and contented with what I had off it, which made me feel that this was one of the most enjoyable APM events I had attended. I hope the next time APM is organised, Suntec City Convention Centre would continue to be the event venue. Congratulations once again to all the award winners and to the organising team from Mediacorp Malay Broadcast Division for a job well done!!!

Snapshots of APM2014


Anugerah Planet Muzik 2014 Walk of the Stars Segment

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(Graphics poster courtesy of Mediacorp Malay Broadcast Division)

I really cannot thank the festive Deepavali public holiday enough cos I did not expect to post this entry so soon after the last one. I did promise that this entry will be snapshots of the “Walk of the Stars” event, a pseudo Red-Carpet event before Anugerah Planet Muzik 2014 commenced. I’ve been harping for years at the lack of a proper Red Carpet event for Anugerah Planet Muzik. But such events bring with it additional operating costs and the organisers were already working on a tight budget. Since we have been having this segment for years dating back to 2006, I believe this has become a unique feature of APM over the years, whether the local / foreign media brigade, myself or even industry peeps have reservations or not. I really hope that somewhere down the years, a kind sponsor would make the Red Carpet segment a reality, which we last witnessed in 2005.

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This year’s segment, though it was sprinkled with stardust, however felt a bit short, since not many artistes were introduced to the audience. I was hoping the bevy of local artistes who attended the prestigious awards show last Friday night would at least be given their dues and brief few seconds of fame onstage. I personally feel that the local attendees, who made up a majority of the sold-out audience, deserved to at least know who are their local artistes, especially the bands, since they seldom appear on television through reasons only known by the people that matter in the production teams of television shows / events. I doubt it will hurt at all to make them walk the stage, be interviewed briefly and feel at home with the audience cheering them on, cos I think it is easier for the audience to warm up to the likes of Tujuhband, Diorama, The Sallys or Aryan Band, who have all released radio-friendly hits over the years…

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Anyway am gonna end off this entry with additional photos I snapped of the other night’s awards recipients. Apologies if some of the photos I snapped amounted to a wee bit more than others, especially Dato’ Siti Nurhaliza. The amount of photographs snapped is not due to favouritism on my part, but because of how they eventually turned out after I had edited them and selecting the ones that were not blurred due to their respective motions when the shots were taken. I would have loved to have added more but the eventual outcome wasn’t good for public viewing and I for one, do not like to compensate quality as that has always been a hallmark of my presentation to my blog readers and visitors. Please give me a longer timeframe to do up my review and editing of the remaining 3000-odd photographs I have in store. For now I hope you have enjoyed viewing my three entries so far on APM2014. Till then…


Anugerah Planet Muzik 2014 Media Conference

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It’s been too long that I have been away. But I am trying to make a concerted effort to be more pro-active, especially since my favourite annual event is around the corner. Which probably explains why you are reading this post after seeing such a long hiatus in this domain of mine. Anyway, to all the SleeQ fans or those who are curious to view photographs of the recent wedding event of Alyph SleeQ and Azzah Fariha, I apologise that you have stumbled into this blog only to be disappointed. Yours truly was not invited to the wedding, hence I am unable to share the joyous moments with you. But am sure you could view them elsewhere, such is the power of social media these days. Anyway my heartiest congratulations go out to the newlyweds. May Allah bless this union till eternity and beyond. 🙂

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Simple but lovely set-up of the stage…

Right, back to my favourite event. I was invited to attend the media conference which was held at Grand Mercure Roxy Singapore on 2 September 2014. The last time the organisers (Mediacorp Malay Broadcast Division) did it outside of the Caldecott Broadcast Centre to announce the list of nominees for the upcoming event was two years ago at Rendezvous Hotel. This time they managed to secure a bigger space as compared to the last time they held it outdoors and I loved the place as it was conducive to move around as compared to two years ago. This year, Anugerah Planet Muzik 2014 (APM2014) will once again return to my favourite venue, Suntec Convention Centre on 17 October 2014, exactly a year from the last event. For a start, the official logo has been given a fresh revamp from the ones we’ve seen over the past twelve editions.

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The trophies up for grabs on 17 October 2014

Into its thirteenth year, APM2014 once again will be honouring the best and most popular of today’s hottest talents in the region’s Malay music industry. The two and a half hours show will be telecast live on Mediacorp Suria (Singapore), Astro Ria (Malaysia and Brunei) and Net. (Indonesia) as well as Mediacorp radio stations, RIA 89.7FM and Warna 94.2FM, on 17 October 2014 at 9pm (GMT +8) and 8pm (Western Indonesian Time GMT +7). The event is ably supported by Media Development Authority of Singapore (MDA), Composers and Authors Society of Singapore (COMPASS) and Indonesian Music Awards (Anugerah Musik IndonesiaAMI). A total of 19 awards will be presented this year, an increase of one category from last year.

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Hosts for the day – Aura Shai and A. B. Shaik

As is the norm of previous APM media conferences, this year’s event was once again graced by Dr. Edmund Lam, Chief Executive Officer of COMPASS, Ms. Zakiah Halim, Senior Vice-President, Mediacorp Malay Broadcast Division and Mr. Hassan Salleh, Assistant Vice-President of Mediacorp Malay Broadcast Division. Before the event started in earnest, the guests, which mostly made up of our own local acts, were treated to performances by Idi Hakim, of Dinodi fame, and his wife Erma Maulood with their current radio hit “Setia Cinta” as well as Haqym Mokhtar with his current single “Semuanya Alright“, which has already risen up the local radio charts. For those not in the know, Haqym is a former member of trio SupaMusiq, which has so far been disbanded due to the group members having different personal commitments. Ironically, the last time I watched them perform as a group, was the media conference back in 2012 at Rendezvous Hotel.

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The husband and wife pair, Idi Hakim and Erma Maulood performed their hit single, “Setia Cinta“…

The organisers received about 639 song submissions this year, almost doubled from the previous year, but it has to be said that the qualifying period for songs produced to be submitted in this year’s event has been extended by an additional six months, so as to make it more concurrent with the times. As mentioned earlier, there is an additional category for this year’s awards event. The Best Collaboration category has now been segmented into two categories – Best Collaboration (Artiste) and Best Collaboration (SongArtiste, Lyricist, Composer). As highly expected from my review last year, “Kalau Aku Kaya” has been nominated for the Best Duo / Group and Best Collaboration (Artiste) categories, a testament to what a smart song it is and the equally panache delivery by both Awi Rafael and Altimet.

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Haqym Mokhtar didn’t disappoint when he performed “Semuanya Alright“…

But amongst the regional categories, it heartens me to see a number of our local acts making inroads when in the past, we wonder if our artistes or songs would ever make it along with their counterparts from the other two countries. Granted, the Best Male and Best Female categories still have a long way to go for our acts to challenge and be amongst the best five, but they are definitely bridging the gaps in other categories as seen by the nominations of Tujuhband, Aryan Band, Ryan Sufiyan, Sufie Rashid, Aisyah Aziz and Reyza Hamizan in their respective categories. Am actually pleased with Ryan Sufiyan‘s nomination. Here is an example of a guy who never gives up. I remember him being a serial reality show contestant, Anugerah, Singapore Idol and God knows what else, he has joined them all only to falter in the earlier stages. Even if he doesn’t win, it is a signal that hard work and patience will eventually pay off in due time. So for those wannabes out there, do not lose hope when you do not make it. There will always be other avenues for you to prove your worth.

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Dr. Edmund Lam addressing the guests during the media conference. Seated next to him were Mr. Hassan Salleh (left) and Ms. Zakiah Halim (centre)…

Speaking of wannabes, and even established artistes, Ms. Zakiah Halim made a very clear point that day. She urged all local artistes to maintain a degree of professionalism whether it is for rehearsals or during actual shows. Always give off your best, all the time and do not hold back, even if it’s a mere soundcheck or rehearsal. Of course, I would like to add about punctuality and respect as well. Respect for those interviewing you or those watching you. I did mention in my review back in 2011 for artistes to refrain from chewing gum before / during a performance or when accepting awards onstage and I believe the same reminder could be applied after attending the recent media conference event. Maybe those who attended the media conference and reading this will agree with me and understand what I am trying to convey.

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Group photo with all the local acts who attended the media conference event…

So who is performing on 17 October 2014??? As of now, I understand the likes of Sufie Rashid, Aisyah Aziz, Dato’ Siti Nurhaliza, Hazama, NOAH, Tulus, Judika, Maria Calista and Cakra Khan have been confirmed and unconfirmed news that Malaysia‘s Raja Lawak second season winner, Nabil, will be one of the hosts for the night. More names will be confirmed in due time but just looking at the amount of star names on display is enough to whet my appetite as all of them are guaranteed to leave you astounded with their vocal capabilities and showmanship. Tickets priced at $28, $48, $68 and $88 (including GST) can be purchased now at all SISTIC outlets and online at www.sistic.com.sg. This year, the $28 tickets have been introduced to entice more students as well as full-time National Servicemen to attend the event. So what are you waiting for??? Grab your tickets now!!!

APM2014 List of Nominations

List of nominations graphic photos courtesy of Mediacorp Malay Broadcast Division

Snapshots of APM2014 Media Conference