Yes I know this is stale news by now and it’s more than a month since this prestigious awards show was televised live on our screens. This particular post was supposed to be up a few days after Pesta Perdana 14 had ended. Somehow I was faced with a few personal obstacles and challenges and focused on editing other photographs of the event that I shared on my own personal social media accounts. I was also involved with the coverage of the inaugural Singapore Modest Fashion Weekend over the recent Good Friday weekend. All that took a considerable amount of time, not to mention juggling daddy duties with the children’s examinations happening as I speak, till the end of this week.
So I really apologise if April 2017 had been an extremely quiet month on this domain or if you had entered just to view photographs of Pesta Perdana. I did not even have time to cover the weekly TeRaSeh programme, since I was active covering it during its first two editions, nor last weekend’s Projek Kasih charity show. Like past editions of the prestigious awards show, I will not make any reviews but just list the winners and photographs of their winning speeches. Hope this will kickstart a series of posts that I have postponed over the weeks due to my erratic schedule. Congratulations once again to all the deserving winners at Pesta Perdana 14!!!
Pesta Perdana 14 Award Recipients
Beto Kusyairi – Kisah Tok Kadi
Pelakon Lelaki Terbaik dalam Watak Utama – Drama Bersiri
(Best Actor in a Leading Role – Drama Series)
Ariati Tyeb Papar – Kemelut
Pelakon Wanita Terbaik dalam Watak Utama – Drama Bersiri
(Best Actress in a Leading Role – Drama Series)
Sufian Ahmad – Kisah Tok Kadi
Pelakon Lelaki Terbaik dalam Watak Pembantu – Drama Bersiri
(Best Actor in a Supporting Role – Drama Series)
Mastura Ahmad – Interns Sr. 1
Pelakon Wanita Terbaik dalam Watak Pembantu – Drama Bersiri
(Best Actress in a Supporting Role – Drama Series)
Pelakon Terbaik dalam Watak Komedi
(Best Actor/Actress in a Comedy Role)
Izzat Md Yusoff – Dua Wajah
Pelakon Lelaki Terbaik dalam Watak Utama – Drama Khas / Antologi
(Best Actor in a Leading Role – Drama Special / Anthology)
Dimensi Ke-4 Sr. 3
Pelakon Lelaki Terbaik dalam Watak Pembantu – Drama Khas / Antologi
(Best Actor in a Supporting Role – Drama Special / Anthology)
Siti Aishah Ahmad – Suara Takbir
Pelakon Lelaki Terbaik dalam Watak Pembantu – Drama Khas / Antologi
(Best Actor in a Supporting Role – Drama Special / Anthology)
Norsiah Ramly – Anakku Duniaku
Pelakon Wanita Terbaik dalam Watak Pembantu – Drama Khas / Antologi
(Best Actress a Supporting Role – Drama Special / Anthology)
Fazlyna Aziz – Kisah Tok Kadi
Pelakon Harapan Terbaik / (Most Promising Actor/Actress)
Khairudin Samsudin – Show Malam Ini
Pengacara Terbaik – Hiburan / (Best Host – Variety)
Rilla Melati – Rudy & Rilla Sr. 6
Pengacara Terbaik – Informasi / (Best Host – Info-Ed)
Freda Mel – Hari Raya Haji… Lagi
Bintang Cilik Terbaik / (Best Young Star)
Mediacorp Eaglevision – Aduh… Bibikku!
Drama Terbaik / (Best Drama Series)
Papahan Films – Anak Bulan
Drama Khas Terbaik / (Best Drama Special)
Filmat 36 – Kembara Kasih Sr. 2
Rancangan Informasi Terbaik / (Best Info-Ed Programme)
M. Raihan Halim – Anak Bulan
Arahan Terbaik – Drama / (Best Directing – Drama)
Skrip Terbaik – Drama / (Best Writing – Drama)
Fadila Abdul Wahid & Samri Badi – Anugerah Planet Muzik 2016
Arahan Terbaik – Hiburan / (Best Directing – Variety)
Linilidia Abdul Hamid – Projek Kasih 2015
Skrip Terbaik – Hiburan / (Best Writing – Variety)
Mediacorp Eaglevision – Anugerah Skrin 2016
Rancangan Hiburan Terbaik / (Best Variety Series)
Sinar Lebaran 2016
Rancangan Hiburan Khas Terbaik / (Best Variety Special)
Ruzaini – Anak Bulan
Suntingan Terbaik – Drama / (Best Editing – Drama)
Mimi Jasmine – Bunga Tanjong
Reka Imej Terbaik / (Best Image & Styling)
Jiwa Juara – Saga (Mediacorp Eaglevision)
Composer & Lyricist: Reyza Hamizan, Singer: Iskandar Ismail
Lagu Tema Terbaik (Best Theme Song)
Kisah Tok Kadi – Thinkplate
Rancangan Paling Popular / (Most PopularProgramme)
Personaliti Lelaki Paling Popular / (Most Popular Male Personality)
Personaliti Wanita Paling Popular / (Most Popular Female Personality)
Anugerah Perdana Emas
Nama Saya Kassim Selamat Sr 2 (Dua M)
Rancangan Kanak-Kanak Terbaik (Best Children’s Programme)
Ole Ole Temasya Sr 1 (Dzulkifli Sungit)
Skrip Terbaik – Informasi (Best Writing – Info-Ed)
Kasih Tiana – Noorman Noordin
Videografi Terbaik – Drama (Best Videography – Drama)
P.I.Z (B.O.S Pictures)
Desain Pembukaan Terbaik (Best Opening Title Design)
(Promotional graphics poster courtesy of Mediacorp Suria)
It’s been ages since I last blogged on a weekly basis. Am still trying to get back into that old groove again now that Anugerah Skrin has begun in earnest. I guess when you get older and priorities change, so too do our personal interests. The creative juices and writing flair are probably still up there in my head waiting to be released, just that they need a little coaxing and cajoling because I have been lull for quite some time. I just hope I don’t blabber unnecessarily and go off-point. Unlike the first episode’s recap, I’ll be a bit more thorough with my assessments for this week’s episode. That means I will be more critical of their respective performances. I hope the contestants reading my thoughts and observations will take my criticisms in their stride and try to improve where they might be lacking. There’s nothing personal whenever I pour forth my thoughts, just rational and objective, so do not take heart nor despair if my observations are deemed too critical for your liking.
This past Tuesday (2 February 2016), it was the turn of Group B to have made their television debut in this year’s competition. Ok maybe not all the ten featured made their official television debuts before this. One who is already familiar with the local Malay entertainment scene is Yaya Hamid, who has appeared in several music video clips and promotional segments in programmes like Jus!, when she promoted her duet single “Jangan Main Cinta” with Hisyam Azmi some time back. As supporters of local Malay music would note, Yaya has released two solo singles “Taman Hati” & “Luar Biasa” before this, and was also featured in Haqym Mokhtar‘s “Semuanya Alright” music video. One could even note Yaya‘s unmistakable voice if you were to tune in to RIA 89.7FM these days and listen to her singing and rapping along to one of the station’s jingles, thanking its listeners for twenty-five years of loyal listenership. This competition is definitely different to what Yaya has been used to and she starts on a level playing field as the rest.
Sharon Ismail and Khairudin Samsudin were joined by Rosita Hussin on the judging panel…
Before I move on, I would just like to correct myself from my last entry when I said that Rilla Melati was mentoring Group A in hosting skill aspects. Based on the information that was shared this past Tuesday, Rilla is in fact mentoring both groups. I like the fact that her role as mentor this year will be of great asset to the contestants. I remember chatting with her after one of the episodes back in 2010 when she was one of the two resident judges. She had hopes then of one day mentoring and coaching the contestants and this year, she got her wish. I hope the contestants are taking in her lessons well along with their respective acting mentors. Speaking of mentors, Group B‘s mentor for acting is Azhar Nor Lesta. As for the judges, Rosita Hussin joined the judging panel as guest judge this past Tuesday.
Fadli Kamsani and Suharti Amy…
Fadli Kamsani and Suharti Amy were given the honours to start off the night’s competition through their short hosting segment in the lead up to Syaiful Ariffin and Ain Zainal‘s acting performance. I found their hosting chemistry a little imbalanced in terms of energy, delivery and execution, which made for a little viewing discomfort on my part. While Suharti was presenting in a relaxed manner, Fadli came across as a bit hyper and formal at the same time, with a lot of hand gestures and movements. I like Suharti‘s voice tone and style though, it’s like she’s a natural fit to present info-ed shows in time to come.
As for their acting, I initially thought that Suharti‘s character was that of a student, or at least someone who was below twenty one years of age. Overall, their acting segment was generally good with Suharti‘s portrayal as a filial and concerned daughter, one of the better performances of the night. That was until Rosita commented that by right, Suharti‘s character was already supposed to be a married person. Due to that fact, I guess some points were taken away from Suharti for sounding a little kiddish. That last bit where Fadli‘s character had a heart attack was also a little unnecessary and too sudden though. Rosita was right when she said that there should have been a development leading up to that heart attack scare at the end.
Muhammad Mursyid and Yaya Hamid…
From Mursyid and Yaya‘s hosting segment, I was reminded that hosting itself is an art form and it is not easy to capture the attention of your viewers unless you are confident and well-equipped with what you wish to present. It was clear that they had rehearsed the whole thing, including the part where Yaya was supposed to ask Mursyid if he knew the meaning of the term “house husband” and he was supposed to butt in and say he didn’t know even before she could complete her sentence, as it was shown in one of their rehearsal video clips. Such things should come off naturally without looking as though it was staged. Facial expressions usually give away that fact. There were also several short pauses by Mursyid, probably his own jitters in trying to remember his lines. Yaya was ok, her endearing smile keeping things interesting between them, but it has to be said, she needs to run away from sounding kiddish. Right now, if I were to see her as a presenter, it would be more suited to children shows.
Right from the start, I just felt their acting segment was strange, in that they were switching from being serious to injecting humour and back to being serious in a matter of moments. Yaya‘s portrayal as a pregnant lady also did not come across as convincing, though I admit that I was looking at her as herself and not as the character she was supposed to be portraying. Even Sharon Ismail was not convinced with her portrayal though I would give marks to Yaya for playing the distressed role passably. The judges were quick to point out that Mursyid‘s character was seen flagging a cab when he came into the scene, whereas it was supposed to be Yaya‘s character who was supposed to “see” it first, a clear sign that logic and realism were not at play. Khairudin was also right to point out that Mursyid had played to the audience with his actions and movements. It would have probably worked well if this was a comedy skit for Mursyid, but sadly it was not. By the end of their segment, I had actually feared for their elimination, especially Mursyid.
Farid Azhar and Wirda Elliesa…
Before they went live with this short hosting segment, Wirda Elliesa was teased by wobby host Dyn Norahim during the commercial break due to her passing resemblance to Malaysian rock queen Ella, though I personally am reminded of Dangdut queen, Amelina instead when I look at her. Along with Suharti Amy, Wirda‘s voice was music to my ears that night. There’s a certain huskiness mixed with calm and assertiveness to her voice, making her a possible candidate for hosting serious programmes. Farid Azhar on the other hand did ok. However, if there was a weakness to his presentation style, it felt as though he was trying to protect whatever gold or valuable stuff he had in his mouth. He needs to open up a bit more, add a bit more zest to his voice and not dithering towards being deadpan and monotonous. As a whole, they had a working chemistry going.
Farid shocked the audience and even made yours truly a little startled when he began his acting segment by shouting at the top of his voice in frustration. As experts in the acting industry would often remind us, there are degrees to displaying anger and frustration and shouting at the top of the voice comes across as a bit amateurish, especially when he was overdoing it to stress on his level of frustrations. Farid also came across as rushed and like what Sharon had noted, I was also a bit puzzled as to why the lines suddenly switched from one possible scenario to another without giving them a better transition nor development. Wirda‘s portrayal as a physiotherapist was a good balance to Farid‘s angsty character though I felt she was a bit too touchy for comfort. Wirda though delivered her lines with the needed emotions and calming tone perfectly. The challenge for her now is to get meatier roles than this and to work on her facial expressions because there were moments when she looked like she had an evil agenda hidden when she smiled.
Syaiful Ariffin and Ain Zainal…
When I observed Syaiful Ariffin and Ain Zainal‘s hosting segment, I cannot help but feel that I was watching the hosts of a children’s television programme presenting. Something about their style and excessive facial expressions made me feel as such. Syaiful, the crooner with a host of other talents probably not known to the masses yet, tried his best to project different levels of voice projection and tone, though I struggle to see how it could have been useful to his presentation, especially when his partner was more relaxed than he was. Ain Zainal probably saved this segment between them by maintaining a level of calmness and not rushing through her lines. There are rough edges that’s for sure, but I think in time to come Ain might make a good host.
They had the unenviable task of opening the night’s proceedings via the all-important acting component. Overall, I felt Syaiful and Ain did commendably well as a team, feeding off one another and striking enough balance in emotions. Like the judges had pointed out, they had set the benchmark for the night. Being a freelance theatre practitioner and student, I have high expectations on Syaiful doing better than his other male counterparts and he did not disappoint. Maybe if there was a grouse that I could make, it was that his tears were more visible than Ain‘s when I personally feel that more of the feeling of hurt should have rested on Ain‘s shoulders. Ain it has to be said, has been a consistent performer since the audition rounds. I can see that she is able to carry off different and varying types of roles. Which will bode well for her in her quest to progress in this competition.
My initial fears on Yaya Hamid‘s possible elimination were doused when I observed how Yasmin Arissa fared during her hosting segment with Iskandar Shah. I guess it is safe to say that this segment probably brought down her overall score amongst the judges and signalled her elimination outright. Though from certain angles Yasmin reminds me of Adlina Adil, who was coincidentally watching live in the TV Theatre seated next to award-winning director M. Raihan Halim, there were no other notable similarities I could make between them. Her hosting was amateurish at best and she looked unsure at times, delivering her lines as though she was reading directly from the script. Iskandar Shah on the other hand was a bag full of confidence though I would caution him not to be over-confident and to be more a team player, cos he kinda showed a cocky side, as evident when he stole the limelight from Yasmin at the end of their short segment. Ok maybe that last part could have been planned earlier between them, but it didn’t make Yasmin look good in the end.
As for their acting, it was probably the same as their hosting segment, with Iskandar doing much better than Yasmin. Something about Yasmin that night showed that she was playing catch-up to her other competitors. For one, her delivery of lines and emotions were not up to par and it looked like she was having confidence issues that night. Or maybe her jitters just got the better of her. As for her sparring partner Iskandar, I can see that this kind of antagonist role given to him suits him to a T. He could probably ace bad boy roles given to him from now on without breaking into much of a sweat. But like what Khairudin had pointed out, he needs to be aware of his surroundings and know where his fellow actor is moving before turning towards their direction.
The dejected look on Mursyid‘s face was evident, whereas Yasmin would probably have expected her fate…
It is only the second episode and the first for Group B. But I believe if there were comparisons to be made between the two groups since the start of the competition, the latter group probably shaded their Group A counterparts by virtue of learning from the first episode, how they could improve on their respective performances and applying it. Which also means, the standard and learning curve would probably go up as the weeks progress, which definitely bodes well cos we want to see improvements made by all the contestants and not remain stagnant or even dropping to unwanted levels. I am still undecided if I would do a weekly assessment every week right up till the Grand Finals. I might continue doing so or I might not. It all depends on my personal commitments for the week. Till then I hope I have been honest enough with my personal observations…
Snapshots of Anugerah Skrin 2016 Episode 2
(Graphics poster courtesy of Papahan Films)
Ok I know I promised you in the last entry that my next one would be my review on Anugerah Planet Muzik 2014. However, after attending the film premiere of Banting (or Slam! in English) this past Friday 24th October 2014 at the The Grand Cathay Cineplex, I have decided to prolong your wait for quite a bit as this movie takes precedence. Editing photographs I took the other night, which were less than a hundred, is much easier than going through 3500-odd photographs to be included in my entry. Hence you can regard this as sort of a filler entry before I speak about APM2014 again. Anyway I would first and foremost like to thank Papahan Films, especially Ms. Nurazleena Ramli, the person in-charge of the film’s publicity, for the kind invitation. In my ten years of entertainment blogging, this was indeed my first film premiere invite and I was honoured to attend with the missus.
So what is Banting all about??? Well, I will be paraphrasing this paragraph and the next, since I’m taking them out from what has been typed in its official website (Credits to Papahan Films). The film tells a story of a twenty-four year old Yasmin Muhammad (played by the likeable Izyan Mellyna) who barely has the most exciting life, with a strict mother and religious upbringing. Yasmin is also sick when she’s being judged all the time for wearing a Hijab or sees discrimination upon women who don it. She wonders if a Hijab girl will ever be able to do what most normal girls can do. Things change when Yasmin chances upon a professional wrestling gym and does the unthinkable: she secretly signs up as a wrestler!!! Soon, Yasmin is trading her Hijab for a mask and her awkwardness with unbridled high-flying moves as she becomes her alter-ego, the fearsome Zarith Blade!!! (The name Zarith is I believe, a tribute to director M. Raihan Halim‘s wife, Zarith Sofia)
The film cast and director seen here being photographed with guest-of-honour, Minister for Communications & Information, Mr. Yaacob Ibrahim…
But “laying the smackdown” on people is not what Yasmin is meant to do in life. At least not according to her conservative and very strict mother, Halimah (played by the respected Mastura Ahmad). Yasmin hides her new passion from Halimah and for good reason. Halimah’s idea of having her good Muslim daughter clashes with the life of a professional wrestler clothes-lining and slamming people before a cheering crowd. Things take a precarious turn when Yasmin’s secret double life is threatened to be exposed. And Yasmin finds herself in her most important match ever: wrestling (a.k.a. convincing) her mother to give her the chance to keep her dream alive!!! Will she succeed??? Well, I will not divulge or give you any spoilers as the only way to find out is to watch the movie.
Honest-to-goodness, I am not good at reviewing movies. I’m also the kind who will pay scant respect to movie reviews unless I’m really sceptical of its storyline and need to read first before investing my money to watch it. So my views here might differ from those who watch movies looking at technical aspects and nitty-gritty details. As a watching audience, I want to be entertained, to have a feel-good factor even after the rolling credits are done and to smile just reminiscing about the movie. Banting ticked all three boxes in my list. I am also sure the rest who attended the film premiere, which was by the way, resembled a mini Pesta Perdana event with so many personalities in the local Malay entertainment scene in attendance, walked away with smiles on their faces and encouraging words being heard exchanged between them outside the theatre.
It’s a wrestling movie, so a bit of fierceness being shown here by the film cast, producer and director along with Minister Yaacob Ibrahim…
Banting in all honesty after watching it, is so close to my heart. I grew up watching wrestling, had great wrestling matches at the high jump mattress at Serangoon JC with my friends when we were in secondary school. I also used to wrestle my cousins on our respective beds and till now I still do practise some of the safer moves with my daughters and nephews. Up till this day, I religiously read the weekly World Wrestling Entertainment (WWE) RAW reports just to keep up with what is happening in the WWE. We all know the storylines and moves in wrestling are fake, even Banting revealed a bit of that, but it keeps us entertained, like a soap opera, willing the good guys on and wishing the bad guys would just shut up and lose. Banting tried to create that and the wrestling fanboy in me was suitably impressed to an extent.
I take my hat off to the wrestling girls played by Gloria Tan, Abigail Chay, Syaza Qistina Tan, Ashley Erianah and Joanne-Marie Sim, besides Izyan Mellyna of course. Wrestling is not easy for ladies and I sometimes detect how difficult it is, even for the professional ones in WWE to execute some of their moves. They did try to create a convincing outlook in their matches and some of the moves did look great and believable. The person or persons who trained them can take heart that these girls did their utmost best and done well. Not easy to look pretty and having to suffer bumps, cuts and bruises in the process. I’m sure during the course of filming, the girls have taken slight knocks and injuries from botching their moves, but this is all part and parcel of filming, especially action scenes.
Another “garang” pose, this time with the film poster backdrop in the background…
Other than the wrestling aspect of the movie, the film resonates with me because of the life being led by the lead character herself and her sister Nissa (played by Adlina Adil). Like the movie, I have two young daughters myself and it has probably given me an advanced glimpse of what the future might be in for me when they eventually grow up and be young women with their own dreams and aspirations. They will have their own interests and likes which will differ to or contrast with what we want or expect from them. We are also living in a generation where everything needs to be explained with logic and rationale, without being too strict and hard-handed, lest the kids will turn rebellious and lie at the first available opportunity. During our parents’ time, a raised eyebrow, a wave of the cane, a slight raise in tone of voice, a wag of the finger and a simple “No!!!” usually would do the trick. Now no more. And what’s more, I see some of the character traits of Yasmin (the younger daughter in the movie) similar to that of my younger one – Steely, determined, fiesty, independent and strong-willed.
A good movie needs to have a good balance in how the actors bounce off each other. I see a lot of that in this movie, from the leads right down to the supporting cast. I just find the Atok character played by legendary actor Osman Zailani, very endearing. It even made me miss my own late grandfather who defended me at the slightest opportunity when my father would flare up with me when I was younger. As for Fauzie Laily who plays Yasmin‘s BFF, Zaidy, words cannot describe how proud I am for my old friend at his achievement on becoming a film star. He brought his A-game in this movie and he has improved so much since his first stab at acting in “Teman Anugerahku” back in 2005. Watching him in the movie is just like knowing him in real life. The characters in reel and real life are just too similar, the jokes and teasings, as well as the sound advices, are what I have been accustomed to from knowing Fauzie since he was still the scrawny teen from Temasek Polytechnic. Oh by the way, I like that Fauzie looked a bit chubby in this movie. Hahaha…
The lead actors in Banting: Fauzie Laily, Adlina Adil, Izyan Mellyna and Mastura Ahmad…
While I do not need to wax lyrical on the likes of Mastura Ahmad and Adlina Adil, because we know what accomplished actresses they are both on television and theatre, I feel that as a relatively newbie in the scene, Izyan Mellyna has all the attributes to be Singapore‘s very own Sharifah Amani. I cannot describe in words why I feel this way, but if there is a reference point I can compare her to, then Sharifah Amani is the one. Ok I used the word “newbie”, but really Izyan is already an experienced hand in the scene having been a child star during the days of “Ya Alif” and also has theatre background. It’s just that television viewers have been warming up to her since the start of 2014 when Walimah, followed by TeRaSeh! 2.0, Di Luar Garisan 2 and Walimah 2 came along. Along with Nurfarhana M. Noor, Izyan Mellyna is the name and talent to watch in our local Malay entertainment scene. See them soar and progress over the years, they will only get better.
Banting, is not just your typical light-hearted comedy. It brings with it moments of anxiety, also tugs a bit on our emotions (yes some people I know cried at some of the scenes :P). Above all, it feels very Singaporean and relates so much to the average Malay family here, the challenges we face as a society, as individuals, having to chase our dreams and having to appease our older folks in matters sometimes beyond our comprehension or will. Then there are the conflicts of interests. Somehow, somewhere, for those of us who have watched this movie, we can relate to them and agree that at some point of time in our lives, we have been through those kind of situations before, whether to listen to our instincts and passion or stick to the tried-and-tested success formulas. Director M. Raihan Halim and his team at Papahan Films have done well to potray all that I have mentioned either directly or subtly in the movie.
Executive producer Edmund D. Lim addressing the audience along with fellow executive co-producer and director, M. Raihan Halim, before the film commenced…
The film, which is brought to you by the same people who produced award-winning television shows like “Yazid Pakai Lampin“, “Mr. Perfect“, “Papa Rock” and “Step Puteri” amongst others, will hopefully usher in a new era of film-making and revive the local Malay film industry which has long been decimated since the demise of the Jalan Ampas studio. I will not go as far as to put undue pressure on M. Raihan Halim and declare that he is now the messiah of the revolution, but in a way, he has taken steps to break down the walls of barrier and shown fellow local Malay film-makers that it is possible to take the plunge and tread where others do not dare. He stands tall with his team from Papahan Films that such a move can be done. I share their pride at seeing their dream materialise and realised and I was honoured to have witnessed the momentous and ground-breaking occasion. Please do support and watch Banting when it is out officially at the theatres this Friday 31st October 2014 onwards and you will understand the same pride that most, if not all of us who came for the film premiere feel and share till now…