Tag: Monoloque

Anugerah Planet Muzik 2011 returned to these shores last Friday night after a four-year absence, venturing in Kuala Lumpur in 2008 and Jakarta in 2009, before taking a break last year due to the economic slowdown. 2010 also saw the birth of our very own AnugeraHitz.SG, so it was understandably taxing for Mediacorp Radio‘s Warna 94.2FM & RIA 89.7FM to organise Anugerah Planet Muzik, moreso in Singapore where we do not have the privilege of having mega sponsorships from big companies as what is being enjoyed by our regional counterparts. As such, we have to lower our expectations on seeing more of such big events being organised here. Unless of course if our mainstream media organisations can pool their resources together and give what the consumers would want to see. Anyway, the event celebrated its tenth year in existence, a long way since its inception in 2001 held at the now-defunct Harbour Pavilion. I still remember that 20 January 2001 event like it was yesterday.

Judging from last Friday‘s attendance at the Max Pavilion Singapore Expo where the event was held, I think a working collaboration of such magnitude is still far away from getting materialised. Just imagine, we had one of the best line-ups in Anugerah Planet Muzik history, yet the venue was only about half full. Who should we blame this for??? The economy??? The organisers??? The consumers??? The event venue??? The promotions team??? I’ve said it before and I say it again, we here in Singapore are suckers for free shows, no thanks to the monthly exhibitions at Singapore Expo where we can watch guest artistes performing without paying a single cent. The timing of the event could also have played a small part in not enticing people from attending it. It was only a month ago that we had Maher Zain performing here to a sell-out audience, and tickets to his concert did not come cheap, especially for those who came in big groups or as a family.

I find it extremely odd that even with the likes of Dato’ Siti Nurhaliza, Afgan, Rossa, M. Nasir, Hady Mirza and Taufik Batisah just to name a few in the stellar line-up, it was difficult to attract bums to seats. Not only that, it is a mystery to me that the event felt more like a Singapore–Malaysia affair with mostly Singaporean and Malaysian artistes in attendance. The Indonesians had their host in Daniel Mananta and performers in Afgan Syah Reza, Rossa, Melly Goeslaw and Sandhy Sondoro, but other than them, only Judika was seen sitting behind Aliff Aziz amongst the audience. No one can deny that the Indonesians produce good music and good talents, but I hope it doesn’t breed a sense of pompous attitude that they do not support an event such as this. At least accept the invitation of the organisers to come and make the effort to meet their fans over here. We already have a sizeable number of Indonesians working or attending school here and it would be nice to meet their fellow countrymen.

Taufik Batisah, Hady Mirza, Sezairi Sezali, SleeQ, Sarah Aqilah and Rahayu Ridwan opened the show with “Senyum“… Not forgetting Orkestar Trio and Bloco Singapura before that…

Speaking of the venue, I had major reservations when I first heard that it was gonna be held there back in April. Unsavoury memories of APM2006 were still fresh in my mind and to tell you the truth, I had not stepped foot at that event venue since then till last Thursday afternoon, when I dropped by to watch Dato’ Siti Nurhaliza and Jaclyn Victor rehearsing for their tribute segment with Melly Goeslaw. I did not attend any concerts or shows held there for the past five years, for the sole reasons that I was sceptical of the poor sound system which I experienced back in 2006. There were also other factors that made APM2006 the least enjoyable or to put it harshly, “the worst”, in my opinion. I would not want to bring it up here as I had already done so back then, also in this domain. But I’m sure the organisers have taken into account the shortcomings and strived to make it a better experience for those who had paid to come and watch the event as the years go by.

As a whole, I personally feel that this year’s Anugerah Planet Muzik event is probably almost on par with the ones held back in 2002 and 2004, the years I felt were the better-produced ones in its history. Coincidentally both editions were also held at Singapore Expo, though at Halls 6 and 3 respectively. Ok some of you might say that I’m saying this just because I have finally gotten what I wanted, which is getting official media accreditation, something which I had fought hard to attain all these years and that I had to say nice things so as to get future invitations to such events. I’m sorry to disappoint my haters and dissenters, but what I observed live was very much different than couch potatoes at home. And I have a strong feeling that those who bothered to come, some even dressed up to the nines, would say that it was all worth coming and paying every single cent to watch it, no matter if they had sat nearer to the stage or way at the back.

Malaysia‘s Didie Alias introduced her hosting colleagues with a modified version of Lady Gaga‘s “Bad Romance“…

Yes, I know just by reading my Twitter timeline, Facebook wall, as well as online reports on the event, commenters out there did not paint a rosy picture. It is Anugerah Planet Muzik (APM) afterall, and what is being organised by our local Malay radio stations or even by our own Suria channel, will never be good for those watching at home, especially those who were watching from outside this country. This show has always received flak from the foreign media, who have too high expectations given that it is a regional event, so it was not a surprise for me to read the negative commentaries. I attribute some of these bad press to the fact that most of the foreign media did not turn up due to the lack of invitation and were not granted transportation & lodging as well by the organisers. I didn’t know that such practices are the norm in entertainment journalism, at least across our shores. I certainly learnt something new here cos I thought it was the job of their respective employers to provide these sort of arrangements to cover events. I’m still a newbie at this, so please forgive me for my ignorance.

Anyway I have to admit hand to heart, the show has its niggly flaws to contend with (which show is perfect you tell me???), but if you look at it in the bigger picture, would anyone else from Malaysia or Indonesia bother to do a similar show or even give our own local acts their due recognitions on stage??? Already from my Twitter timeline I read how so many people from outside this country have not heard of our local artistes, other than those who have made a name for themselves there. This is one of the reasons why Anugerah Planet Muzik is held, for artistes in each country to be introduced and known to the region and for the established ones to maintain their positions. If you ask me before this event was held, I have never heard of the likes of Amanda Imani, Aisya Hasnaa, Zivilia, Blackout, Astrid, Govinda and Febrian before this, just to name a few of the region’s newbie acts, but thanks to APM, I now know that even though they are new to the scene, they do not lack in quality.

The awesome foursome who lit the night up with their antics…

Likewise I hope that people outside this country would get to know our acts better and who knows, their presence on stage would open more doors for them across our shores. The problem with viewers outside Singapore is that they are too nationalistic in their views over their respective music scenes and think they have the bigger and better industry. Of course they do, that I do not deny, but isn’t music meant to be shared and enjoyed universally??? No matter what the foreign media or entertainment bloggers or even general viewers might say about APM, it is an event such as this that brings the region together and for the musicians, performers, producers, lyricists and composers to build a working network, so as to bring up the quality of music in this region through the proliferation and exchanging of ideas. In this respect, the words of Gigi‘s front man, Armand Maulana, – “Keep the peace, love & respect for music” – rings true.

Though I had said that this is probably one of the better APMs in its history, the best was still the one in 2005 held at Suntec City Convention Hall where it was a sold-out event and it had a proper Red Carpet event, complete with artistes coming in limousines and the fans lining up the passageways to clamour and jostle for photographs. Now that’s what a Red Carpet event should be about. Not that this year was not good, but it could have been done slightly better. I heard and I saw for myself how fans were coming forward to grab the artistes or stepped forward on the Red Carpet themselves when it was supposed to be exclusivity for the artistes to walk on. Why they were allowed to do this was because there were no barricades separating the artistes and them. Some who had grabbed the artistes or stepped foot on the red carpet only served to slow down the smoothness of the proceedings. Still, I thought it was much better than in 2006 where the artistes had to “do the catwalk” on stage to be introduced to the audience. My other gripe would be more artistes should have walked the carpet even if they were not performing or presenting awards. Quite a few of our nominees were in attendance. At least give them their deserved spotlight on their big night.

The suave Adi Rahman…

In any awards show, the host/s have a responsibility of keeping the interest of viewers going. I like the make-up of this year’s hosting line-up, especially the introduction of Malaysia‘s Lady Gaga, Didie Alias, and Indonesian MTV VJ, Daniel Mananta. They brought a new and more creative element into the mix, a breath of fresh air no doubt. Didie‘s over-the-top antics stole the show, while the rest looked more than happy to play the supporting role. However, some of what was written on their scripts and planned antics were unnecessary, like the dig on Malaysian actress Rozita Che Wan and her reported beau, Shahir, for instance. It’s like a recycled joke when Adi Rahman used to profess his love for Dato’ Siti Nurhaliza in previous APMs that he had hosted before. I was just amazed the Lady Gaga segment at the beginning of the show passed by without any hoo-ha, given the fact that her “modified” songs brought so much consternation over the past week on this island, due to the furore surrounding the National Day Parade‘s “Fun Pack“.

The opening segment comprising an all-Singaporean affair, which had never been done before in the history of the show, was a fresh idea and one that had the audience cheering right from the start. It gave an impression that our local acts, acting as our ambassadors, were the ones who did the welcoming to their regional counterparts and the audience watching at home to the show. Everyone looked as though they were enjoying themselves, most notably our newly-crowned Anugerah 2011 champion, Rahayu Ridwan. However, I personally feel that it would have been better had a song by any one of our local acts be sung instead. Looking at their comfort on stage, whilst rapping is the forte of SleeQ, our three Idols are more known as crooners rather than rappers. Part of the lyrics to the song “Senyum” also related more on the original performer’s (Malique) life, which does not really reflect much about welcoming us to the show. Some of their voices were also inaudible at times or drowned by the live music, due to technical problems with the microphone volumes.

The affable Fiza O… 

I will of course, not describe each and every single performance per se, as you can view all of them on YouTube, thanks to the people who have uploaded them. Personally I enjoyed a bulk of the performances that night and three hours went by a little too fast for my liking. From the various solo and group performances, to the teaming up of regional acts on stage, APM 2011 delivered in its live entertainment value. I was extremely proud of our local acts, each and every single one of them, who showed that they were able to stand tall along with their regional counterparts. There was no inferiority complex whatsoever, just confident performances throughout. Aryan Band, is one that needs a special mention as most people in Singapore have also not heard of them before this, yours truly included. Just by their name, I thought they were from Indonesia. Their rendition of “Azura 2011” had the hairs at the back of my neck standing by the end of their performance. No wonder Luncai Emas Sdn Bhd have signed them up under their label. This group is certainly about to go places in the upcoming future.

Other local acts that need to be given props are Sarah Aqilah (“Seikhlas Hatimu“) and Sezairi Sezali. The former has certainly grown and improve from her Anugerah 2009 win and I do hope she would go on to build a proper singing career once her studies are over. Sezairi on the other hand, impressed with his soothing vocals when he performed “Matahari“. Other notable performances that I enjoyed that night were Amanda Imani (“Selamilah Cinta“), Afgan Syah Reza (“Terima Kasih Cinta” / “Dia Dia Dia“), and the tribute to Anugerah Khas Planet Muzik recipient, Melly Goeslaw, by Dato’ Siti Nurhaliza, Jaclyn Victor and Melly herself. 3 Suara, which comprises Ning Baizura, Jaclyn Victor & Shylla Amzah, was another that grabbed the attention with their sultry showmanship. Even though I also loved Ajai and Shylla‘s duet, performing The Lion Story & Zahidah‘s “Lagu Teman“, it would have been nice if the original singers were given their dues and opportunity to perform on the night.

Daniel Mananta is definitely a hit with the ladies…

Surprisingly, I did not quite enjoy two of my favourite performers’ performances and I’m sure you can more or less guess who. Though I love Dato’ Siti Nurhaliza and Faizal Tahir to bits, I thought their performances that night did not quite work out as it should be. The former’s song “I’m Falling In Love“, which is a new single in her upcoming English album, is a bit too identical to Kylie Minogue‘s “Can’t Get You Outta My Head“, along with the dance steps. As for the latter, I’m sure you know what happened when he went flat and off-key when performing “Hanyut” and “Selamat Malam“. The delay to his performance was caused by the hanging of his accompanying keyboardist’s PC. But he should have saved the day by engaging the audience with his witty quips, which he is known for, rather than keep quiet and let the seconds and minutes go by.

From what I read online, a lot of people were blaming the organisers and production team for this particular boo-boo and this also included the four-minute loss of transmission towards the end, which I felt was quite unfair, since most of these comments were made by people who did not watch the show live. The loss of transmission was due to the heavy storm which descended outside the event venue just before Dato’ Siti was awarded the Most Popular Regional Artiste Award. Acts of God like these are unavoidable and there is no way you can prevent if such a thing were to occur. Some went so far as to comment they demand an explanation from the organisers, even if they have to wait till the end of time. Be realistic, don’t be ridiculous!!! As for Mr Superman himself, I hope he had done enough sound checks beforehand to know what could possibly go wrong on the night. That’s the reason why you have sound checks and rehearsals leading up to a show.

Other unsavoury bits of news I heard were some artistes smoking in the waiting room and throwing their cigarette butts on the carpeted floors. I dunno if this is plain stupidity or ignorance or simply a lack of common sense on their part, but they could have caused a fire to break out as a result and more damage to the show. Basic etiquettes like not chewing gum when you’re on stage performing or even when accepting an award, should also be drummed into the heads of wannabe artistes out there. Not only is it rude with millions in the region watching your every move, it reflects badly on the country you represent. There is a time and place to enjoy that puff or chew the gum, but don’t ruin your newly-built reputations when the media is ever ready to pounce on your flaws and bring you down. If you are a Singaporean artiste, you will count yourselves very lucky the media here are very much forgiving and always giving the benefit of doubt. Malaysian or Indonesian artistes do not exactly enjoy that liberty.

Looking at the winners, I don’t think eyebrows need to be raised with most of the choices, even though many people have been questioning the wisdom in crowning the Lagu Serantau Paling Popular Award to our Asian Idol, Hady Mirza. No doubt his win in that category was a bit surprising. I also did not expect any of our local acts to win in that category for the sole reason being our population size, as compared to our regional counterparts. If voters from other countries are crying foul, then it’s their fault for not working hard or having the presence of mind to vote for their respective favourites, given the fact that they were already told via the official radio stations in their respective countries on how to go about voting for their favourites. Either way, the tech savvy ones simply did not bother to vote nor having the initiative to find out how to do it. No point calling it a farce when other sets of fans have worked hard to make it possible.

But the crowning of Dato’ Siti Nurhaliza as the Most Popular Regional Artiste (Throughout The Decade) was the one that surprised me in terms of what it meant for her in future. By virtue of winning this award, and what the television viewers did not get to see due to the loss in transmission, it was announced that she is automatically exempted from being nominated again in upcoming Anugerah Planet Muzik events in this particular category. I dunno if this was an executive decision made by the organisers or one that the diva herself had agreed upon beforehand, but I hope for her sake, she is not “banned” from being nominated again and that it was in agreement that she would give way to others, just like what she did with Anugerah Juara Lagu and Anugerah Bintang Popular Berita Harian back in her home country. This win was very much expected given the fact that she is well-loved by people from the three countries. Ten in a row, it will take someone equally special to top that feat and may never be repeated in our lifetime.

I also would like to go on record to say I like the delectable mix of award presenters that night, even though it also has to be said that a constant complain at every APM is the “recycling” of performers and them backing up as presenters as well. I think the ones that were most enjoyable that night were Dato’ AC Mizal & Huda Ali as well as Halim Othman & Linda Onn. Their banters were off-the-cuff, natural and showed uncanny chemistry between them. Linda certainly impressed me with her natural usage of Bahasa Baku, something that even most of us do not practice every day. The only downside to the scripts were the sexual innuendoes which I felt were a bit unnecessary or the jibes on their fellow presenters’ private lives. There is a place for jokes like that, but not when the show is watched by millions of viewers of all ages in the region.

I have a niggly issue with the finale though and I need to do a bit of complaining about it. I thought it could have been done much better by having a final rousing performance by any of the acts to end the night, but it was not to be. Instead, it ended with the hosts thanking everyone and the sponsors and it was left to them to dance along to the accompanying music and waving to the audience in the hall and at home. For most of the good things that happened that night, it had to end off with an anti-climax like that. I think the one in 2007 where the show ended with Kris Dayanti, Hady Mirza, Diddy and the late Yanie (May Allah bless her soul), was an example of a good finale. I really hope that the organisers would think about this aspect the next time they stage APM anywhere in the region, as it would be a waste to end off a good show with nothing more than what was displayed, plus the traditional showering of confetti upon everyone seated at the front and on stage.

Anugerah Planet Muzik 2011 was, in my humble opinion, a generally enjoyable event. A pity then that the arena was only about half full when it should have been a sell-out. The line-up was great, the performances were mostly excellent. Yes I detected a few technical problems when I watched it again on YouTube and that is something that the organisers should take heed and note for the betterment of future productions. Given the economic climate, I feel that if it were to be organised here again, it should be held at a smaller venue where the acoustics would lend justice to the performers as well as those watching in the arena and at home. Kudos to those who paid f0r and dressed up for the event. The ones who enjoyed themselves were those who were in attendance. It was two different experiences soaking the atmosphere live and watching from the comfort of home. And that is where we get the accolades and flak from different sets of viewers. Anugerah Planet Muzik 2012 if it is to be staged, God willing, will probably be held in Jakarta, though I hope that it would be in Kuala Lumpur instead.

P.S. A big thank you to Mediacorp Radio Warna 94.2FM & RIA 89.7FM for the kind invitation to the event. Thank you also to my outfit sponsor Jatt’s Collezione for the top I wore the other night. In case you are wondering why there are no photographs on the performances, award presenters as well as post-event reception, I have planned to upload them in subsequent entries so you need to come back soon…