(Photo courtesy of Mediacorp Suria)
After three months of hard work, sweat and tears, beginning with 1013 would-be contestants on 2nd & 3rd May 2009 and finally down to the Top 4 finalists, Anugerah 2009 reached its penultimate and closing stage on Tuesday 11 August 2009 with a new winner being crowned, thus adding another name to our ever-growing list of artistes in our small local Malay entertainment industry.
From what I gathered from the general masses, this win by Sarah Aqilah, a female, is very much welcomed and long-awaited. To some, it was a wait too long. A female has finally broken the monopoly and dominance held by the males since 2004 when Noorhaqmal (Aqmal) won that year’s Anugerah competition and Taufik Batisah was crowned the first Singapore Idol winner, followed by Hyrul Anuar in Anugerah 2005 (incidentally all four finalists were males), Hady Mirza in Singapore Idol Season 2 in 2006, and Aliff Aziz in Anugerah 2007.
But prior to this coronation, I was left feeling sympathetic towards the only non-Singaporean in this competition through no fault of hers. In one of my previous reviews I did highlight the fact that there were voices of discontent with regards to her participation in the competition. And it all came to a head when earlier in the day, on RIA 89.7FM whereby the morning show had a segment on listener’s thoughts on the final, a lot of calls via phone-ins and smses were made from narrow-minded listeners to vote for a true-Singaporean. Even a local personality’s Facebook status had a similar tune to it, which made it all the more deploring given the fact that this person makes a living out of moulding the future of our generation.
To the voices of discontent, though I applaud your patriotic feelings, I believe they are very much misplaced. Especially when it comes to music and entertainment. Music is universal, it is diverse, and very much beautiful. Besides football, I think the only other language that can unite the world is the language of music. It should transcend all barriers and is to be enjoyed by everyone. As such we should not look from where the entertainer hails from to appreciate his or her talents. Acknowledge good talent not because of nationality but through his or her own God-given abilities. Even the online forum site of Anugerah 2009 was filled with hate-inclined messages towards Kunjung and poor Chris, her husband, had to go in and defend his wife. I cannot be proud of my fellow countrymen if their attitude stinks like this.
I hope as we move on over the years, this backward mentality would be scrapped from our minds cos I have nothing much to say except shame on each and everyone of you who have this mindset. Reading the disgraceful and uncouth smses on national television left such a sour taste in the mouth. So what if she is a Permanent Resident (PR)??? That does not make her any less willing to represent us if given the opportunity to do so in future. Even PRs are required to serve National Service as far as I know, since I had a few of them serving along with me during my time a decade ago. Please correct me if I’m wrong here in case there are changes to the rules or my knowledge of the Constitution is not up to par. Nowhere in the rules of the competition did they state that non-Singaporeans were not allowed to compete. Even our Channel 8 counterparts opened up their search for new stars to non-Singaporeans and nobody complained.
From the media release that I received, the Results Show aired on the Tuesday before last, garnered the highest-rated episode-to-date with more than 190,000 viewers tuning in. The number of votes tripled over the years with more than 30,000 votes received via sms and telepoll lines throughout the competition. Hosted by the resident anchors for this season, Fauzie Laily and Fiza O, the Grand Finals was a two-hour affair graced by the likes of Imran Ajmain, AhliFiqir, Art Fazil, Noryn Aziz and Anugerah 2007 winner Aliff Aziz. Not forgetting the eliminated contestants from the Top 16 also made a brief comeback accompanying Aliff during his performances at the start and towards the end of the show.
Joining the resident judges Eddy Ali, Ann Hussein and Gani Karim were Singaporean-born singer/composer Azmeer [he of the “Harapan Semalam” (duet with Amy Mastura) and “Zuriat Cinta” fame back in the 90s. For those of you from the younger cohort who can’t recall, he was the composer for Datuk Siti Nurhaliza‘s haunting hit “Purnama Merindu” from her Adiwarna album back in 1998.] and Suria Record Sdn Bhd‘s Director of Artiste & Repertoire, composer and executive album producer, Zulkifli Majid. The latter is also no stranger to the industry having been involved with 2 By 2, the group famous for singing revival songs back in the late 90s. The show was graced by a live band called “Soul Brothers” led by renowned composer Indra Shahrir. It was added with pizzazz by four back-up singers under the tutelage of Irwan Mahpoel, two of them Adam and Afiqah having entered Anugerah in 2005 and 2009 respectively, the latter only reaching the Top 50 in this year’s competition. Oh and if my eyes did not fail me, Fyno of Cucu Datuk Merah fame was also in the backing vocals group.
The Anugerah trophy design…
A brand new trophy was revealed on Tuesday night in celebration of Anugerah‘s success over the past decade. The trophy design was a collaboration between Suria and the Nanyang Academy of Fine Arts (NAFA). Students took on the design of the Anugerah trophy as a special project that is part of their school work. The winning trophy design was selected from over 100 designs and will be used for future Anugerah competitions. The new Anugerah trophy was designed by Muhammad Nasrul Bin Roslin, a third-year Visual Communications student from NAFA. He was inspired by the letter “A” that stands for “Anugerah” and excellence. The prism-shaped trophy also symbolises the strong foundation that escalates to greater heights. The curvatures represent in motion and versatility of the winner.
For the record, the four finalists – Chirul, Sarah Aqilah, Wawan and Kunjung – performed four songs from their own selection where they got to showcase their individuality and identity, a viewer’s choice, a specially composed song by Suria Record Sdn Bhd and duets with professional singers like Azyza, Eiss, Maman and Nana. Originally I presumed that one of the songs to be performed by each finalist was supposed to be selected by the judging panel but somehow I think they did away with that and instead focused more on how the finalists would flex their muscles singing songs they were more comfortable with, rather than having to be “forced” to sing a song that did not suit their tastes. I guess my foreword is long enough already and I wouldn’t want to bore you any further with more informative details. Now on to the individual reviews proper.
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The show kicked off with Aliff Aziz singing the Anugerah theme song “Bintang Anugerahku” along with the four finalists as well as being accompanied by the ousted contestants from the Top 16 and afterwards the finalists were given the opportunity to warm up with Glenn Fredly‘s “Dansa“. It was obvious from the sound system that it was a lip-synch performance by them, probably to save their energies for what lay ahead. However, they need to master the art of getting their synchronisations right. Kunjung was guilty of mouthing off the words wrongly during her part. Somehow Asilah Osmera caught the eye with her energetic dance moves as compared to Kunjung. Surprisingly Sarah, whom I’ve noted before that she does not come across as convincing singing a song of a more upbeat tempo, sounded good. I dunno if this was because it was recorded and all she had to worry about was the choreography. The evening would unveil itself and answer all my questions.
FIRST ROUND
Chirul – Ular Berbisa (Hello Band) – Own Choice
I thought it was a good start to the show which showcased Chirul‘s youthful exuberance. Or so I thought. He has the voice to carry off the song well and I liked the way he sung it, especially since he executed the falsetto parts flawlessly. Rewind back to Episode 3 when he was chided for not doing it properly. I think he has improved in that respect over the course of the competition. His only downside in my opinion when singing this song was not to conquer the stage with a more energetic showing and letting himself go as the song called for more strutting and prancing around. Chirul still came across as too laidback and relaxed for someone who wanted to win this competition.
Sarah Aqilah – Rawan (Azharina) – Viewer’s Choice
The competition’s “Power Balladeer” as coined by Gani Karim, stuck to what she does best – singing ballad songs. Like most of the time she sings these kind of songs, she started off slowly but eventually grew as the song progressed and somehow you knew Tuesday night was gonna be a special night for Sarah Aqilah when she hit the chorus and high notes. The judges’ comments on Sarah were also dead give-aways by the end of the first round, which personally to me, ended the competition even before it began in earnest. The showing of the public votes only served to prove my thoughts spot-on on Sarah. My only complaint about this performance of hers was her outfit, cos it made her look as though she was expecting a baby. No offence to Sarah or her stylist.
Wawan – Ketahuan (Matta Band) – Viewer’s Choice
From the semi-finals stage where he sang Diorama‘s “Sanubariku“, Wawan continued to impress yours truly with this rendition of Matta Band‘s “Ketahuan“. I’ve heard the original as well as the dangdut version by Dewi Persik. But this was something different altogether. This version was injected with a touch of jazz-swing to it and the performance was coloured by Wawan and his backup dancers in Broadway-styled outfits. Ann Hussein wasn’t impressed with the performance but I thought it was daring and fresh from Wawan and should be commended for trying out something he has not done so far in the competition. Ann‘s comments on him proved conclusive on how the evening was gonna shaped up.
Kunjung – Rembulan (Kris Dayanti) – Viewer’s Choice
I think it is fair to say that Kunjung is a big fan of the Indonesian diva cos she sang at least two songs from her throughout the competition with a third one afterwards on the night. But contrary to the original version which is of mid-tempo, Kunjung actually sang the other version of the song which is of a more upbeat tempo, and it became a dance-fest that had me bobbing my head to the beats. I think it was infectious enough to make people groove along with her if it had been a different setting than the Mediacorp TV Theatre. I know the judges love her for her showmanship, I do too, but I felt because of the disgraceful noises made by certain quarters, she was losing a battle trying to win over the voting public. The public voting charts certainly did not lie. It has to be said that with this performance, no other contestants could hold a candle to her for showmanship.
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SECOND ROUND
Group Performance – Tanpa Ku Sedar
This song was specially composed by Ihsan Mustafa (hope I got the spelling of his name right) and Zulkifli Majid for this Grand Finals and the winner of Anugerah 2009 would go on to record this song as a single in their debut album. The challenge for the quartet was to memorise and get the feel of this song within a few days before the Finals. It is unfair for me to comment on whether they sang the song well or not given the fact that it was my first time listening to the song and have not gotten myself acquainted to it, but judging by the facial expressions and body language from the contestants, Sarah seemed at ease with the song and it helped that she rekindled her partnership with Chirul from the previous round in this performance. A ballad song of this nature was also chicken feed for her.
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THIRD ROUND
