Hilang Kasih Di Sarajevo Gala Premiere Screening Event

We are slightly more than three weeks into the new calendar year. It’s been three months since my last post and I know I still owe entries on Anugerah Planet Muzik 2018 as well as originally-planned reviews for Ruffedge‘s and Anuar Zain‘s concerts. Unfortunately, my home PC picked an inauspicious time to go bust, so I was rendered PC-less for some time, hence I was unable to do any updates till I’ve gotten myself a new one. However, it’s been a quarter of a year gone by, and frankly speaking, whatever I owe my readers are old news by now. So I’ll keep my thoughts on APM2018 till the next one comes around (if it does) or maybe I’ll hold my peace forever, if rumours of it being consigned to history books are true. As for the Ruffedge concert, all I can say is, it was a blast and one of the best concerts I’ve ever attended for the fact that I had absolute access to snap photos from close-up without having security or organisers stopping me from doing so. Even the fans had a whale of a night. How many sit-down concerts here can you say that audience are allowed to stand up, dance and sway without having security bugging you to sit down??? Can’t wait for the next Shiraz Project concert here in March with a certain number one singer from Malaysia

The cast of the “Hilang Kasih Di Sarajevo” seen here with their executive producers, Safiyuddin Razif and Nusaibah Abdul Rahim (fourth and fifth from the left)…

Sorry for taking a whole paragraph rambling. Now that I got the explanation for my missing-in-action out of the way, let’s start 2019’s first entry with a gala premiere screening event I attended slightly more than a fortnight ago on 4 January 2019 at the Gallery Theatre of National Museum of Singapore. This screening event was jointly held by Mediacorp Suria and local production company, Poetry In Motion, to promote the blockbuster drama series, “Hilang Kasih Di Sarajevo“, which has already been aired on the national free-to-air channel since 9 January 2019. This drama series stars award-winning actor, Hasnul Rahmat, Nurul Aini, Norman Ishak, Jeff Catz, Hamidah Wahab, Fir Rahman, Adlina Adil, Shenty Feliziana, Bella Putri as well as sees the return of Rima Melati Adams on our television screens after a decade-long hiatus. The show also sees the introduction of Malaysian model-host-actress-rapper Amelia Henderson, who bears a very striking resemblance to international film star Gal Gadot as well as several Bosnian actors and actresses. This drama series is directed and written by the husband-and-wife team of Faisal Ishak and Umie Isa, no strangers already on these shores.

RIA 89.7FM‘s morning show presenters, Nity Baizura and Hans Ashrie, were the hosts at the gala premiere screening event…

Hilang Kasih Di Sarajevo” drifts between modern day and flashbacks from the 90s when Bosnia-Herzegovina was plunged into a civil war and mass ethnic cleansing. The aforementioned war serves as the backdrop to the story being told in this drama series, centering on its main protagonist, Rahman Iskander (played by both Norman Ishak and Hasnul Rahmat) and how he was separated from his Bosnian wife Zana (played by Alisa Brkic and Olivera Blazevic) when the war broke out in Sarajevo where he was based. He was tortured at the hands of the Serbs but was eventually released and returned back to Singapore after being found and rescued by the United Nations‘ peacekeeping force. He went on to rebuild his life and eventually got married to supermodel Ramona (played by Rima Melati Adams), but he continues to pine and yearn for his lost love, slipping into depression as a result. Well that’s the gist of the story that I can relate to you having watched the brief 70-minute screening on the gala premiere night where a bulk of the scenes shown to the audience were from the first three episodes.

Director Faisal Ishak relating to the audience some of the challenges faced during the filming. With him are Executive Producers, Safiyuddin Razif and Nusaibah Abdul Rahim

What I am impressed about the drama series are the breathtaking scenery of Sarajevo, the cinematography, the visual quality of the series which resembles more like a movie than a drama series and of course the pace of how the storyline is being told, which feels just about right. If there are some shortcomings or minor lackings, I would have to say, the CGI effects could have been done much better. But we all know to implement CGI-effects into a production is not cheap and will probably take several production or animation houses to get it right. I think with the budget that they were working at, it should be applauded that a local production house was able to achieve the kind of positive qualities that I mentioned at the start of this paragraph. The gala screening event also had several sections of displays showcasing some of the props used in the drama production as well as serving Bosnian delicacies to go along with the main spread. Truly they pulled all the stops for us to immerse ourselves into the drama series even before it was shown proper on television.

One for the album with the main cast, writer, director, executive producers, soundtrack singer, hosts of the event and new Mediacorp Head Malay Audience & Eaglevision, Community and Content Groups, Mdm. Sabariah Ramilan (centre)…

Some of my closest friends who know my character and how much I appreciate beauty might say I would have been smittened by Amelia Henderson. They might probably be right, having seen and talked to her up close and personal that night, but they are far from the truth actually. The one who caught my eyes the most with her innocence and honesty in delivering her lines was none other than young Bella Putri, the child star who is making her acting debut in this drama series, her first foray in the local Malay entertainment scene, having done several commercial ads and voiceovers for other productions. One could easily hear the audience warming to her with sighs of “Awwww…” every time she came onscreen to speak, moreso when there was a particular scene where she was scolded by her uncle Rahman for dropping his prized painting on the floor. I think this little girl’s career is just about to get a major upturn henceforth and we’ll probably be seeing more of her on television. Try looking out for the commercial advertisement on Changi Airport‘s Terminal 4 and you’ll see this cute little one prancing around in the trailer.

Marcell singing the official soundtrack titled “Cinta Tersembunyi“…

The gala screening of “Hilang Kasih Di Sarajevo” was not complete without the presence of Indonesian heart-throb and soul crooner Marcell Siahaan, the singer of its soundtrack titled “Cinta Tersembunyi“. It’s like a nice package when you get Rima Melati to act in the drama series, you complete it by involving her husband to compose and sing the soundtrack to the series as well. And what a lovely composition the song is! I instantly fell in love with the song and as I watched the scenes unfolding during the screening as well as the first two episodes that have already been aired, I began to understand the meaning of its lyrics better. I won’t be surprised if this song is to be nominated in 2021‘s Pesta Perdana for Best Soundtrack. For the record, “Hilang Kasih Di Sarajevo” airs every Wednesday evenings at 9:30pm on Mediacorp Suria.  Would just like to say well done to the whole production team at Poetry in Motion and let’s hope they will produce more good programmes like this! Thank you too Mediacorp Suria for inviting yours truly to the gala premiere screening! 🙂

Snapshots of “Hilang Kasih Di Sarajevo” Gala Premiere Screening

 

Anugerah Planet Muzik 2018 Pink Carpet Event

Back with the second instalment of my APM2018 photo series. Apologies you had to wait more than a week for this even though I had shared them more than a week ago if you’re following me on Instagram or even my personal Facebook account. My social media followers are usually more fortunate to be able to view them much earlier. Actually I wanted to post this entry on Monday but was tied down with work, as well as assisting Berita Harian in selecting the appropriate photographs for their article on Ruffedge‘s 20th Anniversary Concert held at Zepp @ Big Box, which I had the opportunity to have attended as well as provided photo coverage. I’ll be sharing more of that concert somewhere down the road, most probably after Anuar Zain‘s upcoming one at the end of the month. Without further ado, here are the photos I snapped during the Pink Carpet event prior to Anugerah Planet Muzik 2018 held at the MES Theatre @ MediaCorp Campus on 28th September 2018.

Anugerah Planet Muzik 2017 Review…

Graphics poster courtesy of Mediacorp Suria…

It’s been three long years since I last did a proper Anugerah Planet Muzik review entry. I personally did not expect not posting any review entries to be this long, given my previous penchant and eagerness to share my views and thoughts on the annual event. Personal commitments got in the way and time wasn’t kind enough for me to post them up. By the time I entered the second month after each event with photographs still not properly edited, I already lost that momentum and passion to type something out. Anyway, I had this feeling that I was recycling and rehashing my thoughts year in and out, to a point I felt like a broken record. I hope that the time I had been keeping my thoughts to myself would do me good, to evaluate the show with as much fairness and giving benefit of doubt where shortcomings are concerned. The question I have in my mind right now is, where do I even begin??? Hahahaha gosh it does feel a bit rusty after three years…

Ayda Jebat opened the show with “Nakal Nakal Nakal“…

I think for a start, let’s talk about the slogan for this year which came with the hashtag “#GilerTakGerek“. I tried to hark back to previous APMs before this, but I struggle to remember if they ever had a slogan or theme such as this. I believe this year was the first time they had an additional hashtag to go along with the usual “#APM“, followed by the event year (#APM2017 being the latest for this year). I think it was a fresh move to inject a bit of hipness to the event, in line with how much technology and social media have taken much of our attention on a daily basis. I initially didn’t like the usage of the word “Giler“, being the language Nazi that I am, moreso when they first announced it, we were still in the midst of our annual Malay Language Month. However, to put it into the context and lingo of today, the spelling reflected a fun factor rather than a serious element to being crazy. The usage of the word “Gerek“, even though we seldom hear people here using it now, is still synonymous with us Singaporeans as compared to our neighbours. I think generally this was a uniqueness of its own, to highlight a Singaporean flavour to the event.

The addition of Dzar Ismail and Nabila Huda to the line-up of hosts for this year, gave the show a certain freshness…

Since my last review in 2014, we’ve had a change of venues, from the rather spacious Suntec City Convention Centre, to the relatively spanking new MES Theatre @ Mediacorp. This year’s event was its second held at the new Mediacorp Campus at Stars Avenue. I do have a well-documented love-hate relationship with this new theatre, more hate than love actually, as my close circle of friends can testify. Well “hate” is actually too strong a word for me to use. I would probably use the word “dislike” to express my thoughts on this matter. For one, it is further away from previous locations like the earlier-mentioned Suntec City Convention Centre, Max Pavilion, Singapore Expo, and Singapore Indoor Stadium. North or east-siders like myself will find travelling here a bane, which is also partly a contributing factor why I have slowed down my commitments to cover events and answering invitations to attend a particular programme or show by Mediacorp Suria.

One of my favourite performances of the night, Gloria Jessica teaming up with Aisyah Aziz and Haikal Ali

My main gripe with the theatre is that it resembles a lot like a typical school hall setting, and I know I am not alone in having these same thoughts. The stage also looks smaller and limited than previous venues. The opening performance that featured Ayda Jebat and her dancers, as well as Maher Zain and his accompanying vocal group, felt a bit overcrowded. I observed the dancers especially, had to hold back some of their moves so as not to bump into one another. The one thing I dislike the most about this theatre is that I am no longer able to sit on the floor in front of the first row to capture close-up shots, just like in past APMs or even the times I covered shows at the old Mediacorp Theatre at the now-vacant Caldecott Broadcast Centre at Andrew Road. At this new place, photographers now either have to stand behind the sound engineers somewhere in the middle section or sit on the floor along the aisles by the side.

I know for one, the audience enjoyed this particular segment featuring Hael Husaini, Virgoun and Sufi Rashid

The positive thing I can say about this theatre is that it boasts a sound system which is very good. The acoustics and clarity is as good as the Esplanade, if not better. Well it is certainly much better than the one at Star Vista Theatre, a stone’s throw away. I also observed with this new place, the organisers save quite a bit on their budget, not to mention having the autonomy to dictate how the additional segments like the Red Carpet segment would pan out without having to splurge more than they should. I noticed that even with a venue as good as Suntec City Convention Centre, there were trade-offs, in that certain things had to be compromised or made do without altogether. The ones that come to mind were the “Walk of the Stars” segment, where the nominees / award presenters / performers were introduced to the audience by walking to the stage from the back and to their seats, which I personally felt was a poor man’s version of the Red Carpet segment and the lack of a post-event reception afterwards, which had a number of local and overseas guests / performers grumbling quietly afterwards, as they were famished after a long night. With the event held at the MES Theatre, these factors were taken care of and the event looked to be proper as it should be.

Award presenters Hannah Delisha and Izzue Islam

Speaking of the Red Carpet segment, there was a notable difference between last year and this year. Last year, we saw the nominated artistes as well as the performers and award presenters arriving via limousines with both sides of the fences teeming with screaming fans like any typical Red Carpet segments you see around the world. This year, they did away with the limos but made the concourse level a long and winding stretch going into the MES Theatre. The Red Carpet segment literally began when the nominated artistes, performers and award presenters appeared from the lift just next to the escalator on the third floor. From there they had to pass by the specially-erected stage for the fans to see them clearly, as they were interviewed by newly-minted radio presenter, Kyrul Ashrie and Nity Baizura. After that it was stop after stop as they were greeted by a horde of waiting media brigade, eager to interview or photograph them, yours truly included.

Malaysian heartthrob Farid Kamil and Singapore‘s up-and-coming Sofia Dendroff

I must say I was surprised by the number of media people that attended this time around, not only from Singapore, but Malaysia and Indonesia as well. I basically had to jostle for a comfortable position so as not to block their view when they were filming, taking photographs or recording short clips. Previously this Red Carpet segment or a lack thereof, was one of my main complaint agendas whenever I do up any reviews of Anugerah Planet Muzik. Not anymore. The organisers have done very well to make this a much-hyped affair with live Facebook updates and online screenings via Toggle. For that they deserved much of the accolades for the effort to make the show as colourful as it should be. I saw the improvement being made since 2015 when the show was still at Suntec City Convention Centre, but I think with the venue of the event being at their homeground, more improvements and upgrade in outlook were able to be executed without running foul of the venue management, if any. They even have what I call a “battle command centre” for all the live social media updates as the show went on.

Actress-singer Kilafairy and another newbie to the local Malay entertainment scene, Zachary Ibrahim

Looking at the list of performers that night, I was surprised that this time round, there was a distinct lack of star names, save for those whom we know from our own respective countries or maybe the few established ones known to the three countries like Afgan, Ella and Maher Zain. For the very first time in the history of Anugerah Planet Muzik, there were no performing bands featured. Hard to believe but it was the reality. Up till the last moment, I had expected the organisers to pull a last-minute surprise and have at least one band performing, but that was not to be. Even though we were devoid of distinct star names, the ones who were onstage did not disappoint at all, at least to yours truly. The surprising thing was, even with a lack of stellar names, it was a sold-out event!!! The last we had a sold-out APM was back in 2014, when the event was at Suntec City Convention Centre, of which the main draw were legendary group Wings and Noah, plus a bevy of household names like Cakra Khan, Judika, Dato’ Rossa, Taufik Batisah, Dato’ Siti Nurhaliza, Joe Flizzow, Sezairi and more.

My personal favourite pairing of the night, the gorgeous Janna Nick and my “twin”, Fakkah Fuzz

I am not sure about those at home cos last year, I observed comments made online that the show was boring. I think there is a lot of difference watching at home and seeing it live. I do agree to some extent when I watched the repeat telecast much later, that visually it looked a bit plain. If I were to make a comparison with last year’s and this year’s editions, I think the latter was much better. Last year’s instalment had Caliph Buskers and Sufi Rashid to thank cos their respective performances individually and collectively together, were the highlights of the night, while the rest were forgotten in a hurry. Also the stage setup made it looked as though we were watching a variety show like Rapsodi or Muzika Extravaganza. However, I noted that the organisers had made visual improvements to the stage design, layout and backdrop for this year’s show. Maybe the show itself is meant to be appreciated by watching it live with our very own eyes and not via the television screens. We have to give the organisers a bit of leeway as it was their first time afterall doing it at the MES Theatre last year. I believe this year it was much better, as most online comments I monitored were kinder and more on the positive side.

Afgan doing what he knows best, making hearts flutter with his voice, smile and dimples…

I was surprised that Desta was called upon again to host this year’s APM. As I recalled his performance hosting last year, he was a bit lost and tried too hard to match up with the energy of his co-hosts Suhaimi Yusof and Sherry Alhadad. I was ok with the initial selection of the other hosts, Dzar Ismail and Nabila Huda, as I know both exude energy and fire. But lo!!! Desta proved me wrong on the night and emerged the “Man-of-the-match“, in the words of his co-host Dzar. He had the audience laughing to all his jokes and while those that were made at last year’s event looked a bit forced or unnatural at times, his punchlines this year were absolutely spot-on. He even had time to poke fun at several members of the audience unannounced. I was proud to see Dzar Ismail given the honours to co-host the awards show, representing Singapore. It gave the show a bit of freshness instead of the usual faces. He also has come a long way since being the raw and wide-eyed newbie in the scene. A word of advice to Dzar, he might want to slow down his talking pace, as at times he sounded a bit rushed and his words lost on our ears. At least no one tried to outdo the other like some of the previous editions and there was a nice balance of energy between the three. The best host so far for me in recent times, who gave their co-hosts equal limelight to shine was, and still is, Jihan Muse back in 2015. She’s adorable and I’m a big fan!!!

A beaming Ms. Zakiah Halim presenting the International Breakthrough Award

I would like to touch upon the award presenters. I assume, based on the reactions of the audience, the only ones they and probably those at home enjoyed watching were Janna Nick and Fakkah Fuzz and slightly later on, Afgan and Fiza O. With all due respect to the other presenters, I think generally the audience didn’t know who they were or there was hardly any chemistry or relevant banter between them. I remember there was one award presenter who presented twice in previous editions, but you could hear a pin drop when they were on stage with murmurings around me asking them to be quick with the award presentations. The same thing happened a few times on the night, and I don’t think the audience could tolerate the antics of some of the presenters, who tried to act cool but only served to turn them off judging by the silence or non-reaction. I also noticed a certain lopsidedness in the pairings which, save for the Afgan and Fiza O award presentation segment, were all from Malaysia and Singapore. There were other Indonesian acts seated amongst the audience, I doubt it would hurt to let them have a bit of the limelight as well. On a sidenote, I personally think Fakkah Fuzz just put his name into the hat to present either Pesta Perdana or future editions of APM. Twice he presented awards at both events this year, both times he had the audience in stitches and enjoyed his presentation style.

Maher Zain performed the Malay version of “For The Rest of My Life” right after his acceptance speech…

Winners-wise, I will not debate who was worthy and who was not, but there was one award which had me a little perplexed. In retrospect, I think all the winners and nominees are much deserving of their positions, lofty or otherwise. It has to be said that it is lost on many people’s minds, but we cannot take away the landmark achievement made by “Senyum Saja” at #APM2017. For the first time in its 16-year history, a Made-in-Singapore song finally managed to win the Best Regional Song award!!! This win was the fourth for The Lion Story in the space of seven years and their third in a row, cementing their status as prolific and respected songwriters our country has to offer. For the longest time, it has been something that we have come to accept, that the Malaysians and Indonesians are far superior than us. The glass ceiling has finally been broken. I hope this win will inspire more of our local songwriters to come up with more quality music because they definitely have the talent to match up with their regional counterparts. However, the Best Male and Female categories remain elusive till this day and I hope some day one of our acts can finally reach that pinnacle and recognised by the jury from the three countries.

I just realised when I looked at this photo, the last time Dato’ Adi Putra presented awards at APM2011, his partner was also Nity Baizura

I don’t care what the online brickbats might say till this day or have questioned ever since, if they had not listened to the song or never heard of it before, and there are many of them out there, the ones commenting and criticising for the sake of it. The beauty of awards shows is that you look at the nominees and you try to do your own research by listening to them on YouTube, iTunes, Spotify and what-have-you. The best is not necessarily the most popular. Likewise the most popular might not necessarily be the best. You only see the regional dissenters up in arms when a Singaporean comes on stage to win the regional awards. I observed some sour grapes who are definitely not from these shores, commenting this was a “Shiok Sendiri” show by the organisers when the Best Song category was announced. If it was, I think Singapore would have won more than they had expected to. It has always been that way but the best awards are judged by a panel of jury from the three countries. So it is definitely sweet when you see your own local product be recognised by not only your own, but from others. And for that we can only “Senyum Saja” at the haters.

Isyana Sarasvati showed her prowess at playing the piano prior to getting off and dancing along with her accompanying dancers when she performed “Kau Adalah“…

It was just one big award and suddenly the “My country’s song is better than yours” mentality reared its ugly heads. This village mentality obviously needs to go, but it will never be eradicated fully, not when online and social media is filled with irresponsible and brainless keyboard warriors. People keep on forgetting that this awards show is about forging friendship, extending ties and network amongst people in the entertainment and media industry between the three countries. It is never meant to be a competition per se, but a celebration of the best. Obviously people who were watching and commenting negatively afterwards, paid scant respect to some of the winning speeches calling for unity and ties to be strengthened. Sad to think that in this current day and age, people tend to form opinions and act upon what comes out from their nether regions rather than whatever rationale that is processed in their heads. It is difficult to educate these country bumpkins when they already have this mentality that theirs is better than others.

Another one of my favourite pairings of the night – Afgan and Fiza O, who showed off her multi-functional outfit created by celebrity designer Raffiey Nasir

I did say I will not debate who was worthy and who was not, but that I was a bit perplexed by the decision to award one of them. It did not take a rocket scientist to predict that Maher Zain would pick up the International Breakthrough Award when his name and photograph appeared on the promotional poster. I can accept the reasons given for him receiving the award when Ms. Zakiah Halim presented the award to him that night. However, I question his current relevance to the entertainment industry of the three countries. Don’t get me wrong, I love the guy, and I love his positive-infused songs, but his last sold-out concert here in Singapore was back in 2011 when his debut album hit killer heights. Since then his songs have seldom been played on our airwaves. Other than “Ramadhan” which is played during the annual fasting month, we do get the odd airing of songs like “For The Rest Of My Life” being played, either in its original version or the one in Malay / Bahasa Indonesia. I might be wrong, but I highly doubt his latter albums have been well received nor promoted extensively here as compared to his debut offering. If I remember correctly, he recently held a concert here last year and the attendance paled in comparison with his first one, which was quite regrettable, given his standing in the eyes of many.

A very proud moment for our local Malay music scene, finally clinching the biggest award at APM after 16 long years…

If he had been the first recipient when this award was introduced three years ago, then probably I would not be dedicating two paragraphs on this matter. Cos I sincerely thought this awards show is specifically to honour those from the three participating countries who have introduced our lingua franca to the rest of the world through their songs. I am not sure how his Malay or Indonesian song versions have made people from the other countries sit up and learn the Nusantara languages, cos I believe he also has different versions of some of his popular hits in other languages as well like Urdu and Turkish amongst others. I had expected someone like Shila Amzah, and to a lesser extent, Anita Sarawak, to be getting this particular award. I foresee this particular award will probably not be able to stand the test of time (I give it five more years), unless more acts from this part of the world spread their wings and fly abroad and create a name for themselves wherever they are. The organisers probably wanted to have a slight difference in handing out the awards this time round, but it does feel a bit odd, and gave the impression that we have forgotten our own people from this part of the world. Take nothing away from Maher Zain. He probably did not ask nor expected to be awarded the accolade. His acceptance speech at least soothed my aching heart for the rest of our Nusantara acts who might have felt slighted as a result. He has always been a very humble person with no airs and you could see and feel for yourself through the message that his words or lyrics bring.

Our zany hosts closing the show by giving props to legend and rock queen, Ella

In the past I would usually compare which editions were good, which ones were forgettable, which instalments were memorable. I think for this time I will not make any as I observed each single one brought with them different sets of challenges and obstacles, difficulties and hardships of their own, not to mention which ones left indelible impressions on the mind till I can remember to this day. Take for instance, the great number of no-shows from some of the award recipients. I know for one the likes of Anuar Zain, Dayang Nurfaizah and Khai Bahar were invited to perform but they could not make it as each already had their own prior singing commitments in Malaysia and Hong Kong (Khai Bahar). Probably no one seemed to have noticed this particular trivia, but this year the event was held on a Saturday evening, when usually it is held on a Friday evening. I think had the event been held on a Friday evening, we probably could have had those earlier-mentioned names in attendance and probably had more star names to the line-up. For the show itself to be a sell-out event a good two months before the actual date, spoke volumes of its reach and that we can have confidence that not having stellar names can also attract bums to seats. But for how long???

The question remains, how will the awards benefit the winners in getting known by the neighbouring countries??? For example, will winning the Best Song Award open more doors for the likes of Haikal Ali and The Lion Story to venture into unknown territory in Malaysia and Indonesia if they eventually choose to move in that direction??? How much collaboration and acceptance do artistes, songwriters, producers and such stand to gain from the exposure??? For one, they cannot rest on their laurels and to proactively churn out new works and release them, strike while the iron is hot and not sit on their laurels or just expecting our local radio stations to play their music. They also need to invest some time and money to go out and promote their music, to be heard on airwaves abroad. I really hope that our local acts who were nominated or those who have won, will continue the good work that they have, to always strive for perfection, to improve on shortcomings, to be better performers, songwriters, producers and what-have-you. We have seen good nominations from Singapore this year. Where there’s a need to complement one another, do so. Where there’s no need to compete to bring down the other, don’t bother. Your sincerity and passion will eventually reap its rewards, one way or another. This is my parting shot for my #APM2017 entry…

Snapshots of APM2017

APM2017 Red Carpet & Post-Event Reception Snapshots

I’m back with the second instalment of my APM2017 series. Apologies for making you wait this long for this entry as I was juggling editing the rest of the photographs I took that night and revising with the kids for their final-year exams which will end this coming midweek. Even though I have finished editing the photographs, the proper review entry is still in the pipeline and will not be up till probably next weekend or slightly later. So I hope you can wait a bit more. I’ll try to do it as soon as possible as it has been three years since I last did one. Anyway, I have come to observe that people usually come to this domain of mine to view photographs of recent event happenings, or to look out for photographs of local personalities they would like to get to know, especially the new faces. You might also have stumbled upon my page cos you were Googling for some personalities and this page happens to be one of the top search hits.

For the regional readers, they might not know who is who in the Singapore Malay entertainment scene, so in a way I am providing that yeoman service of assisting your queries. I’ve even had feedback from production companies that my blog has been of great help for them to scout for talents. Just glad I am able to help in any way I can, that too without hoping for any rewards or payments. This is also another reason that gave me that wee bit of drive to continue blogging when I recently felt I wanted to pack it all in. I’ll stop blabbering for now and just share with you some selected shots I took during the Red Carpet segment and Post-Event Reception at Anugerah Planet Muzik 2017. Didn’t take that many shots but I guess they will do for now before I come up with my last instalment entry.

 

LalooLalang Bazaar Version 2.0 – New Year Edition Promo

LalooLalangNY2016(Official promotional poster courtesy of LalooLalang By Huda Ali Facebook page)

LalooLalang Bazaar is back again this coming weekend!!! For the uninitiated, LalooLalang.com is the brainchild of local celebrity actress / host Huda Ali and ably assisted by her team, of which hubby, actor Den Sabari, is also a part of it. Apart from being an online ‘one stop shopping hub’, their main focus and objective have always been to gather online entrepreneurs, blogshops and small medium enterprises an opportunity and platform to work together. With the success of the very first LalooLalang Bazaar event held during Ramadhan back in July 2015 at The Ballroom @ East Coast by AB Shaik, the organisers have since come up with a New Year‘s edition which will be held this weekend at Aliwal Performing Arts Centre from 8-10 January 2016. Full details are on the promotional poster featured above.

LalooLalang Bazaar 2015-07-04 118

Member of Parliament, Mr. Zaqy Mohamad, launched the opening of the first Laloolalang bazaar on 4 July 2015

I was fortunate to have been invited to the opening launch of the very first LalooLalang Bazaar on 4th July 2015. I was also impressed by the huge turnout that day as well as the following day when I came again with my family to do our own spot of Hari Raya shopping. There was a variety of stuff being sold not only catering to the fairer gender but the men as well. A lot of the things being sold were also cheap and affordable and best of all, the vendors and stall proprietors, who were made up of mostly personalities from our local Malay entertainment scene, were patient and always armed with smiles, making the customers feel at home and at the same time apologetic when we were not able to purchase anything from them.

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Dyn Norahim, Sufie Rashid, Sheiryn Aisiqa and Nity Baizura joined by staff from Mediacorp Suria and Manja Magazine in promoting the Hari Raya edition of the local Malay entertainment magazine, where local celebrities shared their cooking and baking recipes for the Hari Raya festivities…

Based on the official LalooLalang Facebook page, which has been updating the list of vendors who will be involved this time round, there will be at least thirty vendors, a two-fold increase in the number of proprietors from the very first event. Where Beijing 101 Pte Ltd, Air Asia and Pokka Pte Ltd were the main sponsors of the last event, this time, Elegance Concept and Nippon Paint have joined forces with Pokka Pte Ltd to make this next edition a reality. Not only was the first LalooLalang Bazaar event a time for vendors to earn that little bit extra in light of the festive period, they also did their part in donating some of the earnings and proceeds to Muslim Kidney Action Association (MKAC), LalooLalang‘s beneficiary organisation.

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 The bazaar was given a touch of glamour with the presence of Malaysian-based actor Aaron Aziz, who was there to lend his support to wife Diyana Halik, who shared a collaborative effort with celebrity make-up artiste Fatimah Mohsin…

This New Year‘s edition promises something a little different with an Indie / Hipster-ish concept. And of course most of the vendors from the first event like ATP by Ariati, Rosita by Rosita Hussin, By NurFudge will be back. They will be joined this time by the likes of Studio Cafe, ChulopSG by The Syarifs, Kidz Runway and many more adding on to the list of personalities working in tandem with the bazaar event. I see this bazaar event as a means for vendors to complement one another with what they have to offer. Also, it is nice to see some of the local personalities coming together under one roof to make it successful and supporting one another. I wish for nothing but success for everyone involved, and may their respective business ventures flourish. For more information on the upcoming LalooLalang Bazaar Version 2.0 – New Year Edition event, do head on to their official Facebook page. For now, enjoy the photographs I took from the first event back in July 2015

RIA 89.7FM’s Silver Jubilee Celebrations…

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It has definitely been a long while since I last posted something in this domain of mine. I know I had promised before this that my next entry would be a review of Anugerah Planet Muzik 2015. I have been quite tied up with my own commitments and still have to go through 3000-odd photographs from the 5000-odd that I had snapped that eventful night. I hope to post it up soon when I start to clear my annual leave. For now, I’ll share the event I attended about three weeks ago. At least this domain will not be dormant for too long.

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Kaw Kaw SG was the official event venue of the birthday bash…

RIA 89.7FM celebrated its twenty-five years of existence this past 1st December 2015 with a birthday bash held at Kaw Kaw SG, a chic restaurant situated at Aliwal Arts Centre. What was special about the birthday bash was, twenty-five lucky listeners got a chance to join in the fun through a week-long quiz during the week leading up to the event. I was supposed to attend their mini bash when they celebrated their 24th year anniversary last year held at Penang Street Buffet at Causeway Point but family commitments meant I had to give it a miss, but not this time.

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A shot of the cafe’s interior before the birthday bash…

I was fortunate to have been invited to cover the event and soaked in the festivities, not to mention, walked down memory lane reminiscing all the good memories of all the roadshows I attended, competitions I had participated and won, and also involved in some of the productions when I was an intern with both local Malay radio stations. Long-time listeners would remember me as part of the trio who impersonated KRU and won the Impersonation Category when the station organised the talent competition kRIAtif 897 back in 1997. That was the start of my love affair with the local Malay entertainment scene.

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The birthday bash was hosted by DJ KC and Dzar Ismail

Anyway back to the birthday bash. Not only were twenty-five lucky listeners able to join in, some of our local acts in the Malay music scene, were also invited to grace the event. And a birthday bash of this magnitude for the radio station would not be complete without the very pioneers who had paved the way and charted the road to where they stand today as a progressive and trendy station, that supports local acts and strives to give off optimal entertainment to the loyal listeners tuning in.

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The ones who have made RIA 89.7FM what it is today (from left): Hassan Salleh, Abdul Razak Rahim (RZ), Suriani Kassim (SK), Isadhora Mohamed, Raja Razie, Mohd Tahar Ghalib (TG), Morniyati Tukimin and Mariam Mas’od

It was nice to see the likes of Morniyati Tukimin, who was the first voice heard when RIA 89.7FM went live at 5pm on 1st December 1990, Suriani Kassim (SK), Abdul Razak Rahim (RZ), Mohd Tahar Ghalib (TG), Mariam Mas’od, Hassan Salleh and Isadhora Mohamed be a part of the occasion. Though I felt it would have been grander still had the likes of Hafeez Glamour, A B Shaik, Azmi Sempoi, Azmi Oh Yeah, Zarina Safuan, Chairul Fahmy, Zan Sofiyan and a host of other part-timers attended as well, but I guess all of them had their respective commitments to attend to.

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Art Fazil with an impromptu performance of “Relek Brader” with the two hosts…

We had special performances by the two current hotties in the local Malay entertainment scene, Sufie Rashid and Ryan Sufiyan, Farhan Shah who came all the way back from Perth, an impromptu performance by Art Fazil, Didicazli who introduced his new single “Izinkan Cinta“, as well as his protege, Hazirah Musfirah, a 14 year-old rising talent, and last but not least, former member of SleeQ, Syarif, who came with his expecting missus, Malaque Mahdaly. Initially, Dato’ Fazley Yaakob was slated and promoted to perform, but he was unable to make it due to last minute commitments. Nonetheless, those who had performed, more than made up for the non-appearance and everyone still felt contented and left the event feeling enjoyed.

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The attendees and guests of the birthday bash cramming together for a group photograph…

Another special aspect of the birthday bash was, it was broadcasted live on air between 3-5pm, so those who were unable to make it or joined in the fun, were fortunate enough to tune in and imagine the goings-on at Kaw Kaw SG. To complete a celebratory occasion, RIA 89.7FM was also awarded the longest tuned station in Singapore in a recent survey by AC Neilsen. For the record, Kaw Kaw SG was the official event venue sponsor of the birthday bash. Other sponsors for the bash were One Drop Perfumes, Karva SG, Perfect Frames, Nongsa Resorts, Grey By Ortenhill, Heiraz Bakery & Academy, Lovera Singapore, Hello Adiva, Suka Sucre Bistro, Inglot Singapore, Alive Museum SG and “Sambal Belimbing” by Roslan Shah