Hilang Kasih Di Sarajevo Gala Premiere Screening Event

We are slightly more than three weeks into the new calendar year. It’s been three months since my last post and I know I still owe entries on Anugerah Planet Muzik 2018 as well as originally-planned reviews for Ruffedge‘s and Anuar Zain‘s concerts. Unfortunately, my home PC picked an inauspicious time to go bust, so I was rendered PC-less for some time, hence I was unable to do any updates till I’ve gotten myself a new one. However, it’s been a quarter of a year gone by, and frankly speaking, whatever I owe my readers are old news by now. So I’ll keep my thoughts on APM2018 till the next one comes around (if it does) or maybe I’ll hold my peace forever, if rumours of it being consigned to history books are true. As for the Ruffedge concert, all I can say is, it was a blast and one of the best concerts I’ve ever attended for the fact that I had absolute access to snap photos from close-up without having security or organisers stopping me from doing so. Even the fans had a whale of a night. How many sit-down concerts here can you say that audience are allowed to stand up, dance and sway without having security bugging you to sit down??? Can’t wait for the next Shiraz Project concert here in March with a certain number one singer from Malaysia

The cast of the “Hilang Kasih Di Sarajevo” seen here with their executive producers, Safiyuddin Razif and Nusaibah Abdul Rahim (fourth and fifth from the left)…

Sorry for taking a whole paragraph rambling. Now that I got the explanation for my missing-in-action out of the way, let’s start 2019’s first entry with a gala premiere screening event I attended slightly more than a fortnight ago on 4 January 2019 at the Gallery Theatre of National Museum of Singapore. This screening event was jointly held by Mediacorp Suria and local production company, Poetry In Motion, to promote the blockbuster drama series, “Hilang Kasih Di Sarajevo“, which has already been aired on the national free-to-air channel since 9 January 2019. This drama series stars award-winning actor, Hasnul Rahmat, Nurul Aini, Norman Ishak, Jeff Catz, Hamidah Wahab, Fir Rahman, Adlina Adil, Shenty Feliziana, Bella Putri as well as sees the return of Rima Melati Adams on our television screens after a decade-long hiatus. The show also sees the introduction of Malaysian model-host-actress-rapper Amelia Henderson, who bears a very striking resemblance to international film star Gal Gadot as well as several Bosnian actors and actresses. This drama series is directed and written by the husband-and-wife team of Faisal Ishak and Umie Isa, no strangers already on these shores.

RIA 89.7FM‘s morning show presenters, Nity Baizura and Hans Ashrie, were the hosts at the gala premiere screening event…

Hilang Kasih Di Sarajevo” drifts between modern day and flashbacks from the 90s when Bosnia-Herzegovina was plunged into a civil war and mass ethnic cleansing. The aforementioned war serves as the backdrop to the story being told in this drama series, centering on its main protagonist, Rahman Iskander (played by both Norman Ishak and Hasnul Rahmat) and how he was separated from his Bosnian wife Zana (played by Alisa Brkic and Olivera Blazevic) when the war broke out in Sarajevo where he was based. He was tortured at the hands of the Serbs but was eventually released and returned back to Singapore after being found and rescued by the United Nations‘ peacekeeping force. He went on to rebuild his life and eventually got married to supermodel Ramona (played by Rima Melati Adams), but he continues to pine and yearn for his lost love, slipping into depression as a result. Well that’s the gist of the story that I can relate to you having watched the brief 70-minute screening on the gala premiere night where a bulk of the scenes shown to the audience were from the first three episodes.

Director Faisal Ishak relating to the audience some of the challenges faced during the filming. With him are Executive Producers, Safiyuddin Razif and Nusaibah Abdul Rahim

What I am impressed about the drama series are the breathtaking scenery of Sarajevo, the cinematography, the visual quality of the series which resembles more like a movie than a drama series and of course the pace of how the storyline is being told, which feels just about right. If there are some shortcomings or minor lackings, I would have to say, the CGI effects could have been done much better. But we all know to implement CGI-effects into a production is not cheap and will probably take several production or animation houses to get it right. I think with the budget that they were working at, it should be applauded that a local production house was able to achieve the kind of positive qualities that I mentioned at the start of this paragraph. The gala screening event also had several sections of displays showcasing some of the props used in the drama production as well as serving Bosnian delicacies to go along with the main spread. Truly they pulled all the stops for us to immerse ourselves into the drama series even before it was shown proper on television.

One for the album with the main cast, writer, director, executive producers, soundtrack singer, hosts of the event and new Mediacorp Head Malay Audience & Eaglevision, Community and Content Groups, Mdm. Sabariah Ramilan (centre)…

Some of my closest friends who know my character and how much I appreciate beauty might say I would have been smittened by Amelia Henderson. They might probably be right, having seen and talked to her up close and personal that night, but they are far from the truth actually. The one who caught my eyes the most with her innocence and honesty in delivering her lines was none other than young Bella Putri, the child star who is making her acting debut in this drama series, her first foray in the local Malay entertainment scene, having done several commercial ads and voiceovers for other productions. One could easily hear the audience warming to her with sighs of “Awwww…” every time she came onscreen to speak, moreso when there was a particular scene where she was scolded by her uncle Rahman for dropping his prized painting on the floor. I think this little girl’s career is just about to get a major upturn henceforth and we’ll probably be seeing more of her on television. Try looking out for the commercial advertisement on Changi Airport‘s Terminal 4 and you’ll see this cute little one prancing around in the trailer.

Marcell singing the official soundtrack titled “Cinta Tersembunyi“…

The gala screening of “Hilang Kasih Di Sarajevo” was not complete without the presence of Indonesian heart-throb and soul crooner Marcell Siahaan, the singer of its soundtrack titled “Cinta Tersembunyi“. It’s like a nice package when you get Rima Melati to act in the drama series, you complete it by involving her husband to compose and sing the soundtrack to the series as well. And what a lovely composition the song is! I instantly fell in love with the song and as I watched the scenes unfolding during the screening as well as the first two episodes that have already been aired, I began to understand the meaning of its lyrics better. I won’t be surprised if this song is to be nominated in 2021‘s Pesta Perdana for Best Soundtrack. For the record, “Hilang Kasih Di Sarajevo” airs every Wednesday evenings at 9:30pm on Mediacorp Suria.  Would just like to say well done to the whole production team at Poetry in Motion and let’s hope they will produce more good programmes like this! Thank you too Mediacorp Suria for inviting yours truly to the gala premiere screening! 🙂

Snapshots of “Hilang Kasih Di Sarajevo” Gala Premiere Screening

 

Anugerah 2017 Grand Finals Miscellaneous Snapshots…

Mohammad Shahfiq was instantly mobbed by his fellow competitors when the cameras stopped rolling, but as this shot was being taken, I could hear him tell them in Malay, “Hold on for awhile, I would like to meet my parents first…” Just look at where his eyes were looking at and you will realise the humility, gratitude and class that he possess. The judges truly crowned a deserving winner…

As the title above suggests, I am not doing any reviews at all for this particular entry, as I still have 4000-odd photographs that I still need to edit from last Tuesday‘s penultimate episode. In case anyone is waiting for me to speak about the final results or summarise the competition as a whole, well you just have to wait a wee bit longer as the fourteenth instalment of Pesta Perdana, happening this coming Friday, takes precedence. This entry is more of a filler to bridge the empty void between last week’s Grand Finals and Pesta Perdana. Here are some miscellaneous photos from the night whereby Mohammad Shahfiq became the latest winner of the Anugerah competition.  These shots were taken pre-show, during the commercial breaks, post-show as well as the dinner reception afterwards. Enjoy!!!

Anugerah 2017 Week 5 Recap…

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Hosts Huda Ali and Suzairhe Sumari welcomed us to the show…

We have reached the halfway point of Anugerah 2017. How quickly time flies. Due to a couple of factors like a hectic work schedule this past week and for the fact that Facebook videos were taking a long time to load over the weekend thus hampering me from viewing their performances again, I will not be doing my regular individual analysis of the contestants for this week and probably the upcoming week, depending on my own commitments. Partly why I am not doing individual analysis for this week is also because I would like the contestants to have a reprieve because they have been slammed left, right and centre by the netizens for apparently bringing down the standards of this year’s competition. It is only fair that I allow them a breather and let them concentrate on their upcoming episode. By the way, the theme for last week’s episode were songs produced during their birth years.

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By the end of the night, we saw the elimination of Shafie Syed and Nadia Nadhirah, the former being the lowest-ranked by the judges and the latter by virtue of getting the least number of votes by viewers and studio audience. Do I think it was justified? I believe in the case of Shafie, it probably was. He has been quite fortunate enough to have a very good support base to have kept him in the competition for so long while putting in what I considered as safe performances. Actually his performance last week was ok, just that visually it looked a bit off and comical, with him singing a song with traditional nuances, but wearing a modern outfit. He actually got his “Lenggok Melayu” on point though. In the case of Nadia Nadhirah, she didn’t do too badly, in fact I thought she did better than the previous weeks I observed her. She was just unlucky that her votes were not enough to save her. Ironically the two bottom-placed contestants by the judges were the ones with the highest votes. There is only so long that they can remain that way before the judges place them at the dreaded last position.

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The judges enjoying a bit of banter with the two hosts…

However, to be fair, quite a number of the contestants were recovering from a bad virus over the past fortnight. This was something the people watching from the comfort of home did not know, which affected their performances somewhat. I saw the amount of abuse directed at the contestants for bringing down the standards of the competition as mentioned earlier, some went as far as saying that this is the worst batch. I disagree with most of these dissenters because I can say that most of them have very short memories. If I were to compare with the 2011 batch, with all due respect to them, I personally feel this current batch is better in terms of vocal technique and execution. I was actually appalled at seeing someone from my list of friends on social media, questioning the standards when as a former reality television contestant himself, I expected a more compassionate and understanding approach having gone through the motions when he entered more than a decade ago.

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The final ranked positions by the judges by the end of the night…

People tend to forget these young upstarts are still raw and most do not have the benefit of having vocal coaches outside to guide them, what more have the knowledge of music / melody arrangement to make a difference in their performances. As I had mentioned before in previous entries, the buddies in the competition have limited time with them and can only share up to a certain point as instructed by the producers. The rest is up to the contestants to find ways to stand out from one another. People still complain to this day why the show pales to that of the likes of Mentor and Akademi Fantasia. The reason is simple. The concepts and mechanics of the competitions are different, sponsors do not pump as much money as that across the Causeway and with a population that is ten to fifteen times lesser than our next door neighbours, how do we expect to find such good or perhaps, exceptional talents???

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Shafie and Nadhirah gamely accepted their elimination and posed for the camera with buddy Hyrul Anuar

Our community only makes up about 15% of the population. From this 15%, the 16-29 years of age group probably make up about 2% or 3%. When we break down even further, how many from this age group actually have the talent to sing or want to sing in a reality television competition??? With talents now able to make music and sharing on social media, there is probably also another factor whereby they do not see that need to be known or to test themselves, knowing there are other avenues for them to be heard. People talk, complain and rant on a weekly basis, but they never stop to think of the bigger picture. Too many empty vessels making a lot of noise, yet they do not contribute substantially to the progress of the local music or entertainment industry and expect the people inside to create magic.

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The Top 6 semi-finalists… Will some of the eliminated contestants be given another chance to join them???

So far, there is still no news yet of any possibility of a Wildcard round in this year’s competition. However, I have a sneaky feeling that it will be done either this week or the next, because it seems odd that the quarter-final episode was on Week 5 and then you have another five weeks of competition. Take away the possibility of a two-legged semi-final episode, we’re left with three weeks, one of which is of course the Grand Finals. Well, that’s me being analytical and drawing upon my experience covering Anugerah competitions over the past decade. I could still be wrong. But till then, we will just have to wait and see as the Top 6 from last week’s episode is scheduled to fight it out once again tomorrow, live from Studio One at the new Mediacorp Campus at 8:30pm.

Anugerah Skrin Episode 8 Recap…

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I foresee another short entry just like the last one. This past Tuesday (15 March 2016) saw the competition saying its goodbyes to four contestants, thus leaving the Top 6 to duke it out in the Grand Finals episode in a matter of nine days from the day I published this entry. As the same format applied from the previous week, the male contestants who were up against one another had to act out scenes from popular drama shows on Mediacorp Suria over the past year or so, with another established actor from the opposite gender. This week saw them collaborating with the likes of Farhana M Noor, Izyan Mellyna, Hashimah Hamidon, Era Farida and Mariana Yati. The guest judges from the previous week, Ariati Tyeb Papar and Zaidi Ibrahim, returned once again to the hot seats.

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Farhana M Noor and Fadli Kamsani…

Fadli Kamsani was first up with Farhana M Noor, from a scene taken off Rempuh. Judge Sharon Ismail was not quite impressed when she commented that Fadli‘s acting was one-layered and he needed to find more reasons for his character to be unhappy. I personally found the performance quite average because there were times when his body language and dialogue delivery did not quite sync. For his hosting segment, I actually like hearing his voice tone, calm and measured, though I also agree with judge Khairudin that his intonations could be better expressed when stressing of certain words. I also note that Fadli looked a bit tensed and that he was trying to maintain his presentable outlook more than trying to get himself messy. The least he could have done for his segment was wear an apron, or better still, donned the chef’s hat, even if his involvement with decorating the cake was minimal. I was thinking, what was so scary or fearful about decorating a cake???

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Iskandar Shah and Era Farida…

Iskandar Shah was next as he paired with Era Farida in a scene from Bubur Masjid Air Katira season 3. Guest judge Ariati pointed out that Iskandar‘s performance seemed rushed and his emotions at the start of the skit, were not in tune with his dialogue. I found the comments a bit too harsh as I thought he gave off a confident performance, though not as the same level as the one he had when he sparred with Syaiful Ariffin a fortnight ago. I liked the way he mouthed off his lines, with firmness, clarity and authority, just what the role called for. His hosting segment felt a bit odd though, in that they classified learning to dance the Zapin as something to be “feared”. Judge Sharon noted that he overacted and that singing during the introduction did not quite suit what was required of him. While I agree that singing was perhaps redundant, moreso because he did not get enough “lenggok” to his tune, actually it was something different and unique that he injected into his style. On the part of overacting, it was minimal if you compare Iskandar‘s style to Danish Ashraf‘s.

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Izyan Mellyna and Kamarul Arifin…

Izyan Mellyna reprised her role as Farhana in the recently-concluded drama series of the same title. She was paired with Kamarul Arifin. I tried to get a feel of their scene, both when watching live at the Mediacorp TV Theatre and upon watching it again via Catch-Up TV, but both instances I felt a certain feeling of emptiness at Kamarul‘s character portrayal. It felt one-dimensional and hollow, even if he tried and gave off his best to inject emotions and sadness to his character. The dialogue delivery failed to leave an impact on those watching and this was also pointed out by guest judge Zaidi Ibrahim, who said it lacked character. Kamarul‘s hosting also did not quite impress me that much because I felt he was more concerned about how he looked onscreen and his diction, than being natural and getting himself hot and sweaty for his rigorous activity. My mind was made up after watching his acting performance that he would be one of the two male contestants to be eliminated.

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Syaiful Ariffin and Hashimah Hamidon…

If I was squirming when I watched Yaya Hamid and Fir Rahman last week, that same feeling returned when I watched Syaiful Ariffin in action with Hashimah Hamidon from their scene taken off Mengejar Mentari. What was most eye-catching about this acting performance was Syaiful‘s intense eye-contact with his sparring partner. It felt so natural even if the whole situation felt a bit wrong. Like what judge Ariati had said, there was sincerity in Syaiful‘s acting though I have to caution him that his intonations can sound a bit off, but it was minimal for this performance. Based on his academic background alone, Syaiful seems the strongest when it comes to acting and he needs a very good sparring partner for him to give off his best as we have seen two weeks ago with Iskandar Shah and this week with Hashimah. His hosting though needs lots of improvement. At times it feels as though I am watching an “orang lama” because he has a kind of style of presenting, complete with facial expressions, that remind me of the actors and personalities from the glory days of Jalan Ampas. Actually he wouldn’t look out of place if he were to be cast in shows depicting that era.

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Mariana Yati and Danish Ashraf…

Last but not least, Danish Ashraf. I did say in one of my previous entries, he has been quite fortunate to have been getting roles that fit his personality. In fact his similarities to Anugerah Skrin 2006 alumnus, Junaidi Sali, are uncanny in that they both tend to excel in comedy and antagonist roles. Which is why I felt he has not been properly challenged yet up till this point. Danish teamed up with Mariana Yati from a scene in 2014‘s popular Belah Hati series. For the first time, I saw a weakness in Danish‘s acting performance and this had more to do with him being challenged out of his comfort zone. He looked a bit off trying to balance his emotions which required him to be exasperated, angry and eventually sad by the scene end, which was not easy. Personally I did not quite like his acting performance for this round and thought he looked vulnerable for the axe, but that is me being a bit harsh. However, I felt he was the best amongst the rest when it came to the hosting segment. He has a distinct style of presenting, full of natural wisecracks and funny quips, even if the cynic in me would say he tends to overact. The only complaint I have is the same as the one I made with Fadli Kamsani‘s, in that he should have used an apron and wore a chef’s hat, not only for realism’s sake, but also hygiene purposes cos both of them were dealing with food.

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Seconds before the elimination…

I had envisaged in my last entry the ones who would leave the competition amongst the young ladies who competed last week, even though I did not identify their names. I was half correct when I guessed Wirda Elliesa‘s elimination right, but I was caught between Syafiqah Shahlan and Shida Lestaluhu. I think what tipped Syafiqah‘s favour was her hosting segment which she aced amongst her fellow competitors. As for the guys, I had Kamarul‘s elimination spot-on, but I did not see Iskandar Shah‘s coming. It hit me like a bolt out of the blue and I believe, just like Ain Zainal‘s elimination a fortnight ago, a number of people were left reeling in shock as well cos we did not see it coming. I had actually thought the other elimination would go the way of Fadli Kamsani or Danish Ashraf, but both of them made it to the Grand Finals.

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Presenting to you the Grand Finalists of Anugerah Skrin 2016 – Danish Ashraf, Fadli Kamsani, Syaiful Ariffin, Nurul Nadia, Yaya Hamid and Syafiqah Shahlan…

Next week, there will be no live broadcast from the Mediacorp TV Theatre nor Studio 4 as footage from the Boot Camp, which the finalists have gone through over two days this past Wednesday and Thursday at Changi Civil Service Club, would be aired instead. Which means, I get a much-needed break from my weekly entries on the competition. Please do not expect any entries on the Boot Camp episode as I will not be making any, but I believe there are other self-styled critics out there who will be doing it, complete with scene-by-scene takes and comments on everything and anything they see. And so we say congratulations to the six finalists – Syafiqah Shahlan, Danish Ashraf, Nurul Nadia, Fadli Kamsani, Yaya Hamid and Syaiful Ariffin. Commiserations are due to the four eliminated – Wirda Elliesa, Iskandar Shah, Shida Lestaluhu and Kamarul Arifin. I think it’s too cliche and oft-repeated, but it is never the end of their journey once they are eliminated. There will always be avenues and opportunities for them. They just need to improve and hone their craft on their own. Others before them have done that, who is to say they cannot follow suit??? 🙂

Snapshots of Anugerah Skrin 2016 Episode 8

Anugerah Skrin 2016 Episode 7 Recap…

Anugerah Skrin 2016 Episode 7 1643The female semi-finalist contestants (from left): Nurul Nadia, Shida Lestaluhu, Syafiqah Shahlan, Wirda Elliesa and Yaya Hamid

It was all about “Girl Power” this past Tuesday night (8th March 2016), as the first semi-final episode of this year’s Anugerah Skrin competition was aired live from the small confined space of Studio 4. In line with the International Women’s Day celebrations that day, the five young ladies who have progressed thus far at this stage, were given the opportunity to take centrestage. For the semi-final rounds, the contestants are required to act with a renowned actor from the opposite gender and from scenes of popular drama shows on Suria, which these more established actors have acted in. As for the hosting segment, they were tasked to host outdoors and alone, unlike previous rounds where they had a sparring partner amongst themselves. This past week, their hosting tasks brought them to the island of Sentosa. Last Tuesday also saw an addition of two guest judges in Ariati Tyeb Papar and Zaidi Ibrahim, two previous Pesta Perdana winners, no slouches in their respective crafts.

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Jeff Catz and Nurul Nadia

Nurul Nadia was paired with Jeff Catz for the first acting segment of the night and they acted a scene from the four-part series, SAGA. Khairudin Samsudin commented that Nurul Nadia‘s performance was superb and I feel that it was justified. I think it helped her a lot in terms of putting in the sad emotions when Jeff‘s character blew his top and raised his voice at her. The only downside was her lack of eye expressions which looked as though they disappeared somewhat when she cried. As for her hosting, it was a bit of a hit and miss for me, good in patches and having less confidence during the rest of the takes. At this stage, one’s confidence should be up there already and not stuck with the jitter bug. At times I see Nurul Nadia a bit too meek. She has to come out from her fear and comfort zones if she wants to win this competition. However, I think she might be good enough for a grand finals spot by virtue of her acting performance alone. Finally, the judges realised her voice resemblance to Huda Ali‘s which I had pointed out weeks ago when the competition first started.

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Norman Ishak and Wirda Elliesa

I personally thought Wirda Elliesa did slightly better than previous weeks, when she was partnered with Norman Ishak for their scene taken from Firasat. However, she was told that her character’s supposed firm traits had more anger instead. This is where the finer technical details of their acting are scrutinised by the judges as we get closer to crowning them as winners. For the laymen like us who watch from the comfort of our screens, we feel that it was believable to an extent, but perhaps not in the eyes of the judges. I personally felt a bit uncomfortable watching the preview scene when they were interviewing both of them, cos when Norman was being interviewed, Wirda was looking down and adjusting her hair, instead of towards the camera, a slightly bad habit I noticed since the earlier episodes. Some viewers might view that as lacking in manners, but to give benefit of doubt, I believe she might have thought that the focus of the camera was on Norman alone. As for her hosting, it felt quite ordinary and the questions posed were too basic though I dunno if it was part of the script or they had to think of the questions themselves. Instead of “promoting” the Luge, I think the attention of the viewers was more on her than what she was presenting about.

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Fido Ahdross and Syafiqah Shahlan

For the first time in the competition, I detected a lack of confidence in Syafiqah Shahlan’s acting performance. She has always been a model of consistency but during her segment with Fido Ahdross, when they played out a scene from A&E, I could sense that her mind was probably not focused with what she had to deliver, thus resulting in a lack of emotions and an overall average performance. Not for the first time that night that the judges pointed out the lack of expressions in the contestants’ eyes. Syafiqah‘s saving grace was her hosting performance which had the word “FUN” spelt out in capital letters to indicate her personal experience and even the audience who might have felt the same, just by watching her segment. The only grouse I have is they could have gotten a better instructor who could speak the Malay language fluently. It felt odd watching a Malay-sounding named person speaking in English for a Malay programme. Worse, his grammar was atrocious for someone who is more comfortable speaking in English. I’m sorry, it’s my OCD kicking in…

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A. Mahadi and Shida Lestaluhu…

I did say in my Episode 3 entry that Shida Lestaluhu was probably not ready for a comedy role yet. A month has passed since I made those remarks and even though I feel that she is still not yet ready, I note a better performance from her alongside A. Mahadi. They had reprised a scene from the highly popular Menantu International drama series. At first glance, the ad-lib of the tie on the mannequin in the scene felt normal, but upon watching again, I agreed with the judges that it sounded a bit off. Shida‘s intonations could also have been expressed better especially on the parts where she had her verbal joustings complete with traditional Malay idioms. For her hosting, I think she did better as an individual as opposed to having a sparring partner. But like what judge Sharon Ismail had pointed out, she has to be aware of her camera angles and not be seen as though she is looking down on her interviewee.

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Fir Rahman and Yaya Hamid…

Finally we come to Yaya Hamid. If you compare her performance as well as Nurul Nadia‘s, whom I felt were the better performers of the night, I am more inclined to say I enjoyed Yaya‘s performance with Fir Rahman more. Their scene taken off Kosmopolitan, was a public display of affection (albeit in a private office setting), which had me feeling uncomfortable and squirming, for the fact that it seemed almost believable. I liked the way they interacted with their eyes towards the end, I thought it felt quite intensed and electric. I feel that Yaya‘s acting has steadily improved as the weeks progress, though I would also caution her that she can still improve on her stressing of words along with her emotions. Her hosting segment was good to a certain extent. There were times where vibrancy and zest were missing in her presentation delivery but overall I thought she still did ok. She was brave enough to let her hair down just going through the motions of the trapeze act.

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The guys ready to rock Episode 8: Syaiful Ariffin, Danish Ashraf, Iskandar Shah, Kamarul Arifin and Fadli Kamsani

As expected, there were no eliminations in Episode 7. However Episode 8 will be slightly more brutal and intensed than previous weeks, in that four contestants will be given the axe, two each from the guys and ladies. I am not sure who amongst the ladies will be eliminated at this stage, because my personal observations might not tally with the judges. However based on the judges’ comments, I more or less know who will be saying goodbye to the competition this coming Tuesday. I will not say it here because I do not want to make the young ladies’ respective morale drop even before Tuesday has arrived. They left Episode 7 still smiling, which was a rare sight, and I do not want them to come into Episode 8 all sad and gloomy. Before I end, I just want to say, I love this particular entry as it is the shortest to date for this year’s Anugerah Skrin competition!!! 😛

Snapshots of Anugerah Skrin 2016 Episode 7

Anugerah Skrin 2016 Episode 6 Recap…

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Shah Iskandar and Huda Ali welcoming us to Episode 6

Back again with another round of recap of this year’s Anugerah Skrin competition. However I’ll try to keep it brief. The keyword here is “try”, and not “brief”. Hahahaha. Episode 6 saw the return of the Top 6 in Group B, who again have had the advantage of seeing their Group A counterparts slugged it out the previous week. Based on the first four episodes alone, these advantages did not necessarily mean they gave better or stellar performances. I note a certain degree of nervousness amongst the contestants, the fear to express themselves and just let go. I do not blame them because they are relatively young, still getting to grips with this newfound attention on them, and it can be very pressurising judging by the small conversations I had with some of them. Oh and also the matter of having to remember their lines which can be lengthy and wordy.

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Seriwahyuni Jaes (right), joining Khairudin Samsudin and Sharon Ismail on the judging panel…

Before I proceed further, I would just like to apologise for saying that Episode 5‘s guest judge, Izzat Yusoff was supposed to make another appearance in Episode 6, when in fact it was Seriwahyuni Jaes who was in the hot seat. I was actually half right, because Izzat was indeed backstage and was part of the deliberating process between the judges when it came down to who was to be eliminated at the end of the show. He had told me after Episode 5 that he would be back the following week, but at that point of time I guess he himself didn’t know whether it was appearing on television or otherwise. I only found that out after Episode 6 had ended. Continuing from the previous week’s theme, the acting segment required the contestants to act in period / classic roles from films of yore and hosted a fictitious variety show titled “Pop Skrin“.

Anugerah Skrin 2015 Episode 6 364Fadli Kamsani & Wirda Elliesa…

First off, the pairing of Fadli Kamsani and Wirda Elliesa. If I were to chart a graph of their hosting performance, it would look like a steep mountain. They actually started off well, even if Wirda‘s energy when she said, “Pop Skrin“, could have had a bit more zest to it. After that, it went downhill as Wirda stumbled and forgot her lines, with Fadli having to save her, but got lost himself along the way. As hosts, both have the looks which you do not easily reach your remote controls to switch channels. However, alleviating pressure from within and learning the art of ad-libbing are some things that they could work on and this comes only through countless experiences over time. To give them the benefit of doubt, it was only their third such outing and without any teleprompters nor cue cards. Even seasoned hosts tend to trip on their words, with cue cards in hand.

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Iskandar Shah as Laksamana Bentan and Syaiful Ariffin as Sultan Mahmud

The first acting segment of the night saw Syaiful Ariffin and Iskandar Shah taking on the roles of “Sultan Mahmud” and “Laksamana Bentan” from the film “Sultan Mahmud Mangkat Dijulang“. I don’t want to say much other than this was the best acting performance throughout the six episodes of this year’s competition. 2010‘s winner, Syirah Jusni, tweeted that she had goosebumps watching them and she was not alone, as I had also felt the same thing watching them live. They had stage presence, the lines were delivered in tones that were required according to their respective emotions and the energy both of them gave off literally bounced off the other. Finally I got to see Syaiful producing something which I know he is capable of and was equally reciprocated by Iskandar. Well done guys, but do take note of guest judge Seriwahyuni‘s advice. It’s minor technical stuff which would be lost upon most viewers, myself included when I was watching, but it was sound advice indeed to make you even better actors.

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Ain Zainal and Yaya Hamid…

Back from the commercial break and we had Ain Zainal and Yaya Hamid up next with the hosting segment. Both actually did not begin on a good footing, with Yaya slightly tripping on her lines and Ain momentarily forgetting what she had to say. To their credit however, they kept going without missing a beat. I can see that Yaya‘s confidence in hosting seems to grow as the weeks progress, even if at times her saccharine voice and way of presenting still belong to children’s programmes. Ain on the other hand seemed to be holding back for reasons only known to her and also I detected and forgive me for being slightly harsh, a lack of sincerity in her presentation style that night. It could be the reason why Seriwahyuni had commented that presenters should know and have a feel of what they want to say and in turn the audience should feel it as well. I did not get to feel it watching Ain‘s performance live as well as afterwards when I was studying their performance again.

Anugerah Skrin 2015 Episode 6 1198Wirda Elliesa as “Permaisuri” and Fadli Kamsani as “Datuk Bija Sura“…

The next acting segment brought back the pairing of Fadli Kamsani and Wirda Elliesa as “Datuk Bija Sura” and “Permaisuri” from the classic film “Dang Anum“. I believe both contestants had been hampered and affected somewhat by their earlier hosting performance as they somehow did not express themselves fully. Emotions were somewhat lacking at vital points and there was a distinct lack of stressing of words and intonations, especially on the part of Fadli. A waste really given his role as a scheming minister could have been better with better delivery of his lines. His facial expressions could have also been expressed by being more sinister rather than looking like a pervert. Wirda at least tried to do better by showing different facets to her character, a distressed-turned-vengeful queen. Judging by the way she played with her facial expressions, I think she might do well if antagonistic roles were given to her. Still overall, it felt like an average performance and the judges also said the same thing.

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Iskandar Shah and Syaiful Ariffin…

Iskandar Shah and Syaiful Ariffin returned for the last hosting segment of the night. Watching them host felt like watching their earlier acting segment all over again. Iskandar especially, I felt, was still in his character mode as he mouthed off his lines complete with melody. He was also moving his head a bit too much. I did not notice this on the night itself as I was snapping photographs away, but I realised this when I watched their performance again on Catch-Up TV. This pairing also fell victim to the tripping of words felt by the others throughout the night with Iskandar the main culprit. Syaiful‘s hosting is not that spectacular, but he delivered them in calm and measured tones. His energy however needs to go up a notch because I noticed that his general hosting style lacks a bit of vibrancy at times from the first time I observed him in Episode 2. Still I thought they were both good to progress into the semi-finals by virtue of their virtuoso performance earlier in the night.

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Yaya Hamid as “Mak Labu” and Ain Zainal as “Mak Kundur”…

Finally the last acting segment. Yaya Hamid and Ain Zainal got the roles of “Mak Labu” and “Mak Kundur” respectively from the film “Bawang Putih Bawang Merah“. Watching them act felt as though I was transported back in time when I was an avid fan of programmes involving Bengkel Kanak-Kanak TV SBC. Yes, I am sure you know what I am trying to get at, it felt like watching a children’s role play show. I was disappointed that Ain did not maintain her level of consistency from the previous rounds we’ve seen of her. There was a lot of holding back by both young ladies in their roles, a lack of feel, emotions and grasp of the lingo required to deliver their lines. In terms of realism, Yaya was supposed to be the elder sister but ended up looking like the younger one. The whole performance felt amateurish at best and too much over-the-top facial expressions by Ain, which was not matched by Yaya.